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With cameras continuing to increase in megapixel count, it would be nice to natively have CameraRaw/Lightroom be able to work with images over 512MP or 65,000 pixels long. I understand some limitations are with the jpg file format, but when it comes to TIFF or PSB, having native support in LR would be greatly appreciated.
I am a leftie and a student, so I have to jump between my own PC and a school PC often. Please, please please please let me save my keybinds to the cloud. I usually move my keybinds so that they are easier to reach with the right shift. But this would just be a good idea in general for other people who have to move between computers often, and not necessarily the same computers. (For the record, my school has the PCs reset their data every 24h, so it would be pointless to even try to adjust settings and use the same one)😞 Not really a feature just for Photoshop, but this is where I run into the issue the most. ppppppplllllleeeeeeeaaaaaasssseeeeee
I can use programs such as Blender, Unity, Unreal Engine at a professional level. Previously I was passing everything using paint.net. I realized that I could not create a professional work with paint.net, so I said to myself that it was time to learn Photoshop. It's been a week and I press the "space" button and the windows bar at the top left opens by mistake like "minimize".. I'm having these incredible problems; I don't know why the arc warp doesn't bend into 2 points but only one point. When I paste a selection, it creates a layer on itself, not inside the layer. I'm trying to paste a small graphic onto the character's clothing by bending it, and I haven't been able to use things like "warp" and "free transform" properly for 3 days. A complete fiasco...Even though there are so many fans and users of the program, as a simple software developer, I found the program extremely unusable, clunky, and dysfunctional. Everything seems to be done in extremely indirect ways.&
if I open a blank canvas, I'd like to be able to post a prompt to have Firefly create something.
Folgendes gilt zumindest in Windows 10:Wenn man per drag und drop mehrere Dateien öffnet, ersheint das letzte Bild ganz links, dann das erste, dann das zweite usw., ganz rechts das vorletzte. Dies ist dann auch als erstes als Großbild geöffnet. Speichert man dies, kommt das drittletzte in den Bearbeitungsmodus. Schöner wäre es, wenn ganz links das erste wäre und dann von links nach rechts abgearbeitet würde. Noch besser: Ein Wahl-Button "vorwärts bearbeiten" oder "rückwärts bearbeiten".Vorteil: Bearbeitung in der Reihenfolge der Dateien
Please add a SOLO layer toggle like we have in AE!!! SHIFT/CTRL DOES THE TRICK!!!!
I speak for the collective modern and long time userbase of Mac Photoshop users. It is my hope that someone from Adobe actually deeply considers this.This thread was created 12 years ago. At the time, macOS (or OSX at the time) was fertile, young, and foreign to designers. It is understandable that conflicts of interest arose when Adobe had to consider adding OSX Lion's newly introduced full screen mode.For 12 long years, I have existed in that thread, trying hard to prove that users wanted this feature. Admittedly, the upvote count and userbase at the time was a lot smaller. An easy answer was provided at the time in 2012, stating this feature would step on the toes of current power users, removing functionality.It is my concern that since then, although the thread is frequently updated with more and more users still clamouring for this feature, Adobe skips over it because it was marked as "solved" with a "correct answer". Below, I shall demonstrably prove that this feature is an
Hopefully I've recieved the full context for lasso use, but no where does it seem obvious the ability to copy a completed lasso path and paste it onto another image, you can only copy' paste the cutout of the image it creates from the selection, what if there was a way to copy just the outline? I believe it's possible because using Actions has shown me the points they create are saved (once completed), similar to the pen tools. Another topic, that merges well, what if we could change the draw/eraser "head" to the exact proportions of a completed path (any kind) and use it at will (through means of a new tool perhaps)? For personal needs this is useful because then I can make quick work of the many images (500+) I have pending manual editing, by halving it; I'll be re-applying from one photo with a"cloned path" once for every other image I have stocked in my folders. As it is now, the time between each photo (2) is 3-5min for a total of 6-8min each and every time. If by implem
I suggest that add more brushes in Adobe Photoshop. Thanks
Please consider adding a button/icon on the Contextual Task Bar to "Save Selection". This would make it so much easier than going through the menu or right-clicking the selection. Thank you in advance for taking a look.
Please add ruler to filter liquify, this will help an accurate distance or size modification.
Hello,I very often have content on a layer that I liquify via filter and then I need to liquify the layermask afterwards, to get the same overlay. I do it by applying the last filter that was used. (ctrl+cmd+F). This way the mask gets liquified the same way as the actual pixles on the layer. This works perfect but I think not on masks of adjustment layers. The mask gets liquified but in a different shape. Is there a better way to do this or can this be integrated?
Please add text case control in next update!
Touchpad gesture support for PC has been missing since forever, depite full support for Mac touch pads at least since I first started on photoshop back in 2008. They've implemented those same pan, rotate, zoom gestures for PC based touch screens, so why can't the exact same gestures be implemented for PC mouse touchpads? Many PCs have percision touchpads that are even better than the ones Macs use, and so many other apps have full PC touchpad gesture support, so why wont adobe impliment it already?
You have the ability to select the Subject - but you don't have the ability to select the background as the subject. You can ONLY apply generative fill to the selected subject. I want to simply change the background... it SHOULDN'T be brain surgery to do this This is what I'm experiencing: Open a picture Select the desired item - this creates a mask of the item Now the system seems to figure out what tools can then be applied, and automatically disables them. Not even the eyedropper works. This is what I'd like to do Open a picture Select the desired item - this creates a mask of the item Tell generative fill to fill in the background Combine the generated background with the desired item I've spent HOURS trying to get backgrounds changed on ONLY 2 pictures....so hate to say it but this AI stuff is crap... Example prompt: Fill the back
I have suggested this before, but it would be really handy of when I opened a file in Photoshop, copy it, and paste it onto another open Photoshop document, it would automatically name the layer with the name of the copied file. Or, if I gave the file a name (changed Background to a name), Photoshop would use that name instead. Calling it layer 1 is fine if it is a new, empty layer, but if the file has a name, why not have it automatically get entered? This would save me lots of time renaming layers. PS not sure I am being forced to pick a topic from this limited list, as none actually apply….
brush + RMB + ctrl + alt = quickly change color! add mouse wheel to change hue without messing up tint and shade.
> It would be pratical to choose to see the pins and notes directly on the PS or Ai file insead of just being able to see it on the preview link. > Also, It would be extremly practicle if I could select a pin and it will automattacly show me the comments related to that pin. right now it does kind of do that but only if the comment is already visible on the screen. If there are lots of comments and you have to scroll down to find it it won't show if you just click on the pin. > On the comment section, there are only options to delete, replay or mark as resolved. I think it would be nice to have a option to mark it to either color code the pin so that I know the change has been done though I havent updated the preview for the client so I don't want to mark it as done to confuse them because they can't still see the revisions... So maybe if I could Color code the pins to my liking so I know the status of each pin or associate each color to whatever I would like to help
I'm a packaging designer that does alot of mockup on round objects. So far I've been using photoshop's own warp tool, but I think it does a poor job to make the warped object look realistic - It's so clumpsy, and it feels like it works against making a natural warp. It takes too much work, even if I try use some of PS's presets. I have to make so many adjustment jsut to get the basic form right, and then the layout will be all distorted. On the contrary, Affinity Designer's warp tool is so easy to use. First, it's a live mesh, making it easy to made adjustment. Then it just warps so cleverly, needing fewer steps and possible distortions. Se the attached scrrenshots where I compare Photoshop with Affinity Designer. In both examples I only use the cornerpoints and I apply no split. The first step is to move the four corners. Affinity easily moves the whole object, whereas Photoshop let some of the object stick to the original place, almost like the middle of the object is glued
Hello! I work in a system where I save images in different folders depending on their purpose. Today, you have to choose the file format for every image you save. I would like to be able to predetermine in Photoshop which format an image should have depending on the file folder in which the image is saved. Eg a file folder for work files in PSB and then a folder for exporting files in e.g. jpeg12. Alternatively, I would like to be able to hide all the file formats that you never use so that you only have a few to choose from when saving. It had saved a lot of time for us who deal with a large flow of images. Etc. Niklas
I've painted in Photoshop for years, some of the innnovations that we've seen are really great. I have a few suggestions for improving the Brush Menu workflow. The main problems and solutions are best described in the attached picture, numbered. But, I've added the following notes to match the numbers. The main issues I found, come down to helping the user delineate between a Brush Preset, the "hero" and its Properties, the hero's "attributes". Hope it helps or inspires!Problems:1. The buttons for opening/navigating to the panels "Brushes" and "Brush Settings" are inconsistent, they have an element of discovery and they don't explain themselves too well.2. The properties that relate to the Brush Tip Shape is not well-housed, it's a bit confusing for Users.3. the Recent Brushes are hard to find and hard to read, so I personally don't use them.4. Given that Brush Settings are a sub-section of Brush Presets, having a button on the Settings menu to create a new Preset, is confusing, a weir
Wherever Photoshop allows for the saving of Presets, can we please be allowed to "Save Over The Existing"?It does seem counter-intuitive that there is no option to do so. Instead, you have to make a new one and then manage your old iterations (ie, delete them), you're left with a trail of redundant presets that you'll have to tidy up after yourself. The issue was originally raised by GordonShock in Discussions, when they were working with Lightroom Presets. I'm speaking from experience working with Brush Presets.
I love Photoshop, I love to paint in Photoshop and to make custom brushes, but the workflow could do with improvement.When I make a completely new Brush Preset, I usually want to 1. create a black-and-white stamp on the canvas and turn it into a new Brush Shape. Then I want to 2. choose some Brush Settings to decide how my new Brush Shape behaves, and test and refine my new custom brush. Then, finally when I'm satisfied, I want to 3. Create a Brush Preset.Please see the attached image for a more illustrated guide of the problems and possible solutions. Thanks!
I think it would be best if we can select the generated fills and tell the AI this is closer to what I prompted but can we regenerate based on these selections.It will help the AI learn more about what we really like.
I have a client where we generated splashes for a photo but the client keeps changing the backdrop without wanting to change the splashes. So, I was wondering it would be really great if we could regenerate the splashes and keep the form but change the backdrop of lighting. If there is a button like that instead of doing another prompt. When we do another prompt, it actually changes the entire image.
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