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In new color mode, is there any way only the visibel clips (top clips in the timeline tracks) appear in the side panel?Open for Voting

Feature Request: Add Video Track Visibility Filtering to the Clip Grid in Premiere Pro's Color ModeI'm using the new Color Mode in Premiere Pro and would like to suggest an improvement to how clips are displayed in the Clip Grid.Currently, the Clip Grid displays every clip in the timeline, regardless of which video track it occupies. This means that clips on lower video tracks are displayed alongside clips on upper tracks, even when they are completely obscured by other clips and do not contribute to the final image being displayed in the Program Monitor.This becomes particularly problematic when working with complex timelines containing multiple video layers, for example: V1: Main footage. V2: B-roll, alternative angles or cutaways. V3: Additional footage, overlays or compositing elements. V4: Adjustment layers. V5: Titles and graphics. In these situations, the Clip Grid can become cluttered with clips that aren't actually visible in the final composition. This makes it harder to navigate the sequence, identify the footage that needs grading and maintain an efficient colour-grading workflow.What I'd like to see is an option to filter the Clip Grid based on video track visibility and compositing priority.Ideally, this could include the following display options: All Clips: Retain the current behaviour, displaying clips from every video track. Visible Clips Only: Display only the clips that actually contribute to the final composited image at each point in the timeline. Where clips overlap, only the uppermost visible clip (or clips, where compositing allows multiple layers to contribute) should be included. Selected Tracks: Allow users to choose which video tracks are included in the Clip Grid, for example, displaying only V1 and V2 while excluding the remaining tracks. An additional possibility would be to provide a simple track-based filtering control directly within the Clip Grid, allowing users to toggle individual video tracks on and off without changing the actual sequence visibility or output.Why this matters:Colour grading is fundamentally concerned with the footage that contributes to the final image. When the Clip Grid displays numerous underlying clips that are completely hidden by upper layers, it introduces unnecessary visual clutter and makes the workflow less intuitive.This is particularly noticeable in professional editing projects with multiple video tracks, adjustment layers, nested sequences, graphics and compositing elements.The current approach seems to treat every clip in the timeline as equally relevant to the grading workflow, regardless of whether it is actually visible in the final composition.A visibility-aware Clip Grid would make the Color workspace considerably more useful, especially for editors working with complex, multilayered sequences.Is this functionality already planned, or could it be considered for a future Premiere Pro update?

More quick colour sliders in the video tab in the properties panel.Open for Voting

ok, I get it, you needed to get rid of Lumetri cause its old technology and doesnt work very well with today standards. But whatever lumetri lacked in precision gained in Speed. And Color is the slowest method I have ever came across! What made Lumetri faster and makes color slower?1. Whether we like it or not sliders are FAST, not very precise but fast, with lumetri you could get the basic grading and exposure down in seconds. with color you have to move your mouse left/right/up/down, pick zones, and repeat and so on. Sliders do 1 thing and when its the thing you need you go at it and do your job. 2. API integration, where is it? every slider in lumetri had an API connection, so loupedeck or any midi device you have via PRcontrol could control lumetri and moving those sliders with knobs is a big boost in both speed and precision. 3. Lumetri is always there! Next to the timeline, no need for back and forth between pages to adjust highlights or whatever.Now with the new color tab you added a few sliders in the video tab in the properties panel which is a step in the right direction, you just need to add more, at least the basic stuff, like shadow/Highlights,  Midtone/shadow/highlight luminance and a normal standard curves! I dont understand why the cant coexist??Also API integration for every slider! In this way everybody who want speed can still edit and grade at the same time as before, which was one if not the best features of premiere and whoever wants to go deeper can go to the color page!Lets not go back to lumetri, I believe you have the right idea, but for GOD SAKE! lets bring back lumetri flexibility and speed. Its premiere!

Adobe Podcast Integration or EquivalentReleased

The enhancement from (formerly Project Shasta) Adobe Podcast is AMAZING.  It transforms (most) bad audio into professional sounding audio and professional audio into beautifully-curated EQ'd and Compressed, pristine audio.  If you haven't tried it first-hand, you MUST give it a shot.  It could make you a believer. The good: For single-channel, vocal driven audio, there is literally nothing that sounds better to me.  The bad: 1. I have to export a Raw Waveform and submit it to the website. 2. I have to wait for the file to process. 3. If there are any anomalies that created unwanted compression/limiting/EQ, I have to keyframe the audio's gain in those parts and rinse and repeat until I get the result I want.  4. There are NO parameters to fiddle with, but the end result is usually 99% perfection, I kind of don't care: it is quickly becoming part of my editing workflow on every project.The hope: Whether the process could live locally on Premiere or whether it could live through an integration (maybe like the Auto-transcribe function), I would absolutely LOVE the ability to let the AI of Adobe Enhance process do its magic with less steps - maybe even something along the lines of the Remix feature (which is also an amazing feature).Anyone who has had first-hand experience with Adobe Podcast Enhancement will tell you: this is an AI goldmine for the novice and/or the rushed/impatient editor.  Integrating it better into Premiere and Audition and even After Effects would absolutely push it further ahead of the pack of competing NLE's.