Premiere (Beta)

Premiere Pro 26.3 and Premiere Pro (Beta) 26.5 both crash in MacOS Golden Gate Beta 3 (MacOS 27). M4 Pro Mac Mini, 64 GB RAM. The Beta won’t even launch fully and always quits, while 26.3 will let you open it, but basically the moment you do anything in it, it crashes. Both are basically unusable at the moment. 

This build of the Beta (it happened even on the previous one) has Control Surface completely broken. An ‘unexpected error’ prevents Premiere to initialize any Productions and Projects, resulting in a warning window telling me the error - I attached the warning window.The issue doesn't present itself in the regular release - altough I'm some version behind as the latest stable build has a known issue with RTX 50 series cards when it comes to graphics properties, which funny enough was fixed in the Beta builds.My PC is as follows:Windows 11 Pro Intel Ultra 9 285K NVIDIA 5070Ti 16GB (latest Studio Drivers) 64GB DDR5I use the Logi MX Creative Pad. 

As I was editing through the mic phone indicator started to lit in my m4 max macbook. when I checked what is using the mic it showed premiere beta. I did not record or do anything that is related to mic.

I'm running Adobe Premiere Pro 2026 (v26.3.0) on the macOS 27 Golden Gate Public Beta, and Premiere keeps crashing randomly while editing.I checked the crash log, and here's what stands out:Exception: EXC_BAD_ACCESS (SIGABRT) KERN_INVALID_ADDRESS at 0x0000000000000000 Premiere calls abort() The crash is triggered by a thread named:CML_AdobeOneVisualB16-20250709It doesn't look like a GPU, codec, or memory issue. From what I can tell, it seems more related to Adobe's background AI/Creative Cloud components ("Adobe One Visual") or an incompatibility with the macOS 27 beta version.

I'm running Adobe Premiere Pro 2026 (v26.3.0) on the macOS 27 Golden Gate Public Beta, and Premiere keeps crashing randomly while editing.I checked the crash log, and here's what stands out:Exception: EXC_BAD_ACCESS (SIGABRT) KERN_INVALID_ADDRESS at 0x0000000000000000 Premiere calls abort() The crash is triggered by a thread named:CML_AdobeOneVisualB16-20250709It doesn't look like a GPU, codec, or memory issue. From what I can tell, it seems more related to Adobe's background AI/Creative Cloud components ("Adobe One Visual") or an incompatibility with the macOS 27 beta.

Export freezes while "Preparing Content Credentials”Exporting as usual and the first loading screen while exporting says “Preparing Content Credentials” and is stuck at 100%. I’ve tried toggling Content Credentials on and off. I’ve cleared my cache. I’ve tried moving on and out points, I’ve tried rebooting, I’ve tried exporting different codecs.  If I export with Credentials on, it says "Applying Content Credentials” and also freezes at 100%. I’ve verified my identity and credentials.  I’ve tried media encoder with things toggled on/off and multiple codecs. I’ve also tried other project files.  I must export. 

The transcription/text feature works with the source footage, but once the production timeline is assembled, it becomes buggy. Sometimes it provides the transcription with properly labeled speakers; other times it provides an unlabeled version with incorrectly timed text; but mostly it indicates that no dialogue is found.

I have been editing my projects with the official release (26.3) and opening them on Premiere Beta to do the color grade using the new Color mode (saving the project with a new name so I can still open the ungraded project on the official release if something happens). The color mode recently became unusable. It is very very very slow. Every click on a tool takes seconds to open the scope and then it takes a few seconds to show any change when I move the mouse. I noticed I was using the 26.5 version. I tried for hours but got very frustrated and installed the previous beta version (26.3) and I’m once again able to grade my footage. It’s slow but workable. I don’t know what happened with the 26.5 version but I hope it gets fixed so I can use the latest version. 

Save as or Save a copy does not open the corresponding folder containing the project files. etc.It opens some random? folder.This behaviour can cause serious mistakes in managing ones project.This has been going on for a while and also present in 26.3Beta 26.5 B64 W11

New (in beta) color grading tools still don’t work properly with Wacom tablet. It’s imprecise, even after modiying sensitivity and nudge in setting and then holdng Alt key. It’s impredictive, runs to extremes (up or down).Also the pivot concept is wrong, in my opinion. It would be beter if it all worked as eyedropper in ACR - you click specific area and drag. Or maybe there should be an option to operate by draging particular areas on HUD. Just Click on the HUD and drag it up or down, with possibility to modify the area height / falloff strenght by eg. pressing keyboard arrows.

Hello Everyone.I’ve been using Premiere Pro’s Lumetri Color panel for a long time, mainly relying on the Lumerti Color Panel, Color Wheel, Curves, and of course the Lumetri Scopes. Sometimes I also add third‑party tools like Maxon Magic Bullet and FilmConvert Nitrate, and I’ve always gotten great results with that workflow.Recently, I tried the new Color Mode, but so far I still prefer the traditional Lumetri Color panel. That might just be because I’m not fully used to the new interface yet. I’m wondering whether, in the future, Adobe will allow us to switch back and forth between the original Lumetri panel and the new Color Mode, or if we’ll eventually be locked into the new system.Thanks.

The new AI tool is impressing me, despite some shortcomings…BUT; the tool needs some notification improvements, aligned with the ‘progress’ bar on the Prem icon, it be helpful to add a ‘processing AI’ progress bar or Icon, but also a notification badge that indicates waiting on user response.When it's doing something quick, it's not a big deal to not have these.  But my last test it's been processing for about 7 min, and I wanted to do something else while it worked on it.  Missing some prompts waiting on approvals. 

 We’re excited to introduce a new generative workflow in Premiere. The new Generative Media Tool lets you generate sound effects and video exactly where you need them, directly in your timeline.  Simply select a range in your timeline, describe what you want, and you can generate media directly into your edit. Whether you need missing ambience, a custom sound effect, b-roll, a cutaway or an establishing shot, you can stay focused on editing without switching applications. To add the visual context of your project, use the eyedropper to sample reference frames without leaving the timeline.   Generate Sound Effects in ContextNow you can generate custom sound effects directly in the Premiere timeline.Select any audio range, describe the sound you want, and generate multiple variations that match the duration of your selection.Need more control? You can use your voice to guide the timing and intensity of the sound effect, making it easier to create sound effects that feel natural in your e

We’ve made several improvements to the Link Media process in Premiere Pro. You’ll typically see the Link Media dialog when you open a project and Premiere Pro can’t find some of your assets.   What’s new New “Apply” button: You can now apply the changes you’ve made and continue opening your project — without having to relink every missing file or cancel your progress. Right-click options: Right-click one or more files to access Locate, Offline, and Reset commands, giving you more granular control over relinking. Bug fixes We’ve also fixed several issues that could slow down relinking or force you to go through the locate process multiple times, even when all the missing files are in the same folder path. Try it out We’d love your feedback. If you have a project where relinking has been frustrating in the past, please test these updates and let us know if the experience has improved. Thanks! Fergus

Keyframing beim Ducking funktioniert nicht.

This is an annoying behavior that did not happen before and is still present even in the Premiere Pro Beta. When you modify the value of an existing keyframe, its interpolation resets from Bezier to Linear.For example, if a Scale keyframe is set to 50 with a custom Bezier speed curve, and I later change that same keyframe value to 60, the keyframe immediately becomes Linear. This forces me to manually recreate the Bezier speed curve every time I need to adjust a value, which significantly slows down the workflow and breaks fine motion adjustments.The expected behavior is that modifying a keyframe’s value should preserve its interpolation type and Bezier curve unless the user explicitly changes it. 

Object mask and warp stabilizer don't go together. Even with nesting the mask will go offset. Does not matter if you nest the mask or WS first. It wont follow WS.   Render and Replace wont work at all as the are 4K clip in a 1080p timeline.   26.1.1 B30 W11pro   nesting Render and replace      

The new color mode has a bug when using a fade/dissolve in a clip and also having the detail module turned on at the sequence level. Here is how the clip looks mid dissolve with the detail module turned on: And here is the same frame with the detail module turned off: 

Update crashes midway with an error code 146 and says “Unable to move the file. Rename the file and try again. ”Has full admin access too.  Error log:  Exit Code: 146-------------------------------------- Summary -------------------------------------- - 2 fatal error(s), 0 error(s), 1 warnings(s) FATAL: Error (Code = 146) executing in command 'MoveFileCommand' for package: 'AdobePremiereProBeta14AllTrial_arm64', version:26.3.0.71FATAL: Error occurred in install of package (Name: AdobePremiereProBeta14AllTrial_arm64 Version: 26.3.0.71). Error code: '146'WARN: Unable to move file at "/System/Volumes/Data/.adobeTemp/2839B7E5-E6DB-432B-B40E-ACC155371D44/1/arm64/App/Adobe Premiere Pro (Beta).app/Contents/CodeResources" to "/Applications/Adobe Premiere Pro (Beta)/Adobe Premiere Pro (Beta).app/Contents/CodeResources" . Try setting correct permissions to the specified file/folder or parent folder, so that admin has rights to modify it.-----------------------------------------------------------

Hey everyone! We’re excited to share a new addition to the voiceover recording workflow that just landed in Premiere Beta 26.5.0 Build 59: Live waveforms while you record.This feature is on by default and is designed to give you immediate visual feedback as you record. No more recording blind and waiting until you stop to see what you captured.What’s New?When you record a voiceover now, the audio draws onto the timeline in real time. As you speak into the mic, the waveform renders live in the clip, so you can see your levels, pacing, and pauses as they happen. Your recording takes shape in front of you instead of showing up only after you hit stop.Where to find itYou’ll see the waveform render automatically in the target track the moment you start a voiceover recording. There’s nothing to turn on. As soon as you begin, the audio draws into the clip in real time so you can follow the take as it happens.Live waveform feedback while recording a voiceoverWhy this mattersRecording voiceover

Steps to reproduce:1. Edit a short section on a timeline that you want to export (3 or 4 clips)Tap the UP arrow on keyboard to select the first frame of the section Tap “I” to set the in point Tap the DOWN arrow on keyboard to select the last frame of the section Tap O to set the out point Export In to Out    Result: ...An extra blank frame is added to the export.  Looking closely at the timeline, it’s apparent that an extra frame has been added to the selection. As these are for a video loop, the black flash frame is apparent. Expected: ...In previous versions no extra blank frame was selected. Workaround: Step back one frame and tap O. Last frame is selected and no more.   System info     Application: Premiere Pro (Beta) v26.5.0.51     OS: Windows v10.0.26200, RAM: 63.79 GB GB, CPUs (logical): 16

I’d love to see a third option in comparison view where it shows the clips side by side fully. Not just half and half.