Feature Requests

Hello. I'd like to see a master key to assign effects OR a way to map effects and presets to the keyboard using the Keyboard Shortcut tool. I've submitted this request before having come from Final Cut Pro and it was a huuuuuge time saver for me in the editing process as I used this feature on FCP multiple multiple times on every single edit I did, every day, and I can't imagine others would not have the same reason for using it as me and I likely very frustrated at how long it takes to apply the Warp Stabiliser effect, for example, to a clip or a series of clips. This is a very consistent task that I do in every edit and many many times in each edit usually. I'm sure I'm not the only person who is constantly adding warp stabiliser to shots by dragging the thing onto every clip and then setting the smoothness percentage. I can't even manage to just select every clip I want to throw the stabiliser on to and then copy paste a version of the effect that I've set the smoothness percentage

being able to transcribe a clip in greek will save us from hours of editing the silences out

when Greek language will be supported in "speech to text" for captions in Premiere Pro?thank youManos

So I use premiere desktop and mobile all the time and have some good feedback for the mobile app which I love. I’m wondering where best to give this feedback besides here. We could really use volume keyframes for audio. I love that keyframes were added recently but we should be able to keyframe audio volume too. I have about 20 other ideas to enhance the app too. It’s a fantastic app and I use it daily. Some features and updates would really enhance the user experience.  if this is the best place for that feedback let me know and I can upload a little list I have made for features and improvements I think would make this app unstoppable, un-karate-choppable!  thanks 

I only ever use Remove Attributes to remove one specific effect I've applied to a bunch of clips. I hate that I have to untick everything except fot the one effect each time I use this. But I imagine there are some people that want to remove everything each time.So there should be a toggle or checkbox that selects or deselects everything. And it should remember the last set up you had like Lightroom does when copying effects over.For eg, if last time I used Remove Attributes, I had only the Motion and Opacity checkboxes selected, then next time I open up that box, those two should be the only ones selected.Then if in the future I need to remove everything for eg, at least there'll be a button to quickly select all the attributes. 

I propose to implement an AI Slow Motion feature that allows users to create high-quality slow-motion videos directly within the timeline, eliminating the need for third-party tools like TOPAZ Video AI. This integration would utilize advanced frame interpolation algorithms to generate smooth, professional-grade slow-motion effects seamlessly.Justification:Enhanced Workflow Efficiency: Users can produce slow-motion content without exporting to external applications, saving significant time and effort.Competitive Edge: This feature is already available in industry-leading tools like Final Cut Pro and DaVinci Resolve, and its inclusion ensures competitiveness in the market.Improved User Experience: Offering a one-stop solution for video editing will increase user satisfaction and retention, reducing reliance on third-party software.

This is a feature request, not a request for workarounds! 1. PROBLEMWhen multiple video clips are selected, we can use the Properties panel to transform multiple clips at once - a huge timesaver when creating 1x1, 4x5, 9x16 from 16x9 material. See attached below. But when multiple text clips are selected, the transform options are hidden (as of Premiere 26). See attached screenshots below. 2. REQUESTWhen multiple text clips are selected, don’t hide transform controls and instead, allow us to move multiple text clips by the numbers, simultaneously. Cheers, Ben Transform controls display when one text clip is selected.Transform controls hidden when multiple text clips selected.Transform controls remain active and editable with multiple Video layers selected, allowing us to move multiple video layers simultaneously. 

Ok I've had enough! Please add a good quality graph editor into Premiere Pro! Something like Flow for After Effects, or just the base one from After Effects is good enough. Just anything that is not a tiny graph thing that I can't make bigger or even lock any axis...Especially make it possible to copy and paste keyframe easing values over to other keyframes as well. It's a horrible experience to adjust any keyframes while it works well over in After Effects.

We need a solid mask and object tracking tool directly within the Effect Controls panel. The game-changer would be the ability to link the tracking data to another object or layer, similar to how Null Objects work in After Effects. Having to use Dynamic Link for simple position or scale tracking is an unnecessary bottleneck in the daily editing grind.

Please add the Masks folder destination to the Project Settings - Scratch Disks panel so editors can control where it’s stored.Right now, having it auto-create in unmanaged locations: Creates unnecessary project clutter Disrupts organized folder structures Complicates backup workflows For those of us who maintain strict file hierarchies (especially in professional post-production environments), centralized media and cache control is essential. Every other major generated asset type can be directed — Masks should be consistent with that logic.Y’all - Please upvote so we can get this added!!

The current velocity graph editor in Premiere is far too clunky and makes it unnecessarily difficult to get the exact curve you're looking for. It’s a constant struggle with the UI just to get a smooth ramp. We need a complete overhaul to make keyframe manipulation fluid and intuitive—similar to what the Smoothify plugin achieves.On top of a better UI, adding a native Curve Presets feature (like Ease In/Out, Elastic, or Custom Bezier presets) would be a massive productivity boost, allowing us to apply consistent motion without manually tweaking handles every single time. We need to spend more time editing and less time fighting the graph.

The ability to see a waveform and the video at the same time.

I find it pretty awkward how the video and audio tracks are in their own separate panels with two different scrollbars working independantly. Is it possible to have all the video + audio in just one panel? I know it would mean more scrolling up / down overall, but I'd find it a lot easier than having two scrollbars

An excellent feature that I believe many can take advantage of would be the ability to take markers in the marker pane and convert them into subclips with CTRL/CMD + U (indivudally or with multiple selected.) Subclips would be created either from marker to marker automatically or (if the marker had a duration defined) the subclip would be the length of the marker range. Subclips would automatically receive the name of the marker.

Hi There, can you please put back the Essential Graphics panel in Adobe Premiere Pro 2026 Thanks Kevin

Now that Premiere Pro is distributed exclusively through Creative Cloud and Adobe no longer provides physical boxed software, I’d like to request that Adobe make individual point-release installers (for example, version 23.6) available to subscribers.Access to specific builds can be important for maintaining compatibility with existing projects, plugins, and established production workflows. When only the newest version—or a limited set of major versions—is available, it can make it difficult to reopen older projects in the same environment in which they were created.Since Creative Cloud is now the sole distribution method, it would be very helpful if subscribers could download and install specific point releases within a major version when needed.I’d appreciate Adobe considering this feature, and I’m curious if other editors have run into similar situations.

Would be amazing if the Premiere Graph editor UI looked and felt more like it does in After Effects.Thicker and less pixelated lines, more reactive easing. Right now it feels pretty clunky in comparison.  

"Currently, users have to create custom bins to organize frequently used effects. It would be much more intuitive to have a simple 'Star' or 'Heart' icon next to each effect in the Effects Panel. Clicking this icon would automatically add the effect to a dedicated 'Favorites' category at the top of the list. This would significantly speed up the workflow for editors who rely on the same 10-15 effects daily."

There has long been a "refresh growing file" setting in the Preferences->Media section but I have never understood what it does. I think it had something to do with streaming or broadcasting workflows.  Could we extend that functionality to images sequences as well. Or give us a way to "update an image sequence" when more files have been added to the end of it. Currently I have to either unlink and relink the media file, or reimport it, or use the replace media command. Would be nice to have a function in premiere where it can just refresh and look for new frames. Usually just trying to preview a render in progress from C4D or Blender or something, but there is no way to refresh footage like their is in AE. 

Tener el botón de eliminar foto, visible en la aplicación Mobile para descartar rápidamente la foto.

Hello Adobe Premiere Pro Team,My name is Felipe, and I have been working professionally as a video editor for over 15 years. Premiere Pro has been my primary editing tool for a long time, and it is an essential part of my daily workflow.I would like to share a feature suggestion that could significantly improve the editing experience for many editors.In the audio tracks, Premiere offers the Solo (S) and Mute (M) options, which make it very easy to isolate specific tracks or combinations of tracks. This is extremely helpful when working with complex timelines.However, in the video tracks, there is no equivalent “Solo” function.Currently, when working with multiple layers of video, the only way to clearly view a specific layer is to manually toggle the visibility (the eye icon) or temporarily disable other tracks. In more complex timelines, this can become slow and inefficient.A “Solo Video Track” feature, similar to the audio Solo function, would allow editors to quickly isolate one or

Hi Adobe Team,One feature I really appreciate in Avid Media Composer is the ability to open clips or sequences in additional pop-up source monitors (Option/Alt + double-click). This allows you to have multiple floating viewers open at the same time without replacing the main Source monitor.It’s extremely useful during tasks like:- conforming- comparing different takes or versions- checking reference clips- navigating to specific timecodes without losing what’s already loaded In Premiere, opening a clip typically replaces whatever is currently in the Source monitor, which makes this kind of workflow harder.It would be great if Premiere allowed opening clips or sequences in additional floating Source monitors, similar to Avid’s pop-up monitors. Cheers

DUPLICATE - Upvote here:  

Short version:Let me add notes to my clips on the timeline.  Long version: There should be a new mode for the timeline view: Miniature for video start + Notes  Miniature for video start and end Miniature for video start Continous Video MiniatureIn this new mode, make it so that I can double-click the free space of a clip to add notes, like so:  Benefits: You can scan your timeline for information and clips without playback. Would be much faster than adding markers with text Info at your fingertips (vs. text-based editing via the Text-Panel) Freedom to include information other than transcription of the spoken text Optional AI-mode to write descriptive keywords down for you Real-espace in the timeline used well Other workflows and modes stay as they were  Thanks for considering.