Optional "Magnetic Timeline" mode (Ripple edit & snap behavior similar to Final Cut Pro and CapCut)

Please introduce a toggleable "Magnetic Timeline" mode in Premiere Pro, inspired by the primary storyline behavior found in Final Cut Pro and modern fast-turnaround editors like CapCut.

The Problem:

Currently, making fast structural edits, deleting clips, reordering scenes, or inserting B-roll often results in unwanted gaps, accidental overwrites, or out-of-sync audio/video tracks unless the editor manually shifts clips or relies heavily on ripple-delete shortcuts and track sync locks. For content creators, social media editors, and documentary storytellers who iterate rapidly, the traditional track-based rigidity introduces unnecessary friction.

Proposed Solution:

A dedicated toggle button on the Timeline Header (e.g., next to "Snap in Timeline" or "Linked Selection") that enables Magnetic Mode:

1. Auto-Close Gaps (Ripple by Default): Deleting, trimming, or moving a clip on the primary story track automatically pulls adjacent clips together with zero empty space left behind.

2. Collision Avoidance: Dragging a clip between two existing clips pushes everything downstream automatically without overwriting.

3. Smart Secondary Elements (Connected Clips): B-roll, sound effects, titles, and adjustment layers anchor to a primary audio/video clip so they move together when the primary timing changes, preventing sync drift.

4. Non-Destructive Toggle: Editors should be able to toggle the magnetic behavior on and off at any moment, retaining full access to standard track-based editing when precise, multi-track finishing is required.

Why this matters:

Premiere Pro remains the industry standard for professional finishing and multi-track audio, but platforms like CapCut and FCP attract users who prioritize rapid assembly and friction-free pacing. Offering an optional Magnetic Timeline mode bridges the gap between ultra-fast pacing and advanced post-production capabilities without forcing users into third-party software.