Frame Blending introduces banding in Premiere, but works perfectly in Resolve
Hi everyone,
After 15 years with Premiere, I’m seriously considering moving to Resolve because of this issue. I’d appreciate any insight before making that decision.
I’m creating timelapses from Panasonic Lumix S5II 6K, 10-bit H.265/HEVC footage recorded in V-Log/V-Gamut, exporting to Apple ProRes on Windows.
The issue occurs specifically with Frame Blending in Premiere.
| Application | Frame Sampling / Nearest | Frame Blending |
|---|---|---|
| Premiere Pro | Perfect, no banding | Visible banding |
| DaVinci Resolve | Perfect, no banding | Perfect, no banding |
The original camera footage does not show this banding. In Premiere, switching from Frame Blending to Frame Sampling gives a perfect result. In Resolve, both Nearest and Frame Blend produce perfect results.
What I’ve tried in Premiere
-
Maximum Bit Depth in sequence settings.
-
Maximum Render Quality in sequence settings.
-
Composite in Linear Color both on and off.
-
Render at Maximum Depth in export settings.
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Selecting 16-bpc depth in the export settings.
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Use Maximum Render Quality during export.
-
Different V-Log/V-Gamut to Rec.709 conversion methods, including applying a LUT and using input color-space interpretation/conversion.
-
Premiere 2025 and 2026.
None of these resolved the banding with Frame Blending.
Other tests
-
I transcoded the original camera recording directly to ProRes through Shutter Encoder, then imported that ProRes into Premiere. Frame Blending still produced the same banding.
-
In Resolve, I used its built-in Color Space Transform. The result is perfect with both Nearest and Frame Blend, same with adding LUT directly.
-
I checked exported files on 10-bit monitors and other devices, including my phone. The banding is visible in the exports, not just Premiere’s preview.
- I tried to check or uncheck "Enable Hardware Accelerated Decoding" in Premiere Pro > Preferences > Media.
This isn’t a general problem with every Premiere export: it happens specifically when using Frame Blending in Premiere. Frame Sampling gives a perfect result, and Resolve handles both interpolation methods perfectly.
Has anyone encountered this or found a fix? Could Premiere be losing precision somewhere in its Frame Blending processing, or could there be an interaction with color conversion?
I want to be able to use Frame Blending without introducing banding. After 15 years using Premiere, seeing Resolve produce perfect results while I keep troubleshooting this is making me seriously consider switching. Any ideas? And thank you!
