Feature Requests

I am new to posting here and hope this is getting to the right place! I would love for the order of columns to save along with metadata presets. In PP 25.1 when I save Metadata display, it does save the columns that I want, but every time I start Premiere, I have to reorder them. For example, in some cases I need Description column all the way to the left, but when I load my preset, it is over to the right and I have to move things to get to it, then drag it over to the left. If there is a solution to this, please let me know! Otherwise, I would love to see a fix for it soon! Thanks!

Hello ! Context :I've been a Premiere editor for a long time. But my recent jobs have forced me to work on Avid Media Composer. This has required me to completely rethink the way I edit: Premiere being more suited to drag-and-drop workflows and Avid more keyboard In/Out workflows. On Avid, you tend to create multiple sequences for your selects. Then, use those sequences in your Source Monitor, and use the "Toggle Source/Record" function to show the source timeline, and integrate clips on your sequence. Now that I'm back to using Premiere as my main editing program, I wanted to bring this method to the way I edit. But doing it on Premiere is kind of frustrating on specific points. I think this kind of workflow has a lot of benefits compared to pancaked timelines: you can edit more precisely, as you can anticipate the exact start and end frames you're going to insert. You are also working more efficiently because of the keyboard centric approach and using two monitors

Premiere Pro's Media Browser has a Double-Column/Split view which is extremely useful. So why can't the Project window also have an option to toggle on/off Split view?As implied by the name, Split view would split the Project window into 2 columns. In the left column, you'd have an always-visible List view of bins and sub bins. In the right column, you’d see a bin’s contents in either List or Icon view. Each column would be independently scrollable, just like in the Media Browser.There are several benefits to this approach.BENEFITS (see attached picture for reference):-Lower bins don’t get pushed out of view when twirling open a bin with lots of content (see points 1 & 2).-You get direct access to over 2X more assets using the exact same screen real-estate (points 1 & 2).-You can use 2 view modes at the same time: List view for bins, where it makes most sense, and Icon view for media (point 3).-When using icon view, you retain direct access to your bins (point 4).Even Premi

Premiere 2026 projects cannot be downgraded for import to PR 2026 or earlier due to changes in the 2026 project data structure. Recent discussions about this have not yet been ported to the new forum. The primary previous feature request is here, but may be missing some interim posts. Also, it was primarily an explanation for how to use the non-Adobe methods for changing the project file version number. https://community.adobe.com/feature-requests-730/open-premiere-project-in-older-version-downgrade-project-version-1329162?postid=1329162#post1329162 At a minimum, there needs to be a method for downgraded a PR 2026 project to 2025. A longer term issue is the need, for years, for a more robust converter or for the After Effects procedure for doing a “save as” from a later PR version to some number of earlier versions. January 26, ​@hellopaul4 started a thread titled “Has version "2026" killed the ability to downgrade a project to a previous version?” The most important reply was by ​@Fer

Using AI in Adobe Premiere FeaturesAdobe Firefly integrations in Premiere that allow you to remove objects from the background of videos without having to make changes in Photoshop. Additionally, an auto-cut feature for videos that lets you split the video into segments based on where there is sound.For subtitles, there’s a more practical improvement:Default settings for subtitles that let you save colors, fonts, and specific characteristicsDynamic subtitle templates with text and border animations that enhance the quality of subtitles and make them much more visually appealing

Feature request: Make it possible to switch the log monitor to a different color space. Since the new color management improvements the colors in the source monitor and the timeline no longer match. I get  this from a technical standpont but from a creative standpoint this makes no sense to me.I use the source monitor to select my in and out points. I cannot do this if i have to watch the footage in log colors. The image looks washed out, this makes it hard to judge how it wil look on the timeline. It makes it hard to  appreceate the image from a creative standpoint, and it forces me to keep thinking about technical stuff in a creative process.Please make it possible to select a colour space for the source monitor, and default it to the timeline color space. Please upvote this request, thank you.  

It would be great to add a feature where you select a clip/graphic/layer or circle around an area of your sequence and there’s a clean option to return to it’s previous structure. It’s like the older version tool except you don’t have to go scrolling or looking for it and it’s for a specific part of the sequence - not the whole thing. You just highlight or lasso an area of the sequence and pick a history version according to timelines that you want that bit to return to.

We use premiere mostly for its ability to setup FAST Workflows for country and ratio adaptations incl custom MOGRTs. It seems the TEXT Parameters are not yet accessible as they were in the old CEP architecture.PLEASE make them available, its especially useful for enterprise customers working on productions with thousands of assets.

Dear Adobe Team, I’m writing to request the addition of Urdu language support in the Captions and Transcript feature of Adobe Premiere Pro. As a content creator in Pakistan, I often work with Urdu videos, and the lack of this language in the transcription options creates difficulties in producing accessible and accurate content. Urdu is spoken by over 170 million people globally, and its inclusion would greatly benefit creators across South Asia and beyond. Adding Urdu support would be a huge step forward in making Premiere Pro more inclusive and creator-friendly. Thank you for your attention to this request. Best regards,Qasim Zia [personal info deleted by mod]

How it is right now: If you want to zoom in on a timeline, you press Alt+Scroll. If you want to move timeline left/right to go over your project, you just Scroll.How I want it to be: Scroll to zoom in, Alt+Scroll to move left/right (reversing keys) From my experience, zooming in is much more important than just moving left/right. I recorded myself editing and 80% of the time I would zoom in, and 20% move left/right. I say we change that and prioritize zooming in. Alt Scroll is a relatively hard combination. You need to stretch your thumb in a way that leaves your left hand disjointed from the keyboard and then you need to readjust it after pressing Alt. Zooming in is one the most basic element of editing and navigating timeline! If you change it, efficiency and fluidity of work will substiantially increase.

This video and photo is a comparison between the Ripple edit tool in Premiere 2026 and 2024.I do like the new way you see the clip change in real time as you drag the edges left and right, but I hate when you’re grabbing the second clip and wanting to extend or decrease the size of it, you can’t see a visual preview of how much it will change that Pr24 does show with that blue bounding box.Basically I’d like the real time increase/decreasing of the clip AND a bounding box to appear when changing the length so you know how much it’ll be altered.It’s crazy how much it feels like guesswork when using Premiere 2026 to decrease a clips length using Ripple. 

Since the 24.4 update that changed the interaction with transitions between clips, you can no longer grab the clip break line with ripple, rolling edit, slip tools etc when your mouse is in the red area and you have a transition applied.You can only grab it when your mouse is in the green area which is very fiddly to do since it tries to click on the transition itself, rather than the edit point.It gets even harder when the track is shrunk to a small size and the relative red deadzone is still there but now the grabbable sections are even smaller. Please fix this by allowing these tools to grab ANYWHERE on the edit break line like it previously used to 

Hi! Please bring back the old behavior where clip label colors in the Project panel are reflected automatically in the Timeline. Now in version 25 of premiere pro, i have to manually label each clip in the timeline. Before where timeline clips automatically inherited the label color from the Project panel — was faster and more intuitive. 

After transferring a project and its media to another disk, I noticed that the absolute path is still used.The original path in that case is a dying harddrive but it still is connected as I need it.The thing is: why is the original path even used in that situation? The structure of the project didn’t change, only the drive did. Now I have to go through the process of offline all the media and relink it manually. There should be an easier way to do that and from my perspective, I would prefer it, if relative paths were the default, not absolute ones.

In it's core this request is about:Being able to edit intuitively within large and complex timelines consisting of many overlapping audio and video tracks (via Asymmetric Trimming):I’ve read a lot of similar Avid trimming tool requests on this forum, but because it might be difficult to understand the why of those nagging "trim trim trim" requests if you’re not coming from Avid, I thought it might be better to show than to tell.To prevent getting buried in a 5 page thread, I’m putting up a new one instead. Apologies in advance!1. Asymmetric TrimmingEasily choose which track ripples while trimming, and which track stays put.*IN PREMIERE: You can select asymmetrically, but you have to be pinpoint precise with mouse clicking. And if you miss, you loose all prior selections (which you can’t restore).2. Easy flagging the A/B trim sides (via lassoing)Because when you cut timelines with multiple overlapping audio tracks underneath the image (which you want to keep at a specific point in time)

When there are multiple clips selected and there are gaps between each clip; to be able to drag the start and/or end of one of the clips out and it will effect all of the other clips selected. (See screen recording to see that only one of the clips gets effected by dragging out and not all)Of course, the effect of this idea would only go as far as the shortest gap between any one of those clips but there’s been a few instances in my workflow where I’ve need to drag out the ends of multiple clips, especially with Adjustment layers that have various FX on them etc.Also for when an AI cutting tool has gone and cut too much silence and it just needs 1 or 2 frames extended on each clip (in this case there doesn’t specifically need to have gaps between each clip

Right now when you use the time remapping feature in Premiere Pro, it does not influence the audio linked to the video, so if you want to make a gradual speed ramping, your audio looses synchronization after the point where the speedramp starts. I suggest adding speed ramping for the audio as well - an automatic one that changes the audio pitch to the same extent as the speed of the video, and a separate one - to manipulate the speed of an audio that is unlinked from the video or has no video at all. I'm not talking about changing the pitch but rather changing the speed with the time remap handles like it's done with the video, so the duration of the audio track is changed as well when applying this time remapping for the audio.I know, I can cut the part I want to change the speed of and use "Maintain pitch" checkbox but this is not time remapping, but rather changing the speed abruptly. Suppose I have a video of a basketball match and I want to speed-ramp the goal moment retaining the

The new Magnify effect is really cool, but it only allows circles and squares, and often we need to highlight a rectangular area, which the current effect doesn't allow.I would like to request better control over the magnifying glass shapes to achieve this effect.

In photoshop, you can set the settings so that when you copy a layer, it doesn't add the word "copy" to the new title. Premiere should also have this feature, plus the ability to choose how duplicate files are appended. Premiere currently adds “Copy 01” and successive numerical values to each copy of the original. I would want the numerical value to be added, but starting with “_02” (since the original, which isn’t numbered, would still be the first), but the word “copy” not included. This also prevents extra long file names when copying copies - e.g. “Name copy 01 copy 01” instead would be “Name_01_01”. Or have an additional setting to make it default to making the new copy be in sequential order to the existing numerical thread - in other words. If there are 5 files… going up to Name_05, and you copy Name_02, then the duplicate would become Name_06.Batch renaming would also be a helpful feature. Highlight a group of clips, enter an asset name, and direct premiere how to sequentialize

I am Airtel user but can't use premium features 

I’d love to be able to give caption clips different label colors in the Timeline, just like video and audio clips.For example, I may have regular dialogue captions and separate sound descriptions like [birds chirping] or [singing in Spanish]. If I later merge them onto one track for an SRT export, different colors would make it much easier to keep track of what is what.

While export to AME out of After Effects, it creats an “.aep_AME” Folder. Where the footage goes. Not so out of Pr. We always have to look for an good or right path. We can select, one folder, but I wanna a folder in the Project file. Not somehow on the Computer

In all past premiere pro versions a user can simply undock a folder, (by double clicking on a folder in the project window), and place that folder into any other window they’d like. With beta mode, this folder option is not available and is very frustrating to click between footage or assets when you constantly have to keep double clicking to either go forward or back

When I create captions from a transcript, I often catch spelling mistakes, punctuation issues, and incorrect names while working on the subtitles.It would be really helpful if corrections made in the captions could also update the original transcript. On a long project with hundreds of subtitles, having to correct the same mistake twice is pretty time-consuming.