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M
moisesr59243893Participant

Porque não facilitam o modo de trabalhar com textos nos premiere?Open for Voting

1° - Ao mover 2 ou mais textos não aparece a opção de mover todos de uma vez!2° Melhorem o fluxo de editar o texto (selecionar o texto + clicar 2X em As pra habilitar o editor). Porque simples duplo clique na camada já não habilita.3° Ao criar legendas e converter pra graficos, não vem em formato de ponto? Porque tem que vim no formato quadro limitador.ENWhen moving two or more text layers, there should be an option to move them all at once. Please improve the text editing workflow. Currently, you have to select the text layer and then double click the "As" icon to enable text editing. A simple double click directly on the text layer should activate the text editor. When creating captions and converting them to graphics, why are they converted using anchor points instead of a bounding box? They should be converted with a bounding box by default.

0
M
Forum|Forum|2 minutes ago
S
stefaniek51216624Participant

P: Show words omitted from prompt or violates content guidelinesOpen for Voting

Tried to make a word in colorful teddy plush but it says me it is against the guidelines.  So I tried to say fur instead. That worked but didn't give me the result I wanted. 

130
S
Forum|Forum|23 minutes ago
K
KavithaParamasivanParticipant

Photoshop bug: Generative Fill unavailable with Quick Mask intensity-mask workflowOpen for Voting

Hello Adobe Photoshop Team,I would like to report a regression affecting the Quick Mask and Generative Fill workflow used to create watercolour, oil-painting and other generative art effects.Adobe previously demonstrated this workflow using Quick Mask to create an intensity-based selection, followed by Generative Fill through the Contextual Task Bar:https://www.youtube.com/watch?v=4THG0IPx9hchttps://www.adobe.com/learn/photoshop/web/create-art-styles-generative-fillWorkflow that previously workedOpen an image in Photoshop. Enter Quick Mask Mode. Fill the mask with a controlled percentage of grey to determine the strength of the generative transformation. Exit Quick Mask Mode to convert the mask into a selection. Use Generative Fill from the Contextual Task Bar. Enter a prompt such as “watercolour painting” or “oil painting.”This produced highly useful painterly interpretations while retaining the composition and visual structure of the original image.Current problemIn newer Photoshop updates, the Generative Fill option no longer functions for this art effects after creating the selection through Quick Mask Mode.The technique worked successfully in earlier versions but has been unavailable or inconsistent for approximately two years.This appears to be a regression rather than simply a change in interface, because the Quick Mask method allowed something that ordinary selection tools do not: precise control over the intensity of the generative effect through tonal mask values.Expected behaviourAfter exiting Quick Mask Mode, Photoshop should recognise the resulting selection and make Generative Fill available through:the Contextual Task Bar; the Edit menu; and any relevant Generative Fill panel.Selections created through Quick Mask should behave consistently with selections created using the Marquee, Lasso, Object Selection and other selection tools.Why this mattersThis was an unusually creative and valuable workflow for artists, illustrators, designers, photographers and educators. It allowed users to combine their own image-making decisions with generative tools rather than replacing the entire image with an uncontrolled AI interpretation.The adjustable grey value acted almost like a creative 'strength' control, allowing the user to decide how closely the generated result followed the source image.I use Photoshop professionally and teach creative software to art and design students. This technique was particularly useful for demonstrating:tonal masks and selection logic non-destructive experimentation the relationship between source imagery and generative interpretation watercolour, oil, drawing and print-inspired visual treatments, and responsible use of generative AI within an artist-led workflowRequested fixPlease restore full compatibility between Quick Mask selections, the Contextual Task Bar and Generative Fill in both Photoshop and Photoshop Beta.It would also be helpful for Adobe to test this specific workflow across different mask densities—for example 20%, 40%, 60% and 80% grey—to ensure that tonal intensity continues to influence the generated result as expected.Feature request: Generative PaintingPlease also consider developing this workflow into a supported feature, perhaps called Generative Painting or Generative Style Transfer.A dedicated feature could include:a strength or source-image preservation slider watercolour, oil, gouache, ink, pen and ink, pencil drawing, charcoal drawing, scribble drawing, pastel, and printmaking presets control over brush size, pigment texture and level of abstraction the ability to use a greyscale mask to vary the effect locally reference-image support preservation of important edges and composition generation onto a separate, editable layer, and the option to combine painted and photographic areas within one imageThis would turn an inventive workaround into a properly supported artist-facing tool. Photoshop is most powerful when AI extends the artist’s hand rather than removing it from the picture.Thank you for investigating this regression and considering the feature request.Kind regards,Kavitha ParamasivanGraphic Designer, Artist and Creative Software Educator

1
jane-e
Forum|Forum|1 hour ago
P
Philippe TParticipant

Will be great that culling will include more subjects than people pictures. Could it also include birds and other animals/wildlife pictures to check the accuracy of the focus on the subject?Open for Voting

Wildlife and birds’ pictures are often shot with burst of up to 20 or series of consecutives shots, so the process of selection for the best focused picture is time consuming when you come back with hundreds or thousands of pictures that many of them are very similar at first glance.Is it possible to add culling to this type of photographies in LRc? To the best of my knowledge the AI-culling feature is currently only for people or portraits pictures.Thanks a lot.

0
P
Forum|Forum|1 hour ago
AndrewTheGreat
AndrewTheGreatKnown Participant

The Ultimate Premiere Pro Feature Request 2025Not Prioritized

Premiere Pro 2025 significantly lags behind other software, not even mentioning AI capabilities. To balance the scales, I believe Adobe should seriously consider adding truly useful and modern tools to Premiere Pro in the nearest future. The picturesque features shown at MAX 2025 looked impressive, but they were nothing more than prototypes and proof-of-concept demos. And the following tools and improvements are needed now. Some can even be added in the nearest weeks or months.  1. Fast and easy-to-use AI masking. I tested the beta version and it was genuinely good, but the way it is applied leaves much to be desired. There should be no need to create an empty tracking mask data and then apply it to effects. That workflow is outdated. Any effect — native or third-party — should have a dedicated mask tracking button.2. Proper native tracking. Premiere Pro is extremely weak in terms of tracking. Every modern video editing software has a fast, native tracking engine. Tracking in Premiere Pro feels primitive. A good native (not BorisFX-based, wink) AI-powered camera, planar, mesh, and point tracker should be added to Premiere Pro too. It should support simple “track to object” functionality — fast, one-click, with advanced options if needed. Tracking should also support "previous-frame" analysis to track objects that leave the frame.3. Native restoration tools. Premiere Pro should have long included a set of image restoration tools: denoise, deband, deflicker, deshake, and tools for removing fixed and dynamic dirt, scratches, and dust. It also needs a fast object removal tool with tracking and dynamic background reconstruction. The Content-Aware Fill in After Effects is frankly terrible, and users should not have to rely entirely on third-party plugins.4. AI-based facial and body refinement. With fast mask tracking now available, Premiere Pro should also include native tools for face and body isolation and refinement as a separate feature. There's a lot of software that can do a digital make up and adjust characters' body.5. A depth map generator. It is frankly embarrassing that even After Effects lacks a native depth map generator. Premiere Pro needs this even more, as it is the actual NLE which would definitely benefit from using such a tool.6. New, modern GPU-accelerated effects and transitions. “New” should mean original — not effects acquired from companies that have been selling the same plugin packs for over a decade.7. Simultaneous stabilization and time remapping without nesting.8. Full unnesting and Render and Replace improvements. Premiere Pro should be able to unnest and render and replace any media, including nests and multicam clips, with the ability to revert at any time. Render-and-replace should bake in effects, transitions, and alpha channels by default, to lift the need to do this manually every time from the user's shoulders.9. A complete redesign of time remapping. The current implementation is awful. If Adobe doesn’t know how to improve it — just copy the After Effects approach.10. Linked audio clips should behave like video clips when time remapping is applied. They should also be time remapped correspondingly!11. Better timeline organization tools.  Shifting clips on different tracks with a delay and clip swapping via hotkeys should be added, both horizontally and vertically.12. Converting nested sequences to multicams and vice versa.13. Togglable audio/video switching modes for already-created multicams, allowing users to change how camera angles and\or audio tracks are switched AFTER the multicam has been created.14. A proper audio noise cancellation tool. Speech Enhance is unusable and somehow worse than Adobe's own Podcast 2.0.15. Improved markers. Markers should be movable directly on clips without opening them in the Source Monitor. The marker list should be customizable: resizable rows, optional previews, full marker name visibility, and a proper custom color picker (the default eight colors are insufficient).16. Frame interpolation from After Effects (Pixel Motion). It produces much better results than Premiere Pro Optical Flow.17. Detail-preserving upscaling from After Effects or another high-quality upscaler, AI-based or not.18. Animation for all available (ALL!) text parameters in both Effect Controls and Properties panels.19. Real-time multicam cutting mode so cuts appear during playback, not after playback stops.20. Intelligent multicam auto-cutting based on camera angles, facial recognition, and motion/activity analysis. The current level of technology premits that.21. Advanced AI stabilization with edge reconstruction when cropping.22. Native edge mirroring and duplicating for the Transform effect.23. Ability to place effects before the Motion group (or make Transform the default replacement for Motion) in the Effects controls panel so that motion does not conflict with some effects.24. Vertical track reposition (move track up\down)25. Basic subtitle animation tools (letters, words, lines) and drag-and-drop motion presets affecting entire subtitle tracks.26. Transitions applied to the cut nearest to playhead via double-click. Somehow effects can be applied with a double-click and transitions can't.27. Face recognition based via smart search, with grouping and naming capabilities to quickly group similar results and find them in the footage faster.28. Program Monitor group clip viewing mode to review and cut all imported or selected clips without the need to create a second sequence and stack the sequences one above another.29. Decoding entirely on the GPU and iGPU, leaving CPU resources for computation. Add more codec flavours based on the CPU and GPU codec support.30. Make masks move, add points and resize the same way it's implemented in After Effects.31. Effect controls directly in the Program Monitor, like the current Transform and Crop, with APIs for third-party developers to build visually controllable tools.32. Audio leveler and de-bleed tools (based on denoise, gate or ducking), supporting multi-track interaction - to be able to target several tracks between each other.33. Complete Morph Cut redesign. AI-based, object-aware, mask-driven morphing without the current tedious scene analysis.34. Stabilization bake/freeze option so it does not reset on every change.35. AE-style effect curves in the Effect Controls panel.36. Send/bus-routing in the Audio Mixer, similar to Audition.37. UI space optimization with better button placement (especially in the Program Monitor and Timeline) and a toggleable maximize mode that hides top and bottom Premiere Pro bars.38. Real-time previews for effects and transitions upon hover or click, with thumbnails in the Effects panel, and support for third-party preview implementations.39. Drag-and-drop organization of templates and folders in the Graphics Templates panel.40. Toggleable continuous timeline playback mode where moving the playhead does not stop playback.41. Playback autoscroling improvements, allowing playback to start from any fixed playhead position and not in the center only.42. Disable or toggle automatic jumps to the start of extended markers when clicking them.43. Clear, informative and precise Error logs and Warning reports before render. Premiere Pro should show exact timecodes and clip names for unlinked graphics (the "missing" messanges), clips, or effects with warnings (Morph Cut, Warp Stabilizer), and avoid showing warnings for items NOT present on the timeline. The same accounts for render errors - a user must know the exact reason why an error happen and not just "renderer error at 01:10:21:08, Selector: 03, Error code: 9".44. Make audio waveforms for multicams VISIBLE! Always. Not when Premiere Pro wants it.45. Add a dedicated "Output LUT" slot at the very end of the Lumetri Color processing chain (after Vignette).46. Add a Watchfolder function for an automatic real-time syncing of the contents in an imported folder.47. Add an ability to save audio mixer plugin chain as presets.48. Add a better support for PSD and vector files from Photoshop and Illustrator to be able to edit text from there. Plus vectors actually be vectors, not rasters, in Premiere Pro.49. Unify all the possible hotkeys, behaviours and tools to act the same way in AE and Pr.50. Motion blur as a SYSTEM SETTING, not just an option in transform.51. Fx console for searching effects, transitions, generators and functiuons. 52. A reworked Project Manager which actually works, always, with no errors, with an intuitive operation. With a richer functionality similar to Plume Pack.53. An ability to save downgraded projects like in AE. Without the need to unzip and change XMLs or use third-party project downgrading sites.--------------------------------------------With great respect and hope for software improvement,AndyTheGreat 

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R Neil Haugen
Forum|Forum|1 hour ago
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Anush25943570azk4Participant

Composite image or add element from another imageReleased

Its a good idea to in generative fill have a option to upload an image to take element from one image and add to another or composite a image or Ai can look for create similar thing on current image from the uploaded image

2
droopydog500
Forum|Forum|2 hours ago
Webwilliam
WebwilliamParticipant

Sugestão de Recursos Avançados de Processamento de ImagemReleased

Prezados Desenvolvedores,Gostaria de compartilhar uma ideia que considero de grande relevância para o aprimoramento da vossa plataforma. Recentemente, tive a oportunidade de observar as capacidades oferecidas pela tecnologia de processamento de imagem (Adobe Firefly), e acredito que podem elevar significativamente a experiência dos usuários ao implementar opções avançadas de edição de imagem impulsionadas pela IA.Haveria a possibilidade de fazer upload de imagens e, com base nessas imagens, utilizar a inteligência artificial para realizar a criação de cartoons, caricaturas, correção de fotos embaçadas, remover ruídos, figuras semelhantes e até mesmo realizar uma clonagem de fotos, tudo isso com uma qualidade excepcionalmente alta e uma IA mais eficiente em relação à fidelização da imagem.Tendo em mente a excelência associada ao nome da ADOBE, imagino um recurso que se destaque pelo seu nível superior de qualidade. Um exemplo que me inspira é o trabalho feito pela Adobe, reconhecido por sua expertise em edição de imagem. No entanto, acredito que podem ir além, oferecendo um processo mais preciso e uma maior fidelidade à imagem original.Entendo que a implementação de um recurso tão avançado pode demandar recursos substanciais em termos de desenvolvimento e pesquisa. Contudo, creio que os benefícios para os usuários e a posição de destaque que poderíam alcançar no mercado justificam plenamente esse investimento.Agradeço desde já por considerarem esta sugestão. Estou à disposição para discutir mais detalhes e trocar ideias sobre como poderíam transformar essa visão em realidade. Aguardo ansiosamente suas considerações sobre a possibilidade de incorporar esses recursos inovadores ao Adobe Firefly.Atenciosamente,William

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droopydog500
Forum|Forum|2 hours ago
M
Montana30146197yjmdParticipant

P:I lose too many credits doing trial and error. The monthly cost should be based on downloadsOpen for Voting

I lose too many credits doing trial and error. The monthly cost should be based on downloads

50
Kartika Rawat
Forum|Forum|2 hours ago
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Lucky311915302i3zParticipant

Hey, AI. Generate photos similar to those I submitReleased

There should be a feature in which we provide 3-10 images and ai will then generate more images like those. For example I am making phone wrap designs and i am out of creativity now, so, this feature can make a number of images and help many like us

2
droopydog500
Forum|Forum|2 hours ago
2
22230470261b2qzParticipant

Advice for recolor function (pic color reference)Needs More Info

Hello Adobe team,   I'm [name removed], thank you for your devotion to AIGC first.   While using the recolor function, I found it hard to get the expected results by word prompting. And I wonder if you may open access to let users upload color references with pic.   This will certainly help users get what they truly need!   Thanks again! And have a nice day anyone seeing this message.    

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droopydog500
Forum|Forum|2 hours ago
H
Hans26215397kq95Participant

ideas for project developmentReleased

First of all thank you very much for reading me... And thank you very much for developing this great tool for creative progress... - I apologize because my ideas are just part of my imagination and I don't know anything about programming, so I don't know how complicated it is to carry them out...- But here I leave them wishing to contribute in all this great work..Things you should integrate:.- Possibility to see the history of searches and images.- To be able to show many images (instead of only 4).- Ability to go back to previous samples- Possibility to enable restrictions, especially for cases where people would search for sexual, violent or negative content (This also applies in case of a little boy interacting with the artificial intelligence).- Perhaps the possibility of implementing a basic drawing that allows the intelligence to identify where certain elements go.

3
droopydog500
Forum|Forum|2 hours ago
Jlevineah
JlevineahKnown Participant

P: Feather Masks - ability to universally feather a mask selection in LR like photoshop.In Development

Feather Masks - ability to universally feather a mask selection in LR like photoshop. With a feather slider. The AI selctions are great but often need to be feathered this would speed up workflow greatly. 

11
P
Forum|Forum|2 hours ago
Y
Yves-CHInspiring

P: Delete catalogues suppression correction menu, titles of the buttons to be specifiedOpen for Voting

LrC, compléter les intitués des boutons de suppression des fichiers de sauvegarde du catalogue sur le disque. Un bouton supprime les fichiers dans la liste des fichiers dans LrC, l’autre supprime aussi les fichiers du disque, seule la boîte de validation de la commande dit se qu’il va se passer ! 

0
Y
Forum|Forum|2 hours ago
S
Santu89Participant

P: (Masking) Add select object to mobile devicesOpen for Voting

Please add multplay subject and removed in one picture. This is very annoying on picture one subject automatic sleact. Please This option add next update.it is requared very much. Please add this futcher i strongly insist.

8
B
Forum|Forum|4 hours ago
C
chandika_munasinghe5824Participant

Keyboard Shortcut to Move Clips Between Video TracksOpen for Voting

Hello Adobe Premiere Pro Team,I would love to request a feature that allows users to move selected clips directly between video tracks (for example, from V1 to V2 or V2 to V3) using customizable keyboard shortcuts.Currently, moving clips between tracks requires dragging them with the mouse, which slows down editing—especially on large timelines and during fast-paced editing workflows such as wedding films, documentaries, and multicam projects.It would be incredibly helpful to have commands such as:Move Clip Up One Video Track Move Clip Down One Video Track Move Clip Up One Audio Track Move Clip Down One Audio TrackThese commands should be fully customizable in the Keyboard Shortcuts panel, allowing editors to assign shortcuts like Alt + Up Arrow and Alt + Down Arrow.This feature would significantly improve editing speed, reduce mouse usage, and bring Premiere Pro closer to the workflow efficiency offered by many other professional editing applications.Thank you for considering this request.

3
Peru Bob
Forum|Forum|4 hours ago
Todd_Morgan
Todd_MorganLegend

View artboard when right click on Artboard layerOpen for Voting

Often, work involves a file with several artboards or more (like one job I had 100 artboards) and would be great to be able to right click on an artboard layer and select View Artboard and my screen goes to that artboard. Saves time zoom panning to find it. TY! 

0
Todd_Morgan
Forum|Forum|4 hours ago
K
KavithaParamasivanParticipant

Contextual Task Bar - Generative painting for watercolour and oil painting effects with quick maskOpen for Voting

Hello Adobe Photoshop Team,I would like to report a regression affecting the Quick Mask and Generative Fill workflow used to create watercolour, oil-painting and other generative art effects.Adobe previously demonstrated this workflow using Quick Mask to create an intensity-based selection, followed by Generative Fill through the Contextual Task Bar:https://www.youtube.com/watch?v=4THG0IPx9hchttps://www.adobe.com/learn/photoshop/web/create-art-styles-generative-fillWorkflow that previously workedOpen an image in Photoshop. Enter Quick Mask Mode. Fill the mask with a controlled percentage of grey to determine the strength of the generative transformation. Exit Quick Mask Mode to convert the mask into a selection. Use Generative Fill from the Contextual Task Bar. Enter a prompt such as “watercolour painting” or “oil painting.”This produced highly useful painterly interpretations while retaining the composition and visual structure of the original image.Current problemIn newer Photoshop updates, the Generative Fill option no longer functions for this art effects after creating the selection through Quick Mask Mode.The technique worked successfully in earlier versions but has been unavailable or inconsistent for approximately two years.This appears to be a regression rather than simply a change in interface, because the Quick Mask method allowed something that ordinary selection tools do not: precise control over the intensity of the generative effect through tonal mask values.Expected behaviourAfter exiting Quick Mask Mode, Photoshop should recognise the resulting selection and make Generative Fill available through:the Contextual Task Bar; the Edit menu; and any relevant Generative Fill panel.Selections created through Quick Mask should behave consistently with selections created using the Marquee, Lasso, Object Selection and other selection tools.Why this mattersThis was an unusually creative and valuable workflow for artists, illustrators, designers, photographers and educators. It allowed users to combine their own image-making decisions with generative tools rather than replacing the entire image with an uncontrolled AI interpretation.The adjustable grey value acted almost like a creative 'strength' control, allowing the user to decide how closely the generated result followed the source image.I use Photoshop professionally and teach creative software to art and design students. This technique was particularly useful for demonstrating:tonal masks and selection logic non-destructive experimentation the relationship between source imagery and generative interpretation watercolour, oil, drawing and print-inspired visual treatments, and responsible use of generative AI within an artist-led workflowRequested fixPlease restore full compatibility between Quick Mask selections, the Contextual Task Bar and Generative Fill in both Photoshop and Photoshop Beta.It would also be helpful for Adobe to test this specific workflow across different mask densities—for example 20%, 40%, 60% and 80% grey—to ensure that tonal intensity continues to influence the generated result as expected.Feature request: Generative PaintingPlease also consider developing this workflow into a supported feature, perhaps called Generative Painting or Generative Style Transfer.A dedicated feature could include:a strength or source-image preservation slider watercolour, oil, gouache, ink, pen and ink, pencil drawing, charcoal drawing, scribble drawing, pastel, and printmaking presets control over brush size, pigment texture and level of abstraction the ability to use a greyscale mask to vary the effect locally reference-image support preservation of important edges and composition generation onto a separate, editable layer, and the option to combine painted and photographic areas within one imageThis would turn an inventive workaround into a properly supported artist-facing tool. Photoshop is most powerful when AI extends the artist’s hand rather than removing it from the picture.Thank you for investigating this regression and considering the feature request.Kind regards,Kavitha ParamasivanGraphic Designer, Artist, and Creative Software Educator

1
Jeff Arola
Forum|Forum|4 hours ago
Kyle Koch True North APPE
Community Expert
Kyle Koch True North APPECommunity Expert

Node Based CompositingReleased

It would be great to be able to rearrange and remap filters using a node GUI. 

2
Kartika Rawat
Forum|Forum|5 hours ago
N
NorthShaunKnown Participant

Apply ImageOpen for Voting

PLEASE!  Revert ‘Apply Image’ to how it used to function… for example… Let the function open with the last used criteria applied, and where the function window was last placed!  Its maddening that it opens with the default criteria appled and in the centre of the screen!

1
N
Forum|Forum|5 hours ago
A
Adriana30212543djdcParticipant

Generate Fill with own picturesReleased

Hey there, I'd love the opportunity to add own pictures to the generative fill. Let's say I've created a picture with a glass in it with Adobe Firefly / or I just have one. Now I wanna add myself, from another picture I've taken, into the glass - keeping the look of being trapped in the glass though - currently that's a lot of editing to get there, as just showing the underlying layer won't give me that effect. This is a very specific, weird example - but any composit with a texture to it, would benefit from that possibility.  Thanks!

9
Kartika Rawat
Forum|Forum|5 hours ago
S
sonkrakerParticipant

create audiobook with my novels.Open for Voting

I would prefer the voiceover application to have a Turkish language option.

0
S
Forum|Forum|5 hours ago
D
Delgadomelanie9Participant

Make monthly bill trackersOpen for Voting

$$.  I’d like to make month to month bill tracker for people who’s memory or need to have it written down to help them understand and keep track of there bills and where there money is going 

1
droopydog500
Forum|Forum|6 hours ago
C
coderabbitParticipant

Add Polish support to Firefly Video TranslationOpen for Voting

Please add Polish as a supported language for the Translate Video feature in Adobe Firefly.Polish is spoken by over 35 million native speakers and is one of the largest languages in Europe, yet it is currently unavailable in the translation feature. This significantly limits the usefulness of Firefly for creators, educators, developers, businesses, and content creators who produce or consume Polish-language content.A few common use cases:    ●    Translating English technical tutorials into Polish while preserving the original audio experience.    ●    Creating localized educational and training videos for Polish audiences.    ●    Making international content more accessible without requiring subtitles.    ●    Helping creators reach a much larger audience through AI-generated voice translation.The current translation quality for other supported languages is very impressive, and adding Polish would make Firefly even more valuable for users in Poland and for the global Polish-speaking community.Thank you for considering this feature. I would love to see Polish included in a future release.

1
droopydog500
Forum|Forum|6 hours ago
AdobeISGreat
AdobeISGreatParticipant

Integrate Chat GPT in Adobe FireFly for Ideation.Open for Voting

Integrate Chat GPT in Adobe FireFly for Ideation and story telling.

1
droopydog500
Forum|Forum|6 hours ago
F
Ferry30220066i08pParticipant

Allow an option to select whether the image contains text or notReleased

When using the "text to image" functionality, images often contain text and the text often contains spelling errors. Having the option to omit the text could be really beneficial, e.g. a checkbox or specifying a promt like "Create an image representing X where no text is shown on the image".

2
droopydog500
Forum|Forum|6 hours ago

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