Support for Nikon NRaw

나의 Z9이 어도비로 인해서 날개를 달수있게 도와주십시오

Would really love to make this happen and push this to the top. Great codec and really would love to stay within the adobe platform to edit. Currently have to deal with a handful of work arounds to even make it usable which isn't ideal. The z9 changed the game for a lot of people on cameras, and I feel like would grab the attention of a ton of users that are using this camera and codec.

Nikon isn't going to get rid of N-Raw at this point. They will settle with Red in some way and it will be here to stay. The Z-9 is a fantastic hybrid camera and will only get better. N-Raw is a very promising codec. I can edit B-Raw, and Prores Raw in the premiere so it seems like this shouldn't be a big ask. Like everyone else on here if Adobe won't support it then l will be headed to Davinci also, and from what I'm hearing that may not be a bad thing.

When we as a community decided to invest in a subscription-based model for Adobe products, it was with the understanding that Adobe would provide regular and timely updates.

The fact that we need to buy competitors' products to work with a professional format is very disappointing.

Is there not enough demand for it (there are, after all, only 33 'votes' as of today on this issue)?
Is there hesitation because of the lawsuit filed by RED?

Perhaps there are reasons behind that scenes that we are not aware of, but regardless of the reasons, the fact that Adobe is merely "interested" in supporting this format while competing companies have already implemented their solutions means that we must rely on those companies instead of Adobe.

I have always relied on Adobe, but in this case, that is unfortunately no longer possible...

If you define 'Critical' as moving to another program because Premiere does not offer it, then yes, I would call it critical.

I have recently been forced to purchase Resolve Studio because of this issue, and the day is fast approaching when I will not be renewing my cc subscription. I'm also discovering that Resolve has more to offer me, and much better performance too.

I’ve been using Premiere Pro for 13 years and it pains me to have to switch to another program. I am hoping that Adobe integrates N-Raw and full Prores Raw compatibility (WB controls) into Premiere Pro soon!

Premiere Pro quickly becoming an also-ran for me...

I have stopped using Premiere completely because of this.

How can Adobe Premiere Pro be considered a professional NLE contender when it doesn't support the files coming out of one of the larger camera brand's cameras?

One would think that Premiere would have been ready to go with NRAW before NRAW was released, not a year after. Perhaps Adobe should repair its relationship with Nikon so this can happen?