Questions

I composed a project on Beta a couple of months ago and need to make a change. So far, I am locked out of accessing Premiere Pro Beta. Is there a workaround for getting my project back?

I just bought creative cloud recently and there is no Beta version tab. I don't know what to do. They said Cloud Update is already updated.Beta Premiere Pro is installed separately, but even though it is in the cloud, it still doesn't work, what should I do?

Hello Everyone.I’ve been using Premiere Pro’s Lumetri Color panel for a long time, mainly relying on the Lumerti Color Panel, Color Wheel, Curves, and of course the Lumetri Scopes. Sometimes I also add third‑party tools like Maxon Magic Bullet and FilmConvert Nitrate, and I’ve always gotten great results with that workflow.Recently, I tried the new Color Mode, but so far I still prefer the traditional Lumetri Color panel. That might just be because I’m not fully used to the new interface yet. I’m wondering whether, in the future, Adobe will allow us to switch back and forth between the original Lumetri panel and the new Color Mode, or if we’ll eventually be locked into the new system.Thanks.

The new AI tool is impressing me, despite some shortcomings…BUT; the tool needs some notification improvements, aligned with the ‘progress’ bar on the Prem icon, it be helpful to add a ‘processing AI’ progress bar or Icon, but also a notification badge that indicates waiting on user response.When it's doing something quick, it's not a big deal to not have these.  But my last test it's been processing for about 7 min, and I wanted to do something else while it worked on it.  Missing some prompts waiting on approvals. 

 We’re excited to introduce a new generative workflow in Premiere. The new Generative Media Tool lets you generate sound effects and video exactly where you need them, directly in your timeline.  Simply select a range in your timeline, describe what you want, and you can generate media directly into your edit. Whether you need missing ambience, a custom sound effect, b-roll, a cutaway or an establishing shot, you can stay focused on editing without switching applications. To add the visual context of your project, use the eyedropper to sample reference frames without leaving the timeline.   Generate Sound Effects in ContextNow you can generate custom sound effects directly in the Premiere timeline.Select any audio range, describe the sound you want, and generate multiple variations that match the duration of your selection.Need more control? You can use your voice to guide the timing and intensity of the sound effect, making it easier to create sound effects that feel natural in your e

I’d love to see a third option in comparison view where it shows the clips side by side fully. Not just half and half. 

I want to take the sequence settings off of only one clip and edit it freely for color 

I want to work in a wide color space in Premiere, and I have a lot of experience doing exactly this in DaVinci Resolve. In Resolve, the ACES Transform / Color Space Transform node converts all my media to a wide working space, and the output transform tone maps beautifully. Critically, Resolve's tone mapping lets me push an image and fill the scopes as much as possible without breaking.In Premiere, the same approach falls apart. With tone mapping on, I get badly shifted colors and the overall image sits low in the scopes. When I try to push brightness up, the tone mapper caps me well before I can fill the scope.. it just pushes back down. I tried all the algorithms. Max RGB lets me push higher (closer to how Resolve behaves), but it introduces very odd hue shifts, and the highlight saturation control produces unnatural results. That makes grading wide-gamut footage in Premiere a real pain point.. effectively unusable.Right now this is genuinely breaking my workflow. I keep having to ro

I placed some video clips onto one sequence, end-to-end, then set the sequence Start Time to match the first clip.  Then, I asked the Assistant to move all the video clips on that sequence to their respective timecodes, so that the first frame of timecode for each clip would match the sequence timecode. The Assistant said it couldn’t do that because the clip timecodes aren’t visible to it. 

I have two sequences that both have audio tracks in from some interviews. When I go to transcribe for text editing, it say there was no dialogue found. 

I am experiencing hangs and very slow performance when Interacting with the menu bar (file / edit / clip / sequence etc) as well as when manipulating keyframes in the Effects Control Panel. When interacting with those elements, Premiere will hang for anywhere between a few seconds to multiple dozens of seconds, and the cursor will change to a ‘busy’ icon. The application window sometimes also ‘greys out.’ Windows itself will sometimes become unreponsive during these hangs preventing me from switching applications or interacting with the start menu. This issue occurs when any project is open, including new empty projects. It does not occur when a project is not currently open. During these hangs, I notice that Premiere is loading a single thread on my system to 100%, which ends when the program becomes responsive again. The hangs are clearly visible in this process explorer graph below:  There are no other noticable increases on system load; memory, GPU activity, and I/O are appear norm

Hi!Talking about Color-Panel: In a music video I have around 400 single clips (many cuts, different cameras sceneries, light situations etc.).So e. g. I create a color group “studio, red light, Sony 7sIII” of 30 clips doing a grading as Im doing with many groups getting matched to e. g. ““studio, red light, ARRI cam”. 5 days later I’d like to change grading of just Sony footage in that specific scene: As in the overview those groups look similar after color correction, I m a bit lost how to identify the clips belonging just to Sony footage. (just one example)my trick for now: clicking at the group and over exposing extremely, so I can see the white and “damaged” in the overview. But this is a horrible work around which does not really help.So, in overview: how can I identify or/and filter clips belonging to a certain group?

The object detection in Object Masking tool is getting an upgrade. If you are using the latest Beta, you are already using it. We wanted to share what's changing.When you move your cursor over the Program Monitor with the Object Mask tool active, colored overlays snap to objects in the frame before you click. That instant preview is meant to be fast, confident, and complete. It works great for common foreground subjects. But for many other things you might have found yourself reaching for the rectangle or lasso fallback more often than you'd like.What's changingWe've upgraded the underlying model powering object detection. The new experience is meaningfully better across three dimensions:More objects detected. The new model surfaces roughly twice as many selectable objects per scene. Objects that were previously invisible to the object detection pipeline- props, background elements, layered subjects with props, now light up.More complete object boundaries. Mask boundaries are more accu

Ever since the update 4~ days ago premiere becomes so laggy when editing 4k files especially in color mode, the scopes become useless. I have the footage on one internal NVME gen 4 m2 ssd. the cache and scratch disks on another and the the cpu on another. all NVME g2m4. will attach other specs below. help would be great.Using Premiere Beta v26.5

I’m unable to make any changes in the Preferences tab because the error **"Invalid type conversion"** keeps appearing whenever I try to update the settings. What could be the problem and solution for this?

I’ve matched my cam C to A and B.Now I need to save what I’ve done as a preset so that I can send it to an editor to apply to all of his CamC footage. Save preset is greyed out in effects control view and is not available at all on the actual clip adjustments. I’ve right clicked color effect, clip and adjustment. Doesn’t work for any.Anyone actually liking this new color mode? it’s driving me insane. I have so many issues at this point.  

HelloI am loving the new color mode! Question: how do I erase a sequence adjustment or LUT from a specifc clip or selection without affecting the rest of the sequence where I still want it?

Goodmorning maybe my question may sound stupid…I can’t find the Vignette regulation in Premiere (Beta) in the Color Mode section.Thank you for help

I have updated to the same, but I’m having an issue with my clip thumbnails. Sharing a screenshot. Reinstalled it, restarted the Mac, Cleared Cache files, and still doing whatever I can.  

Hi!Premiere Beta, talking about grouping-order in new Color-Panel:Example: I’ve set a group of clips. Later within this bigger group I’ve set a new, smaller group, which will automatically be placed after the firstly set group. But I need the new group placed before the old group as the old group. old group: general Color-processing with specific LUTnew group: sub-themes with fine tuning before LUTright-click at the new group shows: “move group to the left” (Gruppe nach links verschieben)Perfect! But when you do, it just modifies the clip which is marked. Even when marking all affected “new-group”-clips, still, just the single main-marked clip will get affected. Which is annoying when you have a group of 40 clips, this means you need to move all new-group-order manually to the left =creating chaos.So, what can I do, that the whole new-group will be placed to the left before the old-group?

I’m not sure how feature requests work, but will the option to enable and disable video tracks be added for the color page, similar to the full timeline view with the old Lumetri color page? I am unable to enable/disable video tracks, so if I have media layered on multiple video tracks, even though I can see the thumbnail, I can’t see it in the program feed because it is underneath another clip on the timeline. It is extra work to keep going between the edit & color pages to toggle tracks on and off just to grade them.

Hi, currently editing on premiere pro beta 26.5. Last night I was able to color grade few clips but today, whenever i click on the color tab, the entire app stops responding, you can make changes on the color tab but the sequence screen(i dont know what its called, but its the playback screen) is just black. also, it wont playback. the clips on the color tab on the right side is also just black. i tried editing the file in regular premiere pro but gave me an error and the color is different. 

Hi everyone,I just started using the Premiere Pro beta to test out the new object tracking feature. No matter how long I wait, it gets stuck at "Initializing" and just keeps spinning.My setup: Windows 11, Premiere Pro beta 26.0, GPU 5080, CPU Ryzen 9800X3d. The footage is from an iPhone 17.Things I've already tried: clearing the media cache, converting the file to ProRes, and nesting the clip before tracking. Nothing seems to work. Does anyone have any ideas?

The color window does not have an auto button that I have found, and getting between controls such as simple shadows, highlights, dark - where is it? This is much like a watered down version of what DaVinci has. Please keep working on this - it is terrible and really limited.

In the new beta (26.5 build 13) comparison view is basically nerfed. I can’t use it in color mode to compare one clip to another, which is ESSENTIAL if you shoot with different cameras, but it doesn’t appear in the editing mode program monitor buttons either….which is also an extremely useful tool when comparing footages in order to find splice points, etcetera. PLEASE do not nerf comparison view...it is SUCH an important tool beyond just seeing a “before and after” for color grading!!!!!