Feature Requests

The only way Adobe Premiere is going to survive and grow in the AI editing world is an AI assistant similar to editing with Claude or Claude Code from prompts, and using tools like Remotion or Hyperframes. 🤖 The Premiere advantage would be fully editible professional sequence on a timeline so we can fully adjust and develop videos from drafts on familiar multilayered timeline.Otherwise most of Adobe Premiere customers will be gone to Claude and similar tools till end of 2027 ( if not earlier 🤖 )

In Premiere Pro ver24.4.1, the specifications of Fx badges for clips on the timeline have changed.I think it's a very stylish visual.however···In previous versions, the color specifications for Fx badges were as follows:No changes → GrayChanges due to motion have been added → YellowChanges due to effects have been added → PurpleChanges due to motion and effects have been added → Green I was able to see at a glance what adjustments had been made to the clip.In ver24.4.1, only two types can be determined: "Changes" and "No changes." Change the color of your Fx badge to increase your work efficiency.I have had the experience of being helped by this specification many times, so I would like you to return to the original specification.     クリップのFxバッジによる状態表示を復活させるべきだ。 Premiere Pro ver24.4.1でタイムライン上にあるクリップのFxバッジの仕様が変更になりました。とてもおしゃれなビジュアルだと思います。 しかしながら・・・以前のバージョンでは、Fxバッジのカラー仕様は以下の通りでした。   何も変更がない→グレーモーションによる変更が加わっている→黄色エフェクトによる変更が加わっている→紫色モーションとエフェクトによる変更が加わっている→緑色   クリップに

Need white balance eye dropper like you had in Lumetri.

Need auto color match button like you had in Lumetri. I would often use that, then tweak color off of that. 

Hi Everyone,I hope you’re all doing well.|I've been a dedicated user of Premiere Pro for quite some time and love the robust features it offers for video editing. However, I've noticed that other platforms, such as CapCut, Descript, and Opus, provide more advanced options for animated captions and AI-driven features.Given the increasing demand for these functionalities, I find it somewhat inefficient to edit a reel in Premiere Pro and then export it to another program to finalize the captions. Does anyone know if there are plans to integrate more animated caption options and additional AI-driven tools directly within Premiere Pro in the near future?Thank you for your insights!

When creating a transcript in Premiere, you cannot change the timestamps for detected audio. Sometimes it will pick up background noise and either lengthen the transcription frame to accommodate that, or it won’t detect transcribable audio and cut words from the speaker. While captions made from the transcript can be lengthened or shortened across the timeline, the ability to do this with transcripts would make the workflow smoother and more efficient. At present, the only solution is transcribing with in/out points; however, this relies on the same auto-detecting audio software that occasionally clips shorter than the in/out points or, conversely, transcribes past the designated out point.  

I'm sure I would be sick to my stomach if I could somehow know how much time I've wasted resetting the program monitor's zoom to "fit" after I accidently adjusted it. Because for some reason we decided that scrolling over the monitor just HAD to zoom in.   No one asked for this feature. It doesn't improve my efficiency. It just makes me mad. PLEASE just let me disable it or lock the zoom on my program monitor. Also probably fire whoever made this decision to begin with.    Sorry for the aggressive post. I'm at my wit's end with this 😞 

You can assign a shortcut to the ‘Apply Video Dip To White Transition’. But this is applying the old legacy transition. It would be nice if it was applying the new Dip To White with more option instead.

Hi, My team uses Productions almost exclusively now as its been a real boost to collaboration and oragnsiation.What we are struggling with is the Video and Audio usage collumn not updating across different projects inside the Production.All i would like is to be able to go to the video or audio usage collumn, see the amount of times a clip is being used, and in what project and sequence it is being used in. Then, select one and have it open/navigate me to the relevant project and sequence within the Production.This was extremely helpful with stand alone Project files as occassionally, we need to update videos by removing people who have not yet renewed their contract. This is an easy way to do it, whilst also making sure we arent missing any clip. Is there a way to make this happen?

Feature Request: “Return Playhead to Start Position on Stop”I’d like to request an option that makes the playhead return to the position where playback originally started whenever playback is stopped.For example: I place the playhead at 10:00 and press Spacebar. Playback starts normally and the playhead moves forward. When I press Spacebar again to stop, the playhead should immediately return to 10:00, instead of remaining at the position where playback was stopped.Ideally, this could simply be a toggle/button in the Program Monitor, such as:“Return Playhead to Start on Stop”When enabled:Position A → Spacebar → Playback → Spacebar → Stop + Return to Position AWhen disabled, Premiere would keep its current behavior:Position A → Spacebar → Playback → Spacebar → Stop at Position BThis should work with the normal Play/Stop command, without requiring In/Out points or using Play Around, since Play Around does not provide the same normal Play/Stop workflow.This type of functionality has exist

Right now, Paste Attributes and Remove Attributes treat Motion as one block, so you can't copy or reset just Scale, or just Position, across clips. A common case: clips are set to Scale to Frame Size plus 135%, each with its own Y position for reframing. To get them back to 100% scale, I have to remove the whole Motion effect, which wipes out every clip's position, and then I have to reframe the entire edit by hand. Please let the Paste/Remove Attributes dialogs expand Motion (and other effects) into their individual properties, with a tickbox for each, so we can copy or reset only Scale, only Position, and so on. After Effects already lets you copy single properties, so it feels like an obvious gap in Premiere.

Dear Adobe Premiere Pro Team,Why is the Shadow/Highlight effect no longer available in newer versions of Adobe Premiere Pro? Why was this useful effect removed?The Shadow/Highlight effect was one of the best and most useful effects in Premiere Pro. It was extremely helpful for naturally brightening dark video footage while preserving a realistic look.Unfortunately, because the Shadow/Highlight effect is missing from newer versions, we are forced to continue using the 2024 version of Adobe Premiere Pro, which still includes this effect.We kindly request that you bring back the Shadow/Highlight effect in newer versions of Adobe Premiere Pro and make it available in the Effects panel once again.Restoring this valuable effect would allow us to upgrade to Adobe Premiere Pro 2026 and future versions without losing an essential part of our video editing workflow.We sincerely hope you will consider our request and bring back this much-loved effect.Thank you in advance for your time, attention,

I'm a shortcuts person, and I like customizability. Please make the new Header Bar feature of Version 22.3 optional. I have no use for any of the buttons or information on the header, all of which are redundant and can be accessed either through the toolbar or via keyboard shortcuts. I appreciate that the Header may be convenient for new Premiere users, but for power users it is wasted screen real estate.

Markers should be movable as simply as we move footage. Select multiple markers by dragging, then delete or copy/paste. Ripple delete moves markers on a sequence, but doesn't delete the markers inside the in/out of the ripple delete. Select all forward doesn't select markers. For people like me who only/mostly work on scripted shows I use markers all the time. It would be lovely if they were more malleable.

Add film grain and maybe a halation effect as style modules in Color Mode.

I am surprised that Adobe has some languages included in Speech to Text (Transcribe) feature but not a major language which is used and spoken by over 350 million people which is Arabic? With so many Arabic production features now that are aired and uploaded to many online streaming services, it is CRITICAL that Adobe pays respect to it's users who work in Arabic content/film/TV series.  Now that this request is as important as any new update, it is getting huge attention in the media and NLE users everywhere. So I hope that in the next update 23.1 Premiere Pro will have Arabic included in Speech to Text.   Mod note: Edited for content

It would be awesome if we could just have unified options to Move Selected Keyframes like After Effects, because separating them into video & audio require too much unnecessary mapping and keyboard real estate.

The ability to zoom using scroll wheel in the Program Monitor is interesting, I imagine it’d be useful in programs like Photoshop. However, in 20+ years of using Premiere, I’ve never once needed it. However, multiple times a day, I’m plagued with accidentally triggering zoom in the Program monitor due to mouse scrolling. I have “Fit” in Program Monitor mapped to a keyboard shortcut; but I’d like to be able to disable this feature entirely. Frequently, when I’m doing resizes/repositions, I do them too small because the Program Monitor has zoomed in without me knowing it. I have to go back and fix all of my key frames.

Workflow for correcting AI transcripts using text windowCan anyone suggest an efficient workflow for correcting the AI transcripts in Premiere Pro. I've found that correcting the transcript by having to click into the text window is cumbersome when there's lots of correcting to be done. Ideally I'd like to be able to play the source clip while having all of the text editable so that I can edit it on the fly. I'm a moderately adequate typist, and it took me all day yesterday to correct one hour of interviews (filmed in a noisy conference room)I don't think I have the best work flow for correcting text, as I find myself having to stop playback, enter the text window, correct text, then step out again to hear the text again if there's lots of typing to do, and then go back in again to clean it up.  This is fine for the occasional text correction, but very cumbersome when there's lots of correcting to do In the past, on Final Cut Pro, I was able to type text into a text wind

ChatGPT Astra and future AI models should be able to “vibe edit” from now on. Enabling an MCP server can help test whether vibe editing will perform well on Premiere. Davinci Resolves seems to have gotten this feature already and people can vibe edit using Resolve. Premiere should have one as well. Just saying. 

please update graph editor in premier pro its very limited and so small you cant see nothingat least make it like after effect big, with keyboard shortcuts 

When playing back 1:1 square and 9:16 portrait resolutions from a Blackmagic Decklink Playout card, no output is available since it is not a Broadcast format. However. If you in Premiere under: Edit > Playback > Settings choose "scale down", you get a horizontally stretched output, but an output none the less.No monitor that I know off, can de-squeeze these resolutions, so it isn't really that usefull though. Question:Would it be possible for Premiere Mercury Transmit to output non-broadcast formats in pixel-to-pixel centered on a 16:9 raster, so that Playout-cards could be used for SoMe formats?  Best regardsJack JohnsenTV2 EastDenmark

I’ve noticed it’s so much easier to animate and position things in AE. I don’t see why Prem Pro can’t also have these smooth features

Coming from Illustrator, Photoshop, After Effects, one expects to be able to do /2 or +10 or *3 when one is in a numerical field. One can do it in Sequence Settings, but, unless I missed something, not in Effects Controls, where it would be most useful. Thank you in advance!

I don't think this needs a description, it doesn't make sense to move everything forward or backward without moving the markers.