Feature Requests

It would be great to be able to change the speed of a clip and then, apply a warp stabilizer effect on that same clip without having to nest the clip to make both effects work together.Also, being able to put a warp stabilizer effect on a clip even if that clip is not at the same resolution as the sequence settings.

Premiere 2026 projects cannot be downgraded for import to PR 2026 or earlier due to changes in the 2026 project data structure. Recent discussions about this have not yet been ported to the new forum. The primary previous feature request is here, but may be missing some interim posts. Also, it was primarily an explanation for how to use the non-Adobe methods for changing the project file version number. https://community.adobe.com/feature-requests-730/open-premiere-project-in-older-version-downgrade-project-version-1329162?postid=1329162#post1329162 At a minimum, there needs to be a method for downgraded a PR 2026 project to 2025. A longer term issue is the need, for years, for a more robust converter or for the After Effects procedure for doing a “save as” from a later PR version to some number of earlier versions. January 26, ​@hellopaul4 started a thread titled “Has version "2026" killed the ability to downgrade a project to a previous version?” The most important reply was by ​@Fer

Löschen von SzenenIch würde es schön finden, wenn man ähnlich wie in Lightroom, gefragt wird ob man ein Footage oder ein Bild oder ein Audiofile nur in Premiere oder auch auf der Festplatte löschen möchte.Das gleiche wäre auch in After Effects denkbar.

 My CPU does not support AVX2 instructions, so I cannot install the latest Premiere Pro via CC App. I have an active subscription, i need Premiere Pro CC 2022 offline installer, how can i download it?

If I want to modify a sequence's settings,  the custom presets are not available and I literally have to change the sequence settings on every sequence manually.  This is relevant when I need to make, for instance, social formatted versions of edits, which I prefer to do manually.  Say I have 30 sequences I need to make vertical versions of, this is going to take me for ever!  Is there a reason custom settings are not available when modifying a sequence's settings? This would speed this process up immensely.  Better yet, having the ability to drop a preset onto an existing sequence in order to change its settings would be even better, similar to the way I can drop a LUT preset onto multiple log clips at the same time.

There must be a way to do this - in Davinici it's literally a check box on export. Please can someone help me

The ability to zoom using scroll wheel in the Program Monitor is interesting, I imagine it’d be useful in programs like Photoshop. However, in 20+ years of using Premiere, I’ve never once needed it. However, multiple times a day, I’m plagued with accidentally triggering zoom in the Program monitor due to mouse scrolling. I have “Fit” in Program Monitor mapped to a keyboard shortcut; but I’d like to be able to disable this feature entirely. Frequently, when I’m doing resizes/repositions, I do them too small because the Program Monitor has zoomed in without me knowing it. I have to go back and fix all of my key frames.

They decided to mess with this for some reason--it used to have the simple little status info in the lower right corner and you could easily see the progress of when the audio file analysis would be completed. The message also just disappeared on its own after a bit, so no wasted screen real estate.  It also started to show you any completed waveforms so you could start editing long clips long before the analysis completed.  NOW: They moved this to the Progress panel, which requires you to functionally use up 12-15 times the amount of space on your screen to be able to read it at all, manually close it afterward to get that space back AND it makes you wait until the analysis is completely finished before showing any waveforms at all, delaying my editing sessions for several minutes after every import.  Can we go back to the old way or is this just another example of software getting worse with every "improvement?"

Hi Everyone,I hope you’re all doing well.|I've been a dedicated user of Premiere Pro for quite some time and love the robust features it offers for video editing. However, I've noticed that other platforms, such as CapCut, Descript, and Opus, provide more advanced options for animated captions and AI-driven features.Given the increasing demand for these functionalities, I find it somewhat inefficient to edit a reel in Premiere Pro and then export it to another program to finalize the captions. Does anyone know if there are plans to integrate more animated caption options and additional AI-driven tools directly within Premiere Pro in the near future?Thank you for your insights!

I would love to see the Quick Apply feature from After Effects implemented in Adobe Premiere Pro.In After Effects, Quick Apply lets users instantly search and apply effects, animation presets, and menu commands by simply pressing Ctrl + Enter (Windows) or Cmd + Return (macOS). Instead of navigating through multiple panels and menus, users can type the name of an effect or command and press Enter to apply it immediately.A similar feature in Premiere Pro would significantly improve editing speed and workflow efficiency.Suggested Workflow Press Ctrl + Enter (Windows) or Cmd + Return (macOS) to open a Quick Apply dialog. Search for: Video Effects Audio Effects Transitions Essential Graphics presets Effects Presets Menu Commands Keyboard Commands Press Enter to instantly apply the selected effect or execute the command. Show recently used and frequently used items at the top of the search results. Why this would be valuable Eliminates constant navigat

“Remove Attributes” can remove audio clip effects from multiple clips at once; it would be nice if similar functionality existed for removing audio track effects. Manually removing audio track effects one at a time across multiple sequences is very time consuming (at least when using 3rd party VST3 effects). Additionally, it would be nice if there was a function to remove all audio track effects across all sequences (or at least all selected sequences).

Hi, I am trying to create caption in Bahasa Indonesia for a Video. But Premiere Pro auto caption allows only few languages such as English, Mandarin, Spanish, German, French and Japanese, etc.It will be helpful if Bahasa Indonesia is available for this feature because my video editing project is in Bahasa Indonesia.

The new Toggle Direct Manipulation is a feature I understand why it exists, for those users who don't really know the deep ins and outs of the program. But by changing it you have instead caused several more problems than you actually fixed. 1. If you had enabled Toggle Direct Manipulation then it remains on for all other clips you select. If you select a clip during playback, playback pauses as a result of the Toggle being on, and it must be turned off. Selecting and manipulating clips during playback is one of your biggest edges over, say, Avid. 2. Toggle Direct Manipulation can be enabled via a shortcut key inside of the Program Monitor, but that shortcut key only works if the Program Monitor is selected. It needs to work across all panels in the entire program so that it can be turned on and off at will, specifically from the timeline. In previous iterations of Premiere I could hit a shortcut to enable manipulation, then do my work, and when I was done go back to edi

Hello. Is it possible to CYCLE THROUGH the Blending Modes in Effect Controls Panel within Adobe Premiere as a keyboard shortcut? I would like to easily cycle through the different options (Normal, Dissolve, Darken, Multiple, etc.). It’s painstakingly painful with the mouse choosing each one at a time!!! : 0 In Photoshop, it’s easy, you just press Shift + or Shift - to quickly cycle through. A life saver.I can’t find the shortcut to do this within Premier. Mote: I know a scrolling mouse can help but I don’t use scrolling mouses. If all fails, is there a way to CUSTOM PROGRAM this to work in some way, shape or form? See snapshots Thanks!Edward

I'm currently working on finishing a feature with a lot of optics, repos, and in-NLE comps as part of our VFX workflow. The film features hundreds of VFX shots that all need to be tracked through the edit, into color, and then back into the edit where some additional conform work is being done. Once we receive a color master that is one single flat file and then start to receive layered comp elements from color, we are working in the same edit timeline. It would be great to be able to SHY or HIDE video layers with a toggle, exactly the same as After Effects does (or... dare I say it... Avid does this). Then you could create timeline view presets just like you currently can with layer heights that includes shy or hidden layers as part of the view. So I could have a shortcut key to switch on/off hidden layers while working on the conform part of the VFX workflow. Simplified example here, you can see that I'm doing comp work ABOVE the color master: Basically I want thi

Hi, guys. The porblem I've suffered for ages seems to bother no one but me since I've found no such posts here in the Community.There are keyframes in Premiere Pro and they have handles. In After effects if you hold the Shift key on your keyboard, the handles pin to the horizontal or diagonal position so in case of moving the Scale keyframe to interpolate it more gradually - that is ease in\out more - you don't go above or below the current value. In Premiere Pro the shift key does not work and whilst the position key is pinned to the lower part of the keyframe region and cannot be moved below it, the scale keyframes float as if not attached, see the video below. The handle goes up and down from its starting point once you move it to the left to make the ease "easier". And if you want it have the same value you keyframed it you either have to use a magnifying glass and a ruler or somehow bring it to the same level visually.Isn't there a chance Adobe will introdice some kind o

Love the new scroll to zoom and click and drag scroll button to move around. Would love to be able to then double click the middle scroll button (or just double left click) to return to the Fit zoom level.

Current Problem:When individually Shift-click selecting multiple Clips, it is very easy to lose that selection Needed Change:Add a “Restore Clip Selection” function that will recall the last batch of Clip selections that were made. Why It’s Important:If, while selecting Clip Boundaries, a Clip is accidentally selected, those Clip Boundary selections can be recalled with “Restore Trim Selection.” There is currently no “Restore Trim Selection” function for Clips, so if a user clicks a Clip Boundary or clicks off into an empty portion of the timeline, those Clip selections are lost. Sometimes, individually Shift-clicking and selecting Clips takes a lot of time. Playback of the Timeline, and other actions, can be made in-between selections. Losing a selection of Clips happens often to all users and wastes a lot of time, especially when working quickly. Making selections is an essential part of the work that we do. Losing a selection is like deleting work that is completed and has to be red

Current Problem:When (Shift) selecting multiple Clips or Clip Boundaries, the Selection Tool allows the other to be selected, which deselects all individually selected Clips or Clip Boundaries. Needed Change:While the Shift key is being held in order to select multiple Clips (or Clip Boundaries), prevent the Selection tool from being able to select Clip Boundaries (or Clips) until the Shift key is released. If the Shift key is held down again, in order to add more Clips (or Clip Boundaries) to the selection, only allow the current item being selected to be added to the current selection, until the Shift key is released again. Why It’s Important:If, while selecting Clip Boundaries, a Clip is accidentally selected, those Clip Boundary selections can be recalled with “Restore Trim Selection.” There is currently no “Restore Trim Selection” function for Clips, so if a user clicks a Clip Boundary or clicks off into an empty portion of the timeline, those Clip selections are lost. Sometimes,

Is Premiere cursed or something? Or are we, professional video editors? How can cell-prone app have such a simple and needed feature for years and Premiere Pro, which is obviously for PROs, sends you to AE for this? Adobe, this is not funny. Every other PRO level software has had tracking for years, even your own software has it, why is Premiere ignored?  

When working with proxies, if you export video, it still exports at full resolution. Could we get the same for exporting stills? After working with proxies for a long time I usually don’t have a reason to turn it off since it exports high quality, but I got burned by exporting stills that ended up being proxy resolution. Or add it to the export still dialog window maybe?Thanks!Tom

I love using the alignemnt tools in other adobe programs. I think there should be more align to selecton, key object and canvas in premier. Only being able to align graphics from within properties>graphic is super annoying when i want to keep my layers on separate tracks but keep them aligned or align a photo to text for example.

Hold H to momentarily activate the Hand tool, move the timeline around, let go of H to return to the previous tool.Same action for the Zoom tool.At the present time, you have to reselect the tool when you're done moving around.HUGE advantage for those of us who use Wacmon tablets and don't have a scroll wheel, as there is no other way to easily move in the timeline. The only way to achieve it with my Wacom, is to hold my top button and scroll the pen up & down - left & right doesn't function in Premiere. And it only registers for the portion of the screen that the timeline window takes up.Also the same way it functions in Photoshop, it's a very natural way to interface with the application.