Feature Requests

With the update today adding gen A.I. right in the toolbar, I found myself looking for ways to hide this unwanted addition and discovered its impossible to remove a tool from the toolbar. A simple change allowing people to choose what tools they see, or overall more options to make these A.I. changes optional instead of them appearing everywhere and sometimes being used by complete accident would be a welcome change. I’m honestly considering looking elsewhere for my work and I know other editors feel the same.

I really like what you all have done outside of the box and testing on day one. My two suggestions come from the options I have and use with otter.ai which is our current way to auto generate captions that I then clean up. 1. I didn’t see an option how to add speakers to the closed captioning from the transcript. I can do it on the transcript side but then making that into cc names were not included. 2. Give the option of the closed captioning to be 2 lines instead of one easily. I know I can go in there and combine and do return to make them two lines but with otter I can tell it make them to lines and it does without any additional work or time involved. This looks very promising thus far but the two above are what I need at my job to do the entire captioning process in Premiere. Thank you for listening.

PP 24 Build 58   Adobe Immersive Environment is no longer present    It has dissapeared from Preferences/Playback menu and from the menu under the wrench icon. I have reinstalled PP 24    

While VR Rotate Sphere is extremely useful, another type of mapping would be able to create even more interesting 360 videos. I refer to 360 videos from devices such as the Insta360 X series. I am seeing more and more of these out there.That would be something like “VR Move Camera inside Sphere” effect (needs a better name!) where it would be like a rotate sphere in that there is a camera “looking” at the inside of a sphere mapped with the 360 equirectangular image/frame. But the enhancement would be to allow XYZ positioning and animation to the camera in addition to rotation. This would allow a “zoom” into objects that might be too far away to see well. I understand the resolution limits, but a modest 1.5 zoom would make for very interesting videos.I also would have a IPD setting as well to compensate for the move.Currently there is no way to do this in Pro. FOV or Motion effect changes breaks the 360 video seams. The only way to do it currently is to use animation software like Blend

i need the old trusty lumetri color panel on the new v27 premiere pro. i used it for 10 years and i cant cope with the new awfull color mode! i need to work fast to keep with the deadlines and the color mode is a joke! 

I upgraded to premiere 26.0 which removed the feature where you could create a circular or rectangular mask within the gaussian blur effect. Now you have to manually add a mask to the effect which is so time consuming and not suitable for the kind of work I do with premiere. Please bring back that feature!

I would like to have the full editing functionality of the text window transcript tab be available for a clip in the timeline at any stage of the editing process.I would like to be able to update transcripts on clips that have already been edited into a sequence; at present you can’t fully edit the transcript (such as merging or splitting segments or renaming speakers) for a clip once it has been edited into another sequence - but often this is when you find important mistakes in the transcription.  At the moment when I spot these transcript mistakes, I have to match back to the source clip & correct the transcript there, before returning to my edit, which is a rather clumsy & labourious work around, and breaks my editing flow

I’d like a nicer way to add audio meters or spectrum as a visual animated graphic within the video. Instead of the quite manual and clunky way to do it in After Effects using the audio spectrum and having to generate keyframes.The effect could use either a specific audio track or audio mix to generate this visual effect.As soon as one make a slight change to audio mixing or timing then the generated visual After Effects graphic will be outdated. Would be nice to avoid this :-) Might be plugins or similar that can do similar but not something available today built-in which I’d really appreciate if it could be added.Of course the same effect could/should be added to After Effects :-)

Dear Adobe, I was wondering. You have all these exotic languages supported in your automatic transcription tool, which is awesome. How about you show some love to my fellow Hungarians, by implementing this language too?It would help me and many others who still have to type in captions manually.  

PPro had a bad trimming mode. In the example i compare Avid Media Composer and Adobe Premiere Pro trimming.1) Screen while trimming.In PPro we can see only in program monitor and when you use laptop, screen is too small to see, what's happening in 2 sides(A-side and B-side). In Avid MC Source monitor is only A-side, Program monitor B-side and it is very usefull when you use laptop(in timeline setting you can choose use source monitor as a trim side or only in program monitor trim A-side and B-side) 02) LiveTime Trimming (Avid and Premiere Pro Examples: https://youtu.be/XedhKrVLAVk) .In PPro when you trimming in trim mode(when you use keyboard shortcut) trim red/yellow/roll "thing" it is stuck and a it is annoing when you trimming, because you did not see movement.In Avid(in DaVinci also)  you can see how a "thing" move when you edit, and it is much more convenient. 03) LiveTime Track Selection (Avid and Premiere Pro Examples: https://youtu.be/ZNeVSCv8Jwg&n

I am aware its in beta.. but it would be great to enable the AI assist to create individual folders+projects in a given production 

It is a waste of time and clicks to have to click the “toggle sync lock” button on the timeline/track area - every time I want to use that command .if there was a way to map that command to a key or series of keys.. would make trimming much faster for me. 

In Premiere, when I export a file, a little blue post-it note sort of window pops up informing me that the export was successful, and displaying the file path where the exported file lives. This is nice, but what I'd really like is to be able to click on that file path (or something like it) and have Explorer or Finder open the folder containing the export. Instead, if the folder isn't already open, I have to manually find my way back to it through Explorer or Finder, which costs time.  This functionality is available in Media Encoder, and it's really handy. I don't always use Media Encoder to encode things, but I'd love to have the same ease of access in Premiere.  

मैं एक वेडिंग वीडियोग्राफर हूं और रोज़ाना Premiere Pro पर काम करता हूं। मुझे एक समस्या का सामना करना पड़ा जो शायद कई एडिटर्स के साथ होती होगी:अगर किसी क्लिप का ऑडियो टाइमलाइन से गलती से डिलीट हो जाए, तो उसे वापस लाना बहुत आसान नहीं है। Undo (Ctrl+Z) सिर्फ तभी काम करता है जब गलती अभी-अभी हुई हो। अगर बीच में कई और स्टेप्स हो चुके हों, तो Undo करने से बाकी सारा काम भी वापस चला जाता है, जो प्रैक्टिकल नहीं है।अभी इसके लिए जो तरीके हैं (जैसे History panel, ओरिजिनल क्लिप को दोबारा Project panel से लाकर मैन्युअली sync करना, या Auto-Save बैकअप से रिकवर करना) काफी लंबे और उलझे हुए हैं, खासकर डेडलाइन के दौरान जब समय की कमी होती है।मेरा सुझाव है कि Premiere Pro में एक सिंपल "Restore Audio" या "Re-link Audio from Source" जैसा फीचर होना चाहिए, ताकि linked क्लिप का डिलीट हुआ ऑडियो एक क्लिक में वापस source से जोड़ा जा सके, बिना पूरा Undo history खोए।उम्मीद है टीम इस पर विचार करेगी। धन्यवाद।

Please add the option to Reload Footage from the project panel.Example:You have an image sequence in your timeline. You edit the sequence in AE (for example) and re-export, having now a sequence that is 1 second longer. This doesn't update in Premiere, which see there have been changes to the sequence but it doesn't realize it's now longer.You now have to select your sequence in the project panel, click Replace Footage, navigate back to where the sequence is (very annoying) and select it again. Just add an option (like in AE) to reload the footage instead.

After Effects has this option, and for good reason! Auto bezier leads to all sorts of unintentional movement. This is especially newb-unfriendly.This is Unique ID 148 on my spreadsheethttps://docs.google.com/spreadsheets/d/1dVJb7kI_ZETLavrplfARgn9gL8HUpvkq6A0jCPxqA3w/edit#gid=1133868629

Request: ‘Zoom to fit’ - or ‘Auto-track height’A function that zooms all tracks to fit the height of the timeline panel...See all tracks in the timeline with a single shortcut Track heights always zoomed to fit the available height of the timeline panel Option to ignore separate audio/video spaces and zoom all tracks to all the available height Want to see all timeline tracks? Hit the shortcut for the new ‘Zoom to fit’ function Tracks too small? Enlarge height of the timeline panel and tracks auto-scale to fit height Tracks too big? Use the existing ‘Minimise all tracks’ shortcutLet’s remove the work currently required to see all timeline tracks - we know you can do it!Cheers, Ben Similar posts around the same issue: seeing all your tracks with zero work...https://community.adobe.com/feature-requests-730/bring-back-the-old-default-track-height-1327501https://community.adobe.com/feature-requests-730/timeline-views-1548039?tid=1548039&fid=730 

working as a doc editor, often need to pull quotes to put into a paper cut and it would be so much simpler if I could select and copy the text directly in the transcript window to paste outside of premiere. currently need to export the transcript, then find the sound bite I wanted, then copy and move it over. this takes a long time when working on long interviews to read back through the transcript instead of being able to copy it while the transcript is following the active monitior I am watching. 

Currently, when editing MOGRTs in the Essential Graphics panel, the text input fields are too small and restrict visibility. When working with longer strings of text (like paragraphs, subtitles, or lower thirds), the single-line input box makes it incredibly difficult to review, edit, or format the copy. Please add support for resizable text fields, or multi-line text areas that dynamically expand, so editors have more room to see the text they are actively working on.Is there any plan to update the UI for the Essential Graphics panel so we can actually see the text we are typing? The current text input fields for MOGRTs are way too small. We need multi-line text areas or draggable/resizable input boxes. Editing a paragraph of text in a tiny, single-line window is a major bottleneck for our workflow.  

Relinking is now maybe the most hateful task with Adobe Premiere Pro. The system is incredibly slow and clumpsy when detecting and relinking files. It should be able to make suggestions, detect patterns in folder structure similarities, etc. since many projects without assitant editors, and inherited hells from unproffesional editors do happen. Names with slight changes, or different formats, should be taken into account. The same for Proxies. Also, I was wondering if it would be possible to have a safe environment to organize the HD keeping the linking with the project safe. I know this is not ideal but this kind of situations also happen: you want to reorganize your drive but you have the double task to relink in Pr. Thank you.  

Hi,Currently, creating a Multicam Source Sequence requires selecting raw clips in the Project Panel, running Create Multi-Camera Source Sequence, and then editing the resulting multicam clip back into the timeline.If clips are already laid out on multiple video/audio tracks in a Time of Day sequence (e.g., synced manually or through Tentacle Sync Studio or Syncaila, via audio align, or during a rough edit), there is no direct way to bundle them into a Multicam Source Sequence right from the timeline. The only current option is Nest..., which creates a standard nested sequence, not a Multicam-enabled source sequence.I think we can all agree: nested sequences (and manually enabling the multicam function on them) are less reliable, less stable, and carry a much heavier performance overhead.Proposed Solution:Add an option in the timeline right-click context menu (similar to Nest...) called "Create Multicam Sequence".This should:Take the selected stacked clips on the timeline and wrap them

While you can still export HDR content using Hardware Encoding 2100 PQ, you cannot "Include HDR 10 Metadata", unless you use Software Encoding. Adding the ability to "Include HDR 10 Metadata"while using Hardware Encoding would help greatly speed up exports for HDR videos. This would help give YouTube more information about your videos to display them correctly.

The new Magnify effect is really cool, but it only allows circles and squares, and often we need to highlight a rectangular area, which the current effect doesn't allow.I would like to request better control over the magnifying glass shapes to achieve this effect.

The ease of identifying tracks in the timeline is very important. In the current situation, instead of the boundary line, I create a thin track. I also divide the tracks according to the type of telop. I think it would be very manageable if you could color the tracks.   Furthermore, when using many tracks, it is difficult to understand mute and solo with "switch only". I'd like to have a net mark like when the track is locked, or a visual cue for the entire track once it changes color.   タイムラインのトラックに、ラベルカラー機能がほしい（任意のトラックに色をつけたい）   ・タイムラインのトラックの識別のしやすさはとても重要。 ・現状では、わざわざ境界線の代わりに、細いトラックを作成したり、テロップの種類別にトラックを分けたりもする。 ・トラックに色がつけられるとても管理しやすくなると思う。 ・さらに、トラックを多く使用する時、ミュートやソロが「スイッチだけ」では分かりにくくて困る。 ・トラックをロックした時のように網の印をつけたり、色が変わってほしい。 ・トラック全体に対してトラック全体にビジュアル的な目印をつけてほしい。