32 bit float native editing in premiere

@mstegner Might be highjacking what Omer's trying to say but:

1. Sequences only have sample rates and not bit-rates.  When it comes to exporting, the same audio options are limited.

2. Even though 32-bit float (and the potential peaking that can be SAVED from this wonderful upgrade) is supported, the waveform image in sequences is always rendered at 24-bit float and confuses users/editors.  So if it's peaking and I want to reign it in, I can't see past the peaked flat area - or mesa.  It just brings the mesa down.  Audio-wise, it can be recovered, but it makes volume keyframes very hard to manipulate, not unlike controlling volume blindly.

Are we using this wrong or is it just a simple oversight?

*Note: A not-so-user-friendly work around is to Render and Replace/Send to Audition for the waveforms to look correct, again. 

Premiere has been able to import wave files in 32 bit float format for years.  Is there something specific that isn’t working?