Multiple usage requests in the China region！

I am an editor based in China who primarily works on the final cut of films and TV series. I have been using Premiere Productions for many years and am very fond of it. However, Adobe faces many challenges in China. I would like to voice a common concern shared by most editors in our country and hope you can help us resolve it.

1. We can’t even find a single place in China where we can buy genuine Adobe software; we have to go all the way to Hong Kong to purchase it. I find it unbelievable how Adobe has neglected us.

2. In China, we are unable to access many Adobe features, such as Adobe Firefly and Frame.io. We hope you can help us gain access to these powerful tools.

3. We hope you will introduce more practical features specifically tailored for film and TV productions. In many countries and regions, the editing software ecosystem is being dominated by DaVinci Resolve, as Resolve holds the final say over the output process. However, I still believe that Premiere’s editing capabilities and ecosystem surpass those of Resolve; yet, Premiere needs more ways to integrate with Resolve. We often face challenges when handing off projects to colorists after final cuts, as collaboration is hindered by differences in the algorithms and logic between the two software programs. We hope there will be a way to quickly import Premiere projects into Resolve for professional color grading. If the difficulty of transferring between the two software programs could be reduced, it would encourage many film and TV editors to return to Premiere.

We hope you can hear our heartfelt message. Thank you very much.