Adobe Premiere

YouTubeなどを中心に動画編集をしているエディターです。恥ずかしい話、そこまで音の編集に詳しくなく、ラウドネスなどを気にせず、これまで編集をしてきました。 今回、担当している動画の納品書をいただきまして、そこにモノラルでラウドネスを-14LKFS（LUFS）と指定がございました。 チュートリアルなどを見て、ラウドネスの正規化を使用して-14LKFS（LUFS）に合わせようとしましたが、実際は-14.20LUFSという数値になりました。 書き出しデータをPremiereに取り込んでエッセンシャルサウンドのラウドネス一致から測定しています。 こちら、ラウドネスは一致していなくても大体合っていれば、納品して大丈夫でしょうか? また、モノラルの書き出しも初めてで、オーディオの取り込みはモノラル、シーケンスのマスターはマルチチャンネル、トラックはモノラル。トラック上にはA１・２にナレーション、A３・４にSE、A5・６にBGMという形です。ソースオーディオを1chにして書き出しているのですが、合っていますでしょうか? 当初ソースオーディオは2chにしていたのですが、メディアエンコーダーの書き出しの時に、ソースオーディオを一致させてくださいと表示がでたので、書き出し時のみソースオーディオを1chにしています。 ソースオーディオを2chにしないと、プレビュー時にイヤホンの両耳から聞こえないので、そうしてますが、そもそも、ソースオーディオを1chにして書き出しても、2chにして書き出しても、mac上のQuicktimeで再生しても特に変化はないので、どっちでもいいんじゃないかと思ってるのですが、間違っていますでしょうか? 本当に素人でこんがらがっています。 書き出し時の設定もお送りします。最後のモノラル部分、ソースオーディオを増やすと増やせるのですが、増やしても変わらないので、1chのみにしています。 おそらくどこからツッコめばという状況かと思うんですが、ご確認よろしくお願いします。 

Whenever I go to add auto captions on my iPad, it gives me the message “No media in the project can be transcribed”.

cross dissolve boxes on clip when mousing over in timeline, how do you remove them? I’m on 26 and this a new 

Hi, there how to edit the captions timeline mins and seconds in captions tracks and in timeline mins and seconds for caption and from captions track Thanks KevinThe timeline not right in mins and timeline in captions track and in timeline check in Adobe Premiere Pro 2026 

I’m editing a video for YouTube which was shot on iPhone. (I work on MacBook Pro, M3) I edited and colored the clips as usual but when I exported it, the file was very heavy and colors almost comically oversaturated, skin was pink, whites was blinding. I moved back and changed the export settings to match the timeline preview (with lumetri completely turned off) and colors and size were back to normal. But I still need to color the video and I saw some tips to turn on the “Auto tone mapping” but this seems to be missing in the v26 version (or is placed somewhere else.). I learned that the Apple pro res uses some wider color spectrum than rec.709, so I changed that too, but I honestly don’t know if it’s working.  In the screenshots are my current sequence and export settings, I’d be grateful for some help on how to get the best results with those clips! Thanks 

I found a training video that uses a blue Matte v1 a video V2, and a text layer v3. The video when running shows a black background to the screen, the text appears as the blue Matte colour.Further in the timeline the video hen appears through the text as an effect.My sticking point is the text is Matte Blue, then transparent to show the video behind. I want the background to be a colour of my choice, NOT black. Any suggestions?Start effectThe end effect is this 

I have markers with durations that I’d like to keep locked on the timeline to avoid grabbing and moving them. I’m not talking about the ripple sequence markers option. I mean, as if you were locking a track.The markers are so close to where you would click to drag the playhead that I sometimes grab them and have to undo. As you can see from the screenshot, when you have a lot of layers, the room you have to move the playhead is minimal.The only workaround I can think of is to create null clip and copy them all to that clip, then lock that track. 

Hi, ​@Mathias Moehl Is there a way I can script a ‘get audio tracks of project item’. It’s not a built in block, but I see the API has a get audio tracks code.I’m still struggling with the custom-code block, but I’ll get there some day.The goal here is to identify project items that have 10 channel audio (or don’t when they should).

In Premiere Pro 26.0.1 on macOS, the Export panel still does not open at all.Clicking Export does nothing (no window, no freeze message).Reset workspace, reset preferences, and clearing media cache did not solve the issue.Media Encoder export works, but Export panel inside Premiere is unusable. Premiere Pro: 26.0.1 OS: macOS sequoia 15.7.3  Projects: large 4K projects Hardware: Mac M2 Max 96G ram

In Premiere 26.0.1, when I create guides in the program monitor, they work fine. But when I switch to full screen, the guides are present but they are not correct.  See attached.  Running Premiere 26.0.1 on a 2025 Mac Studio running Sequoia 15.7.4 

Pretty much what the title already says, sometimes Premiere loads up and reads the waveform (that wheel on top-right corner) but now it simply doesn’t read any audios from the videos I’m working on. Things that I already tried to fix the problem:Sequence - Render Audio Reset preferences  Delete Peak Files Check and unchecking Show Audio WaveformKeep in mind that the issues only shows up with Premiere 26 since I tried working on the 25 and it the waveform showed up there, so I think maybe Premiere 26 have some kind of weird bug to read audio files? Any suggestions to what I could do to get the waveform back? 

When duplicating just about anything in Premiere Mobile instead of putting the duplicated audio item after the current clip, it puts it all the way back at the beginning of the project.  This is a real PITA having to move these all the way down the timeline.

YouTubeなどを中心に動画編集をしているエディターです。恥ずかしい話、そこまで音の編集に詳しくなく、ラウドネスなどを気にせず、これまで編集をしてきました。 今回、担当している動画の納品書をいただきまして、そこにモノラルでラウドネスを-14LKFS（LUFS）と指定がございました。 チュートリアルなどを見て、ラウドネスの正規化を使用して-14LKFS（LUFS）に合わせようとしましたが、実際は-14.20LUFSという数値になりました。 書き出しデータをPremiereに取り込んでエッセンシャルサウンドのラウドネス一致から測定しています。 こちら、ラウドネスは一致していなくても大体合っていれば、納品して大丈夫でしょうか? また、モノラルの書き出しも初めてで、オーディオの取り込みはモノラル、シーケンスのマスターはマルチチャンネル、トラックはモノラル。トラック上にはA１・２にナレーション、A３・４にSE、A5・６にBGMという形です。ソースオーディオを1chにして書き出しているのですが、合っていますでしょうか? 当初ソースオーディオは2chにしていたのですが、メディアエンコーダーの書き出しの時に、ソースオーディオを一致させてくださいと表示がでたので、書き出し時のみソースオーディオを1chにしています。 ソースオーディオを2chにしないと、プレビュー時にイヤホンの両耳から聞こえないので、そうしてますが、そもそも、ソースオーディオを1chにして書き出しても、2chにして書き出しても、mac上のQuicktimeで再生しても特に変化はないので、どっちでもいいんじゃないかと思ってるのですが、間違っていますでしょうか? 本当にズブの素人でこんがらがっています。こんがらがっています…書き出し時の設定もお送りします。最後のモノラル部分、ソースオーディオを増やすと増やせるのですが、増やしても変わらないので、1chのみにしています。 おそらくどこからツッコめばという状況かと思うんですが、ご確認よろしくお願いします。 

I'm mastering a feature film and just ran into an annoying subtitle issue. We were pretty meticulous to match subtitle cuts with video cuts, since being 1-frame off looks like a jump cut. We have over 2000 subtitles, so I exported the English subs as an SRT and sent that off to multiple translators to get all the different language SRT's.As a test, I just reimported my original English SRT back into my sequence and it's 1-frame off. To be clear, the disabled subs on c1 were original and c2 were just round-tripped back in. I open both SRT's in textedit and the timecodes are identical.In the bin, Premiere lists the SRT framerate as 30:00 and the project is 23.98, but I'm under the impression that this doesn't matter since SRT's are based on frame timecode, not framerate. Plus I don't see an option to adjust this.I see no reason why Premiere would mistranslate it's own SRT... Any ideas on why this would happen or a possible fix? I've used timecode shifter apps, but want to understand why

Issue – Text-Based Editing pause deletion does not work in, even though pauses are recognized in the static transcript.Steps to reproduce – Open an existing project. Import video clip with spoken content. Open the Text panel → Transcript → Transcribe sequence. In the transcript, verify that pauses are recognized in the static transcript view. Switch to Text-Based Editing mode. Filter for “Pauses” in the Text-Based Editing panel. Attempt to delete pauses using “Delete All Pauses.” Expected result – All pauses in the transcript should be selected and deleted in Text-Based Editing mode.Actual result –• The Text-Based Editing panel shows “0 results” for pauses, even when the static transcript labels them clearly.• The “Delete All Pauses” button is clickable but does nothing.• Issue occurs in all projects, including new blank projects.Adobe Premiere Pro version – 26.2.0 Beta, 26.0.1, and 26.0 (attempted in all 3)Operating system – Windows 11GPU driver version (Windows only) – NV

Here on my systems with RTX 5060TI and 5070 GPUs, yesterday I was editing a conference filmed in 4K, just over 130 minutes long. Exporting in Full HD took over 120 minutes, and this morning, exporting the same project in 4K with the camera's standard codec took much less time, just over 48 minutes. It seems that Premiere's optimization for Full HD is not working well; the performance is much worse than in 4K. Considering that 4K is a heavier file, it should be slower, and Full HD, which is lighter, should export faster.