Skip to main content

Filter by idea status

10000+ Ideas

Back to top of the list
Daisy-BluesonParticipant

Using Photoshop shortcuts in Premiere proOpen for Voting

One of the most annoying things in Premiere pro is when I need to resize a lot of videos to zoom and crop --it keeps selecting different tracks or I can't seem to select and click and drag properly. When I use the mouse scroll to zoom out, I have to use the hand tool to place the frame in the centre and click out again - I wish you could just hold a button to do that (like in Photoshop you hold the space bar and it sets it to the hand tool temporarily)The snap feature was also better when you could do it just by holding the shift button, I don't understand why it's gone :((( it's so annoying to hit S on and off repeatedly. I wish you could assign more functions to keys manually if you don't set it as default.Another thing that would be appreciated it being able to have two program source monitors- I have multiple monitors and would like to be able to have several program source monitors so I can see one small one on the main editing screen and a big one on the reviewing screen.Or at least have one button so I can assign ONE BUTTON to set my playback screen to a certain monitor because it's annoying having to go in and set the settings each time because I can only assign the playback settings to a key. 

1
Ann Bens
Forum|Forum|1 year ago
daniels33345895
daniels33345895Known Participant

Automatic Replacement of Specific Zoom Images (in premiere pro)Open for Voting

Feature Request: Automatic Replacement of Specific Zoom ImagesI'd love to see an option in Premiere Pro that allows you to automatically replace a specific Zoom image (e.g., "person 1") with a custom graphic. For instance, when a particular participant's image appears in the timeline, you could set it to be automatically swapped with a designated image or video. This would streamline workflows for projects with static visuals and save time during editing. very useful for podcast videos that didn't include webcam footage just avatars going back and forth ("Kevin speaking"/"Lisa speaking").

0
daniels33345895
Forum|Forum|1 year ago
Ralf FInspiring

P: Improve Lightroom (Lr) communication with Photoshop (Ps)Open for Voting

Hello everyone, Why can you not implement the same settings / options for Lightroom (Lr) to Photoshop (Ps) that you have for Lightroom Classic (LrC) to Photoshop (Ps)? I understand that you try to male Lr an easier option, but I don’t think it would be that bad to have options.   Example: In LrC I can define if I want to use PSD or TIFF for the files that were edited in Ps, in Lr the only option is TIFF.   In LrC I can rework an existing PSD file, when I see there are more changes needed. In Lr the system will create always a new file, after multiple changes I have multiple files and have to delete the versions that I don’t need.   As soon as I edit a file in Ps the filename will be changed, after 3 rounds I have 3 times the text „-Edit“ in my filename. In LrC I can define how the new filename should look like.   Please contact me if you have any questions, Thanks Kind regards Ralf   I use MacBook Pro (15-inch, 2017, Intel Core i7 / 16GB / 500GB SSD) with macOS Monterey Version 12.3.1 Lightroom Classic (LrC 11.2) / Photoshop (Ps 23.2.2) / Lightroom (Lr 5.2) with Creative Cloud 

2
kazigk
Forum|Forum|1 year ago
antonina_7810Participant

Welcome to the app that destroys expensive monitors!Open for Voting

Subject: Adobe Needs to Address Burn-In Risk and Prioritize User ConcernsI’ve been using Adobe products for years, and while I can appreciate the innovation and range of features the suite offers, I can’t help but feel that many recent decisions are being driven purely by profit — with very little actual care for the user experience.Let’s be honest: the updates lately have been lackluster. Bug fixes are slow, user-requested features are brushed aside, and UI decisions often feel disconnected from real-world usage. But there’s one issue I want to specifically call out — and that’s the persistent, bright white top bar in Adobe apps.In 2025, we are well into the era of OLED displays. These screens are favored for their stunning color accuracy and are increasingly common among creatives, especially those working in photography, design, and video editing. However, OLED comes with one major vulnerability: screen burn-in.This glaring white top bar that can’t be hidden or customized is a major burn-in risk for OLED users. After months of use — especially during long editing sessions — it leaves a permanent mark at the top of the screen. That’s real, irreversible damage to expensive hardware that many of us rely on professionally.This isn’t a new complaint. The issue has been raised countless times across forums, support tickets, and user feedback channels. And yet, Adobe continues to ignore it. Either they don’t care, or they don’t believe it’s worth addressing because it doesn’t directly increase revenue. Neither option reflects well on a company that claims to support creatives.At this point, it feels like Adobe is more focused on pushing new monetized features and subscription tiers than listening to its core user base. A simple fix — like allowing the UI color to be adjusted or the top bar to be hidden — could go a long way in showing users that Adobe actually values their workflow and hardware investment.Stop burning our screens and burning our trust. Fix the UI. 

1
Ann Bens
Forum|Forum|1 year ago
r4tech_3607Participant

Want to generate a 45-60 second videoOpen for Voting

I don't know this is bug or something but this ai don't generate long video like 45 to 60 second video

1
droopydog500
Forum|Forum|1 year ago
GButchInspiring

Lightroom - Photoshop integrationOpen for Voting

My PS editing makes extensive use of layers, layer masks and adjustment layers.  I have used Lightroom Classic mostly for sorting, preliminary global adjustments and cropping.  I have only recently started exploring the masking features in LR  and finding myself wondering if the individually masked areas of my LR image could port over to PS as layers. More than once recently, I have used the masking tools in LR only to use selection tools to isolate the same area again in PS.Thanks.George ButchPlantation, FL

1
Derek Cross
Forum|Forum|1 year ago
chotu_2671Participant

Can Create multicam sequence with Automation BlocksOpen for Voting

Hello Automation Blocks Team,I'm trying to create a custom Automation Blocks script in Premiere Pro to streamline a repetitive workflow I do for every project.Here’s what I want the script to do:Automatically create 2 offline clips inside an existing bin structure:File > Extra > Multicam Sequences.The offline clips don't need any specific name, but they should always have the same names each time (so the script can later find and select them reliably).After creating them, the script should automatically select both offline clips (which are inside the Extra > Multicam Sequences bin, not from the "Processed Clips" bin).Then, it should create a Multicam Sequence from those two offline clips, using In Point as the sync method.Finally, once the Multicam Sequence is created, it should delete the two offline clips from the bin (so they don’t clutter the project panel).I’m not familiar with JavaScript or programming, and this is my first time using Automation Blocks, so a visual guide or working XML example would help a lot.

0
Forum|Forum|1 year ago
dim1koParticipant

P: Something like Ctrl+C & Ctrl+V for masks in mobile appOpen for Voting

I would like to propose an improvement to Lightroom Mobile that enhances the flexibility of working with masks. Specifically, adding the ability to copy masks to a clipboard and apply them to other layers, both for blending and subtraction purposes. This feature would significantly increase the creative possibilities and provide users with more flexibility when designing graphical content.   By implementing this functionality, Lightroom Mobile would not only streamline the workflow but also cater to advanced users who seek precision and efficiency. It would empower creators to develop more complex and intricate designs directly on their mobile devices, making the app even more versatile.   Despite the remarkable advancements brought by the new AI features in Lightroom Mobile, which have elevated photo editing to a new level, there is still room for improvement when it comes to the flexibility of working with masks.   Masks are one of the main reasons I appreciate Lightroom, as they empower creative control. However, there are times when even basic functionalities are missing. For example, zoom restriction, which sometimes prevents precise manual detailing of smaller areas.   I hope the developers take these aspects into account, as they could significantly enhance the overall editing experience and bring even more creative flexibility to the app.

0
Forum|Forum|1 year ago
Justin26606261o7peParticipant

Change multiple multicam sequence settings at onceOpen for Voting

It would save me so much time if I could highlight all the multicams I create and change the sequence settings all together.  I don't understand why you can't.   It would help me if I replace footage or reconnect to a different resolution or codec which I often do.  Or if I happen to want to change the resolution, pixel ratio,  or whatever.  Very annoying not being able to change multiple multicams at once.

0
Forum|Forum|1 year ago
daniels33345895
daniels33345895Known Participant

IMPROVE FAKE VOICES IN ADOBE AUDITION OR OFFER VOICE CLONINGOpen for Voting

Hi Adobe team,I’ve been using Adobe Audition’s generative voice feature, and to be honest, the voices sound outdated and robotic — they haven't improved in years. With the major advancements in AI voice synthesis and voice cloning technology happening everywhere else, it's frustrating that Audition still feels stuck in the past.Why hasn’t Adobe updated these voices to sound more realistic or expressive? Even better, why not allow users to do custom voice cloning like other modern tools?Is this feature being worked on at all, or has Adobe abandoned it? It feels like a missed opportunity, especially given the growing demand for AI-generated content.Would love to hear what’s planned — or at least if Adobe is open to upgrading this feature.Thanks.

0
daniels33345895
Forum|Forum|1 year ago
Sarah NorthwayInspiring

Save multilayer png/jpg smart objects as psb and automatically replaceOpen for Voting

If I open a smart object, add a layer I want to preserve and hit save, I sometimes get this error: "Can't save this document back to its original file format. Flatten layers and discard extra data as necessary then choose File > Save again. You can save the file using File > Save As, but the associated smart objects will not be updated." Such a self-aware error message! The devs seem to know exactly what I want to do and are offering workarounds rather than just doing what I want. So my suggestion is: do what I want! When I press ctrl+s, save the multi-layer smart object as a psb instead of a png/jpg, then replace all instances of the existing smart object in the original document while maintaining their translations/styles/filters/etc. Part of my confusion is that dragging a png or jpg into my file results in a png/jpg smart object, whereas if I ctrl+v paste it in then right click layer > Convert to Smart Object, I get a psb smart object. I do both interchangeably, and it's hard to know which format a smart object is before I crack it open and do a bunch of work on new layers I intend to preserve, only to hit this annoying error message which basically says "nah we know what you want but we're too lazy to do it". And it can be a LOT of work to go back and replace smart objects if they've been duplicated, scaled, styled, masked, filtered, and buried in groups.

15
Stephen Marsh
Forum|Forum|1 year ago
sarah5E05Participant

Smart Object on import improvementOpen for Voting

I double-click a Smart Object, a new tab opens with the Smart Object in it, I make the changes I want, then I click Save, and instead of saving the changes and taking me back to the first tab, the JPEG or PNG Error dialog appears (Can't save this document back to its original file format. Flatten layers and discard extra data as necessary then choose File > Save again.) This issue has been posted in plenty of forums before, and while I completely understand that a JPG cannot sustain layers or other modifications, what is the point of having a Smart Object if it behaves like this? This is SURELY a bug and could be handled way better. If I import files into my Photoshop document as a Smart Object, then it should be.. a SMART OBJECT—not some ‘Embedded JPG You Cannot Edit’ nonsense. I’ve seen replies saying this is “normal behaviour” while patronizing people who rightly asked the question. I had to write my own script just to import multiple files into the same PSD and have them be directly editable without having to package them again into another Smart Object. Photoshop, FIX THIS. It’s super annoying. Nobody cares if the original file was a JPG a PNG or a WEBP—we’re going to re-export it anyway into whatever format we need. My suggestion? Whenever I drop an image into Photoshop, it should be converted into a REAL Smart Object—whether it’s inside a PSD or PSB container, nobody cares. What we need is simple:1. I drag an image into a Photoshop file.2. I double-click the 'smart object layer' of the image I just import it to edit it.3. I mask, add layers, type, or do whatever I need.4. I press Save, and the Smart Object updates seamlessly without any stupid dialogs halting my work flow.  That’s it. SIMPLE. Nobody cares that the file used to be a JPG or a PNG, and if they really do, then embed the container info so Photoshop remembers the original format when exporting. Not that it’s necessary at all. 

2
Stephen Marsh
Forum|Forum|1 year ago
Paulius34570448fq9qParticipant

Premier pro 2025 fx badgeOpen for Voting

The new FX badge style is less helpful than before. In older versions, FX badges changed color, making it easy to see which clips had effects. Now, with only white letters and no background color, it's harder to track effects in the timeline. Please consider bringing back colored FX badges or giving users an option to choose the style.

2
R Neil Haugen
Forum|Forum|1 year ago
Enchanted_fun5EADInspiring

ETICHETTE NEI RACCOGLITORIOpen for Voting

Sarebbe molto utile se nella "Visualizzazione a Icone" venisse in qualche modo mostrato il colore delle etichette assegnate, così da avere la possibilità di individuare sia l'etichetta che il contenuto della clip.Fino ad oggi il colore delle etichette è visibile soltanto con la "Visualizzazione a elenco". 

0
Forum|Forum|1 year ago
LatzschuhParticipant

Navigating the Timeline by holding down middle mouse buttonOpen for Voting

I already saw a lot of people requesting this in the past. I think there is a reason for that.Nowadays there is a lot of Editing Software (whether it's for Audio or Video) that have this feature built in already (DaVinci Resolve, Shotcut, Ableton Live 12, Audacity, Studio One, FL Studio etc.). There has to be a reason for that - people are enjoying that kind of workflow as it is ergonomic and logical. You grab a position in your Timeline and move it in a certain direction, just as you would move/orient something in real life.The only reason I can think of for not implementing this is patent or copyright issues with DaVinci Resolve on the part of Adobe. But if that's not the case and nothing to worry about, then why not go for it and help tons of people out by simplifying their workflow and making their software operation easier?

1
Ann Bens
Forum|Forum|1 year ago
FeedbackCommunityMemberInspiring

P: Add Lumetri color and scopesOpen for Voting

I think Adobe should standardize the color corrections across the Adobe CC programs with Lumetri Color and Lumetri Scopes. If you are not familiar with these tools, they are used Premiere Pro and After Effects for color correction. (Most of the other tools are still there, but have been supplanted by the Lumetri system.) When it first appeared in Premiere Pro CC 2015 (?), it seemed to be based on the Lightroom/Camera Raw editing interface. I realize that PS has Camera Raw filter, but it would be nice to consolidate the the main color tools like Adobe did in PPro and AE. (I saw this request posted about 3 years ago, but it did not seem to get much traction.)

24
Forum|Forum|1 year ago
BeratGL
BeratGLKnown Participant

Ability to hide Left and right channel indicatorOpen for Voting

Please for the love of god give us this ability to hide it. I can't see the start of my waveforms most of the time.

0
BeratGL
Forum|Forum|1 year ago
O. InhaKnown Participant

Generative Fill prompts to recognize text-method alignments betterOpen for Voting

Extend Generative Fill (Firefly) to understand natural language to text-method alignments in addition to text-image alignments. I.e. in addition to "what" kind of imagery to generate, "how" it should be accomplished.   I'm sure that already happens to some extent in just "what", so in pics: "very smooth transition/morph/blend/mix between <left and right textures described in detail>" or whatever else you try:   = Not good.Proposal: Generative Fill would have some understanding of what I'm trying to achieve when I'm specifying methods to be applied to already-existing imagery, rather than new content/imagery. I hope this is understandable.It's a generic problem in state-of-the-art AI-image generators, but in my mind addressing it would be particularly beneficial for Adobe.

0
Forum|Forum|1 year ago
O. InhaKnown Participant

Generative fill + prompt + near-solid background = edgesOpen for Voting

I'm sure this applies to other use-cases as well, but to me it appears most evident in dark backgrounds when using a text-prompt. Generative Fill applies a relatively strong tone-difference, where you can easily see the edges of the Generative Fill, whereas Content-Aware fill does much better job. Observe 2 x Generative Fill vs. 2 x Content-Aware Fill:   Idea: include a dataset of Content-Aware background fills in Firefly training data for better handling of near-solid backgrounds, or just utilize Content-Aware Fill with Generative Fill in low-detailed areas.

0
Forum|Forum|1 year ago
Andrzej-KParticipant

Technical segmentationOpen for Voting

Hi New AI analysing tool can be used to show technical segmentation.Thiws would allow to quickly identify bars, blacks, slates, logos, textless etc.It's almost doing it but search option doesn't understand techncial terms and performs "wrogn search".This coudl be sort of side option to normal search.It would be nice to have an auto markers (one with in/out) inserted into timeline after analysis and showing segments of your master. Main things are bars, perfect blacks, slate, start/end point of the programme. Extra bits are credits, text overlays. Textless elemnts are bit more diffiuclt but with comobination of positon in time in the master (so at the end) , plsu with the slince could be quite well identfied as wel. It's colse and I think possible. Maybe togheter with transcription as well to help. Next step woudl be auto detection good add break points.

0
Forum|Forum|1 year ago
WeAreMoose
WeAreMooseInspiring

Global 'Hide Warning Banners' on Export settingOpen for Voting

Hey guys,Something very embarrassing happened, client aired Ad with 'Analyzing 1/2' Morphcut Warning Banner in the video.It was a 2 frame morphcut and I exported the same video 4x and sometimes it's in the renders and sometimes it isn't. First of all, thats my mistake, I should have been more careful. BUT. There should be a global setting which allows every video which is being exported to be free of said warning banners,They shouldn't be on final renders in the first place, what's the benefit? I'd rather have a wonky, unstablized shot as one with a big warning banner AND unstablized.This is a feature request, if there is a way to do this, please let me know.Many thanks

4
Forum|Forum|1 year ago
SteveP_25Participant

Essential Sound Music Browsing in AuditionOpen for Voting

Maybe this is a thing, but I haven't found it yet, but I would love to have the ability to search music in Audition the same way I can in Premiere. I do quite a few radio spots and always need to export the audio track to bring into Premiere to search for audio tracks from Adobe Music.  If this is already available, please let me know how to us it in Audition.

0
Forum|Forum|1 year ago
dillon_0007Participant

Enable keyboard shortcut to create a subclip directly from text edit modeOpen for Voting

Hello there! Long time user of Premiere Pro. Been away from it for a couple of years and getting acclamated with the new updates, including the text to edit too (**WOW**!!).   One thing that's irksome is the need to toggle the source viewer window after selecting the text range for auto setting an in/out point.  It would be incredible if the user could simply click drag the text, and then use the keyboard shortcut to create a subclip instantly out of the selected text (no window toggle needed).

3
Forum|Forum|1 year ago
ryan_8291Participant

Idea: Subtitles stay in sync with video and audio when adjusting speed/durationOpen for Voting

Is this possible? As a video editor working to complete multiple short form vids per week, it would be really helpful for my workflow. Especially for collaborating with my team + revisions.

0
Forum|Forum|1 year ago
Daniela36230159nrz9Participant

Synch audio throughout compsOpen for Voting

Please make it possible to have the audio in the maincomp and then every comp that is in the main comp will be able to play the audio as well in exactly the place where it's at - please!

0
Forum|Forum|1 year ago
Show more posts

Filter by product

  • All products
Terms & ConditionsAccessibility statement
Using the community Terms of use Privacy Cookie preferences Do not sell or share my personal information ad choicesAdChoices