Questions

where did the masks functions move in the latest update? I need to create custom shape masks, not just cropping - - and that option seems to have disappeared. 

I have tried absoulely everything to log into my Frame.io account but each time I add my login creditentials it refreshes the page and asks me to login again. I have tried everything I can think of to fix this: clearing the cache, cookies, opening in an incognito window, restarting my computer--even opening a brand new account with a new email and NOTHING is working. Can someone please help me figure out why I can't get logged into my account? I am a paying customer of Adobe and not being able to log in is preventing me from beinng able to work with my editors and do my job. Please advise, thank you. 

Premiere 2026The copy clip function from one sequence to another often doesn't work. It works 5 times, then 3 times not work.Then it doesn't work 5 times, then 20 times work.I checked the keyboard, set the copy function to mouse buttons, but it didn't help.I looked in the hotkey settings, but the function doesn't overlap.I installed several versions of Premiere, then installed 25.6.4, and the same thing happens everywhere.Everything works fine in version 2024 (I upgraded from that to 26).Has anyone encountered a similar problem?

constant relinking media and preparing audio when opening a project, for me this project was created on a portable HD via Macbook Pro M4 Max 64GB and this project hasn't been opened on another device so the path has stayed the same since creation, I have followed the clear cache, resaved media etc which I have found online, this is the first project this has been an issue for me, any new updates people may have. thanks

Hi everyone,I'm having trouble removing pauses in the transcription panel in Adobe Premiere Pro. I’ve highlighted the pauses in the transcript, but it won’t let me delete them. I’ve tried disabling the "Pauses" feature and making edits directly on the timeline, but nothing seems to work. The delete button is grey, can't select it.Here’s a bit more info:I’m using the latest version of Premiere Pro.I’m working on a podcast episode, so there are lots of pauses I’d like to eliminate to streamline the edit.Has anyone else encountered this issue, or does anyone know a workaround? Any advice would be greatly appreciated!Thank you in advance!

Hello everyone.I had to do a full Recovery on my computer, Therefore I had to reinstall Premiere Pro. In the past I save my keyboard shortcuts file under this folder:C-User-Username-Documents-Adobe Premiere Pro-26-Profile-WinAlso, I copied it Inside Profile, and still not showingThanks.

Estou editando um clipe dentro de uma sequencia aninhada, porém simplesmente a partir de um take fica com tela preta, mesmo estendendo o clipe dentro da sequencia aninhada e deixando ele com duração longa, na hora que animado alguns keyframes de velocidade a tela fica preta. Já conferi se não errei em alguma animação e simplesmente não.Eu animo em 200x de velocidade e o take de 50s deveria ficar com 25s porém na prática nos primeiros segundos já fica com tela preta e não tem EXPLICAÇÃO pra onde foi parar a continuação do take, pois entrando na sequencia aninhada ainda tem muito tempo de take pra rodar, mesmo acelerado não acabaria ali. Isso já me ocupou muito tempo tentando achar uma solução e simplesmente não acho. Tá complicado lidar com o premiere, bug atrás de bug mesmo com uma configuração de computador potente. Lag não é problema, e sim os bugs.  

Hi, I am new to PP and have installed a motion graphics template from Envato. The text changes for each scene seem simple enough however unlike the preview of the template (Clean Business History Timeline Presentation) only has one image throughout the whole presentation.. how do I import a new image for each scene?Thanks in adavanceKind regardsColin

For anyone going to NAB/2026 in Vegas next week, I’ll be there and would love to meet up. Private message via the forum works well, but also, if you check in with the Adobe booth, normally they can tell when they’ve seen me recently. Neil

you recently moved masks from the effects panel to the toolbar.please don't do that. We have workflows that get interrupted when you do dumb - like this. When you improve/upgrade something, leave its location alone or at least have an option to leave it where it is.It’s so annoying to be in the middle of a project and have to relearn how to do something because your designers got cute. Mod note: Edited for language. Please keep posts free of profanity. See Adobe Community Guidelines: [link].

I am trying to create a sequence with the same source clip in two regions of the screen in a sequence.  I want to show one with no LUT applied and another with the LUT applied.  I’m trying to create a video that compares LUTs for the same input.  Whenever I select either “None” or one of the LUTs, it applies it to both source clips.  I can apply different color settings under the “Edit” tab of the Lumetri Color tab and that works.  But when I select a LUT, it applies it to all the source clips. Maybe this is what I’m messing up: I am not sure how the controls to the left of each clip in the Sequence panel works.  Here is my current selections:  What do the “V1” and “V2” buttons do?  Toggling them on and off doesn’t change the sequence as far as I can see…  

Hi Adobe Exchange Support Team,   I’m currently developing a CEP extension for Adobe Premiere Pro and need urgent guidance on digital signing and certification for distribution. We’re running into a widespread issue: all major certificate authorities have recently restricted the ability to export .p12 and .pfx files due to private key security protocols. This has effectively blocked traditional signing methods required for Adobe Exchange. We are now exploring cloud-based code signing options as a potential workaround — and possibly the only viable path forward. If Adobe has any officially recommended providers or documentation on how to sign CEP extensions using cloud signing infrastructure, we would greatly appreciate direct links and guidance on how to proceed. Our goal is to get this extension signed and approved for Adobe Exchange as soon as possible. Any help you can provide to expedite this process would be incredibly valuabl

The Apple ProRes 422 Proxy preset that I usually use on my footage is locked into a color space which doesn’t work for the footage. If I make proxies like that, the overexposure gets baked in and whatever Color settings I have on source clips or sequence settings will fail to right them. This is especially crucial because I’m working in a workflow where I will hand the project off to the editor with proxies only for them to cut (low budget project, all of the footage of the feature cannot fit on one drive) The overexposed look baked into proxies using the preset Apple ProRes 422 Proxy with dimensions downscaled to 1,280x675. The only settings that allow the export color space to be changed are the non-proxy presets meant for transcoding. IE this Adobe Stock 4K DCI with Audio (Apple ProRes 422 HQ), where I change the Export Color Space to Rec 2100 PQ to get the raw, flat look (which then creates a proxy which works better with the Auto Detect project setting in Lumetri Color). Even when

I have to work with small masks and every time I try to in premiere pro, it doesnt give me the little open hand symbol to let me move it around, even if I zoom in to like 400%. I press the shortcut "v" to get to the normal mouse, and go try and move the mask and the only two options it gives me is to move one of the points with the little "o" sybol next to the pointer or it gives me the option to make a new point with the pen. It gets real annoying when I have to open After Effects and link a file when premiere pro is supposed to be a profesional editing program. Either tell me how the hell to move tiny masks or FIX THIS

Hi everyone,I'm having a persistent issue where Hardware Encoding is grayed out (stuck on Software Encoding) during export, despite having a high-end system and compatible settings.The Problem: No matter which format I choose (H.264 or HEVC), the "Performance" dropdown remains locked in "Software Encoding". I am working with 4K10-bit D-Log footage from a DJI Osmo Pocket 3.My Setup: CPU: Intel(R) Core(TM) i9-14900K (3.20 GHz) GPU: NVIDIA GeForce RTX 4070 Ti (Drivers: NVIDIA Studio Driver - Latest version). OS: Windows 11. Software: Adobe Premiere Pro 2026 (v26.x) or 2025. Settings Checked: Project Settings: Mercury Playback Engine GPU Acceleration (CUDA) is Enabled. Preferences: "H.264/HEVC hardware accelerated encoding/decoding" are both Checked in the Media tab. Export Settings: Tried HEVC (H.265) with Main 10 profile (for 10-bit D-Log). Tried H.264 with Main profile (8-bit) to rule out bit-depth issues. Toggled "Render at Maximum Depth" and "Use Maximum Render Q

This is not really a question, but an answer. My answer, anyway. (Dammit - Had an even longer explanation of all this but Adobe wiped it all out when I went to “edit” it. Grrrr. So here goes a shorter statement...) When exporting using Media Encoder video looks washed out. When NOT using Media Encoder, video looks the same (as what you see in your Program Monitor.) This problem IS real. It’s subtle but clear and often UNACCEPTABLE. And there is no “fix”. It is very apparent when using QT for playback, and, more critically, for me, as videos show/play on Vimeo. I had for a time applied a Gamma Correction LUT on export to restore some of the contrast which had been lost (adding it under EFFECTS in the export settings.) I didn't like it, but it seemed to fix the problem. But what was it doing to everything else? I don’t know, but it probably wasn't good. I stopped using it over time, thinking, I guess, “Adobe must have fixed this problem by now.” But no...) After many hours / days / month

Title:Transcription fails on all projects after latest Premiere Pro update (worked perfectly before)Issue:The transcription (speech-to-text) feature is no longer working at all after updating to the latest version of Premiere Pro.I have been using Premiere Pro for many years, and the transcription feature has always worked reliably for me in previous versions. I have never had any issues with it until now. It is really wasting my time!Since updating, transcription fails every single time across all projects.Steps to Reproduce: Open Premiere Pro Open any project (existing or new) Select a sequence with clear audio Go to the Text panel Click Transcribe Sequence Expected Result:The sequence should transcribe normally, as it has consistently done in previous versions.Actual Result:The transcription does not work. It fails to generate a transcript The feature does not behave as expected This happens across all projects Additional Context: This issue began immediately after updat

I started yesterday to work on Premiere Pro 2026 and have been experiencing the following issue: when editing with headphones, the audio track on channels 1 and 2 come out only from my left headphone, and channels 3 and forward are muted even if the “M” button is obviously off. Without headphones the problem doesn’t exist. I have already checked the settings on “Audio Channels”  and it is set to Stereo L+R, so the issue really doesn’t make sense.I am not experiencing this issue on the 2025 version or on the Beta version, while using the same settings.Applying audio effects such as Fill also doesn’t work - and even if it did it would be highly impractical to apply an effect to each audio track for this purpose. I have also checked with colleagues and compared settings - mine seems to be an isolated case. Is there anyone who could help me fixing this? It is really a drag. Thank you!

HelloEngaged in learning Flexbox using Udemy courses.Needed to create one page two columns full article to the left photos with complementary text to the right.The page needs adjustments so that it has a good fit using Flexbox and styles.The text needs to be improved upon. I don't know how best to create that style -though I have made a few attempts to work with textual styling.I am working on two paths :\public_html\meherbabaarchives\babalist\list_u\public_html\meherbabaarchives\images\Baba Screens\upasnifin\upasni00_0003.jpgThe first instance when I did a FTP upload the page look as a draft as expected; text to the left: photo to the right.As I continued to work with this page after uploading the revised drafts the photo was no longer visible. In Dreamweaver I use Properties. Browse to source. Photo is visible. Upload via FTP photos is no longer visible.The issue is with the photo. In Dreamweaver the photo is there - with the src: <div class="image-box">    <p><img src

Preference/Setting; Media > Default Media Scaling > Scale to Frame Size doesn't seem to work anymore starting version 25.Set to Frame size has become Fit to Frame; which is fine. But Scale to Frame Size just does the same as 'None'.It works as expected when using the fly out menu in the timeline btw.My suggestion would be to remove it altogether... 😉 'Fit to Frame' is always better in my opinion...

The caption is exporting the top layer, not regarding if it’s hidden or not. I have 4 layer of captions. I hide layer C1, C2 and C4, and try to export (using file - export - captions) the captions, and it export C4 instead of C3 (that is the only one not hidden).

Recently, I switched from an RTX 3090 to an RTX 5080, mainly because of 10-bit support, as I work with this kind of footage on a daily basis. After installing the card, I did a test render and found that render times were 6–7 times slower than on the 3090, which was really weird. I tried everything I could think of to fix it, and I even formatted the C drive, but nothing helped. In general, Premiere Pro (26.0.2) uses only about 5% of the encoding capacity, while an older version, such as 25.2, uses about 11–12%. I also tested HandBrake, and there the GPU was being used to its full potential. The same raw clip took about an hour to render in Premiere, while HandBrake finished it in 7 minutes. Timeline performance is also significantly better on the 5080 than on the 3090, and I pretty much no longer need proxies. However, when it comes to final rendering, my iGPU can now render faster than the 5080. Do you have any idea why that might be?Specs:CPU: i9 13900KRAM:128GB DDR4 3600 MHzGPU: RT

I’m working on a feature documentary on version 25.3 ON AN M3 macbook pro running sonoma 14.4, and for some reason when other people open my project with cloned media, their systems crash. This has happened on multiple edit systems running the same version of Premiere. The original media is 4k, and a full set of proxies has been made  (I’m editing with the proxies). My project works great, but I’m concerned that when I go to online I might have the same problem. Any possible solutions?