I’m experiencing a color/gamma issue with proxies in the latest version of Premiere Pro.
I’m experiencing a color/gamma issue with proxies in the latest version of Premiere Pro.
I’m working with Fujifilm X-E5 footage recorded in F-Log2.
The original footage is correctly interpreted in Premiere as Fuji F-Log/Rec.2020, and my sequence is set to Direct 709 (SDR). The original footage looks correct.
The problem occurs only when I enable an attached proxy.
What is strange is that the proxy file itself is completely correct when imported into Premiere as a normal, standalone clip. I have tested several types of proxies, including ProRes Proxy, and I have also created a proxy that was actually converted to Rec.709 using a LUT.
In every case:
- Original footage without proxy: correct
- Proxy file imported separately into Premiere: correct
- The exact same proxy file attached to the original: image becomes noticeably brighter/washed out
- Disabling the proxy immediately returns the image to normal
I have also tried:
- Manually setting the original footage to Fuji F-Log/Rec.2020
- Direct 709 (SDR)
- No LUT
- LUT conversion on the proxy itself
- An adjustment layer with the LUT
- Creating proxies through Premiere's Ingest/Proxy workflow
- ProRes Proxy at half resolution
None of these change the problem.
The fact that the exact same proxy file looks correct when played as a standalone clip, but becomes washed out only when attached as a proxy, makes me believe this is an issue with Premiere's attached-proxy color management/playback pipeline rather than an issue with the source footage or the proxy encoding.
