ProRes RAW proxy workflow

Hi,

I've had Atomos Ninja V for my Sony FX3 for almost two years now, but haven't shot but 2 sequences in ProRes RAW regardless of the incredible image quality. The reason for this is that it's extremely impractical to edit with proxies from this footage, as the proxies are automatically encoded in rec.709 instead of slog3, or another color space, which you can choose for the raw files.

Could Premiere/Media Encoder be set to pick up the color space you've selected for each clip and encode proxies with that color space?

Thank you.

Tero