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Participant
November 19, 2025
Open for Voting

Feature Request: Option to Ripple Audio Track Keyframes When Editing

  • November 19, 2025
  • 3 replies
  • 87 views

Currently, when I create keyframes on an audio track in Adobe Premiere and later make timeline edits (such as trimming or rearranging clips), the keyframes remain fixed at their original positions. This often causes misalignment between audio adjustments and the edited sequence, requiring tedious manual corrections.

A valuable enhancement would be to introduce an option similar to “Markers → Ripple Sequence Markers”, allowing users to choose whether audio track keyframes should maintain their relative timing and move with the edits (ripple) or stay locked to their original positions. This flexibility would greatly improve workflow efficiency when making structural changes after detailed audio adjustments.

 

Example Use Case:
When recording a voice-over and mixing “live” using submixes, it becomes extremely cumbersome to make changes later—such as closing a gap before an interview soundbite (O-Ton). Without ripple functionality, every keyframe adjustment must be manually realigned, which slows down the process and increases the risk of errors.

3 replies

MaaaritAuthor
Participant
November 19, 2025

I’m aware of that method and use it myself, but it has significant limitations. First, it’s not very precise, especially when dealing with complex timing adjustments. More importantly, audio work often involves multiple tracks—sometimes several layers of dialogue, music, and effects. The lasso workaround only works on one track at a time, which makes it inefficient and time-consuming for multi-track audio editing.
Having an option to ripple keyframes across edits—similar to how sequence markers can ripple—would save a lot of manual work and reduce the risk of errors. For professional workflows, where timing and consistency are critical, this feature would greatly improve efficiency and accuracy.

Participant
November 19, 2025

This may be true, however it is usually much more painful when dealing with audio IMO. Lassoing / moving does work, but being precise (basically moving the exact amount of frames that you added to / cut out of your piece) is a PITA.

Ann Bens
Community Expert
Community Expert
November 19, 2025

This is not just audio keyframes, video keyframes show the same behavior.

You can lasso the keyframes in the ECP or in the timeline with the Pentool and move them in one go.