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Feature Request: Add Video Track Visibility Filtering to the Clip Grid in Premiere Pro's Color ModeI'm using the new Color Mode in Premiere Pro and would like to suggest an improvement to how clips are displayed in the Clip Grid.Currently, the Clip Grid displays every clip in the timeline, regardless of which video track it occupies. This means that clips on lower video tracks are displayed alongside clips on upper tracks, even when they are completely obscured by other clips and do not contribute to the final image being displayed in the Program Monitor.This becomes particularly problematic when working with complex timelines containing multiple video layers, for example: V1: Main footage. V2: B-roll, alternative angles or cutaways. V3: Additional footage, overlays or compositing elements. V4: Adjustment layers. V5: Titles and graphics. In these situations, the Clip Grid can become cluttered with clips that aren't actually visible in the final composition. This makes it harder to navigate the sequence, identify the footage that needs grading and maintain an efficient colour-grading workflow.What I'd like to see is an option to filter the Clip Grid based on video track visibility and compositing priority.Ideally, this could include the following display options: All Clips: Retain the current behaviour, displaying clips from every video track. Visible Clips Only: Display only the clips that actually contribute to the final composited image at each point in the timeline. Where clips overlap, only the uppermost visible clip (or clips, where compositing allows multiple layers to contribute) should be included. Selected Tracks: Allow users to choose which video tracks are included in the Clip Grid, for example, displaying only V1 and V2 while excluding the remaining tracks. An additional possibility would be to provide a simple track-based filtering control directly within the Clip Grid, allowing users to toggle individual video tracks on and off without changing the actual sequence visibility or output.Why this matters:Colour grading is fundamentally concerned with the footage that contributes to the final image. When the Clip Grid displays numerous underlying clips that are completely hidden by upper layers, it introduces unnecessary visual clutter and makes the workflow less intuitive.This is particularly noticeable in professional editing projects with multiple video tracks, adjustment layers, nested sequences, graphics and compositing elements.The current approach seems to treat every clip in the timeline as equally relevant to the grading workflow, regardless of whether it is actually visible in the final composition.A visibility-aware Clip Grid would make the Color workspace considerably more useful, especially for editors working with complex, multilayered sequences.Is this functionality already planned, or could it be considered for a future Premiere Pro update?
The levels filter in substance painter is great, but a native integration of a colour curves would be great. The gradient tool just isn’t that convenient for quick colour manipulation. Its very useful in photoshop, would be equally useful to have an editable color curve in substance painter
I would like the Person Mask on lightroom mobile because subject mask has too many limitations.
Please keep Lumetri available as an option alongside the new color mode. My workflow does not require a deeper grading setup, and Lumetri is already sufficient for the imagery work I do. For users like me, being forced into a new color workflow is unnecessary. Please let users choose the color interface that best fits their work.
The SDK provides no way for a plugin to flip a photo horizontally or vertically. There is photo:rotateRight() and photo:rotateLeft() but no analogous methods for flipping. My Any Crop plugin would use this to provide a command to restore a photo to its original orientation. It has a command for doing that with rotation but not flipping. My Copy Settings plugin's Extract Masks command would use this to extract the masks of flipped photos.
Hello Adobe Photoshop Team,I’d like to suggest adding an option to customise the colour of the Pixel Grid in Photoshop.Currently, the Pixel Grid lines can be difficult or impossible to see against pure white and other very light colours. This can make pixel art editing unnecessarily difficult, particularly when working with white pixels or pale colour palettes.It would be extremely helpful to have a separate Pixel Grid colour setting, allowing users to choose a contrasting colour, such as black or dark grey, regardless of the canvas colours.Ideally, this could be added under Preferences → Guides, Grid & Slices, with a dedicated Pixel Grid colour option.I think this would be a valuable accessibility and usability improvement for pixel artists and other Photoshop users.Thank you for considering my suggestion!
With Adobe's AI becoming so powerful, I'm sure some of that power can be used within other areas of Photoshop. Generative fill is capable of generating super realistic imagery, with angles, lighting & shadows that are well-considered within a few seconds. Why not add a new AI Shadow tool that creates super realistic drop shadows? The adjustments can be very simple, only the length of the shadow can be controlled. This should read all layers, so things like colour bleed can also be taken into account. This would be a game changer and I think Adobe has the technology to roll this out quite quickly.Just an idea. 🙂ThanksJacques
J’ai un compte professionnel et le bouton Généré est grisé et me demande de prendre un abonnement pour générer une vidéo. INADMISSIBLE !!!!
As a heavy After Effects user for almost 20 years, I often find the Project panel very limited. We usually juggle many kinds of assets, mainly JPGs and PNGs, often in the hundreds. I still need to switch to Finder to see larger icon previews because the AE thumbnails feel too small, and there is no way to make them bigger. I think it is time to redesign the Project panel, similar to what Premiere already offers:Ability to view folders and assets in an icon grid layout Ability to zoom in and out on icon size Improved search functionality, including filtering by file kind Instant preview of video and audio files directly in the panel Ability to change Interpret Footage settings (such as frame rate, alpha channel, or loop count) on multiple files at once, instead of doing it one by one Ability to change multiple composition settings at the same time (we currently rely on an external script called CompSetter for this) Ability to see more metadata, such as color space There are probably other improvements that are not coming to mind right now, so please feel free to add more ideasThese are all practical, everyday issues that quietly eat into production time. A full redesign of the Project panel, built by people who actually use it daily, could solve most of them at once.
I’m a music producer & sound designer with a lot of audio plugins and virtual instruments for use in my DAW. However I use Premiere for video work, and every time I update it insists on scanning all these plugins I would never use in video, and it often takes hours:My folder includes numerous synths, drum machines, samplers (Kontakt etc) that don’t even have a use case within an NLE, so it’s such an annoying waste of time when I run an update.I tried duplicating only the small amount of plugins I would want to use in Premiere and pointing to this folder, but it was problematic in that the plugins wouldn’t load or work anymore being outside of my system VST & AU folders. So I’m not sure what the solution is, but I was thinking a whitelist file where you could add the plugins you want to scan, and it will therefore ignore anything not in the list and ideally would scan much faster. Or a blacklist / blocklist which is the opposite, to ignore everything in that list. Whatever works. Thank you!
ok, I get it, you needed to get rid of Lumetri cause its old technology and doesnt work very well with today standards. But whatever lumetri lacked in precision gained in Speed. And Color is the slowest method I have ever came across! What made Lumetri faster and makes color slower?1. Whether we like it or not sliders are FAST, not very precise but fast, with lumetri you could get the basic grading and exposure down in seconds. with color you have to move your mouse left/right/up/down, pick zones, and repeat and so on. Sliders do 1 thing and when its the thing you need you go at it and do your job. 2. API integration, where is it? every slider in lumetri had an API connection, so loupedeck or any midi device you have via PRcontrol could control lumetri and moving those sliders with knobs is a big boost in both speed and precision. 3. Lumetri is always there! Next to the timeline, no need for back and forth between pages to adjust highlights or whatever.Now with the new color tab you added a few sliders in the video tab in the properties panel which is a step in the right direction, you just need to add more, at least the basic stuff, like shadow/Highlights, Midtone/shadow/highlight luminance and a normal standard curves! I dont understand why the cant coexist??Also API integration for every slider! In this way everybody who want speed can still edit and grade at the same time as before, which was one if not the best features of premiere and whoever wants to go deeper can go to the color page!Lets not go back to lumetri, I believe you have the right idea, but for GOD SAKE! lets bring back lumetri flexibility and speed. Its premiere!
with the new Photoshop timelapse beta feature (there is no feedback section for it) .. ,be great if it could be set to not record the background layer - so if you are painting on top of an existing image and you don’t want the original to be seen in the output, it would be great if that layer was not recorded in the steps and export.
The enhancement from (formerly Project Shasta) Adobe Podcast is AMAZING. It transforms (most) bad audio into professional sounding audio and professional audio into beautifully-curated EQ'd and Compressed, pristine audio. If you haven't tried it first-hand, you MUST give it a shot. It could make you a believer. The good: For single-channel, vocal driven audio, there is literally nothing that sounds better to me. The bad: 1. I have to export a Raw Waveform and submit it to the website. 2. I have to wait for the file to process. 3. If there are any anomalies that created unwanted compression/limiting/EQ, I have to keyframe the audio's gain in those parts and rinse and repeat until I get the result I want. 4. There are NO parameters to fiddle with, but the end result is usually 99% perfection, I kind of don't care: it is quickly becoming part of my editing workflow on every project.The hope: Whether the process could live locally on Premiere or whether it could live through an integration (maybe like the Auto-transcribe function), I would absolutely LOVE the ability to let the AI of Adobe Enhance process do its magic with less steps - maybe even something along the lines of the Remix feature (which is also an amazing feature).Anyone who has had first-hand experience with Adobe Podcast Enhancement will tell you: this is an AI goldmine for the novice and/or the rushed/impatient editor. Integrating it better into Premiere and Audition and even After Effects would absolutely push it further ahead of the pack of competing NLE's.
I've been using Lightroom for 10 years now and I still love the program. I don't do many VFX tweaks and barely use photoshop for event photos. But I would love if Adobe can allow you to choose and adjust polychromatic film grain, not just monochromatic. Film doesn't have monochromatic grain unless it's B&W. Also would love a Halation effect. Something that you can adjust color, brightness, bloom, softness, etc. Does anyone else want this?
Now that glow, diffusion are available in the effects drop-down, it would be great to have a plus icon to add multiple iterations or variations of effects just like competing products do, non destructively.Why having to choose between diffusion or glow, etc?Same with masking effects. Not everything can be applied to mask selections. There is a limitation on what can be applied to a mask what to the whole image.Additionally One could create a stack and save as favorite and apply to other images too.
In boards
I don't know why the iOS app doesn't have this feature, or if I just can't find it (though I don't think that's the case, since I've dug through all the options). I like using color labels to create subgroups, and I really miss that in the iOS app.
The new ordering of the quick/smart selection tools is not changeable and the primary tool now is object selection. The magic wand and quick select are under that one, and are more universally used. the object select often requires going back and then using one of these to refine. reordering them or making the order something the user can change in preferences, would be great.
For Lightroom to incorporate AI to quickly and more efficiently to add metadata and information like credit lines and creators area into photos
Adobe Max - adding the lumetri curves into the new color feature for more comfortability for ppl used on that system
The new Color panel in Premiere is a complete mess and it lacks some very crucial tools. It is insane how this has now replaced Lumetri Color as the main way to edit colors. This is definitely not a finished workspace. I bet no one in the team behind Color Mode has actually done any color grading.There’s two features that NEED to be added ASAP.Curves. Just traditional contrast curves. This is the most vital tool for tweaking contrast in your shots. This needs to be in there. HSL Secondary. At the moment we can select ranges based on either colors or brightness values and tweak those. This is definitely not enough. If I want to select skin tones with a specific hue, saturation and luminance value, I can not do it right now. This is just crazy. If I want to do a teal and orange look without affecting skin tones, but affecting everything else, that is impossible right now. EDIT: I just found the HSL mask tool under masks, so it is there, but it’s just a bit hidden.These two things have to be added. These are the first two things that should have been introduced.
Make auto guides for bleed, trim, and safe margins like in InDesign.
i need the old trusty lumetri color panel on the new v27 premiere pro. i used it for 10 years and i cant cope with the new awfull color mode! i need to work fast to keep with the deadlines and the color mode is a joke!
Please add the following settings1. Ability to disable zoom on the program window or change mouse scroll wheel behavior. While scrubbing on the timeline with the mouse wheel it's prone to accidentally moving the cursor over the video and unintentionally zooming causing a frustrating experience.2. Setting to disable the nodes on audio transitions in the sequence timeline. They make it more difficult to make edits in the timeline. Mod note: The title was changed slightly
i ve just found out (the hard way, after editing a whole new wedding in the premiere pro 27 beta) that the lumetri panel is missing and i have only the (awfull and unsuable) new color mode. WE WANT THE OLD TRUSTY AND PERFECT lumetri control panel!
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