In a multicam edit, the timeline labels each clip with its active angle ([MC1], [MC2], and so on), but Find in Timeline can't search for those labels. Searching "MC1" with Search set to All or Name returns nothing, even when the label is visible on dozens of clips. The angle label seems to be a display overlay, not a searchable clip property. Why this mattersAfter a multicam cut on an interview or panel, I often need to act on every instance of one angle at once:Apply a color correction, crop, or punch-in to only the B-cam cuts Swap every MC1 cut to MC2 when a client decides against an angle Check angle balance across the piece (am I sitting on the wide too long?) Find and fix every cut from a camera that had a focus, exposure, or sync issueRight now the options are to scrub the whole timeline and Cmd-click clips by eye, or search by the source clip name for a given angle. The second only goes so far, since a single angle can span many different clip names (card spans, multiple days, camera restarts), so one search never catches them all. It gets worse because I usually have several multicam sequences in the same timeline, which multiplies the number of clip names I'd need to track down for one angle. On a 30 to 60 minute piece that's hundreds of clips, which is slow and easy to get wrong.Steps to reproduceCreate a multicam source sequence with two or more angles and cut it into a sequence, switching angles. The timeline shows [MC1] and [MC2] labels on the clips. Open Edit > Find (Cmd+F). Set Search to All, Contains, and enter "MC1". Find and Find All return no results.Expected behaviorFind All selects every clip in the sequence whose active angle is MC1.Suggested implementationAdd "Multicam Angle" as a Search property in Find in Timeline, matching by multicam angle number and angle/camera name Make it so that “ALL” also can find these multicam angle numbers Add a right-click option on multicam clips: "Select All Clips Using This Angle" Once those clips are selected, allow batch switching them to a different angle Optional: auto-assign a label color per angle so angles are easy to tell apart at a glanceEnvironmentPremiere Pro [26.5.2 (build 5)], macOS [27.0 (26A428)]
Have been wanting this feature for a long time, it's been great for Premiere, and would love to see the same implementation in After Effects. We don't need to be able to collaborate in Ae in my office, but we often pass projects around, and this would save a lot of time hunting down people to make sure no one has the project open and we don't write over each other's work if we need to jump in and change a lower 3rd or something.
Hi,Please can Adobe add the DJI Mini 5 Pro Profiles in Camera Raw, so that I can use Adobe Standard. Adobe Landscape, Adobe Vivid profiles when I import the DJI Mini 5 Pro .DNG files Thanks in advance, NickDJI Mini 5 ProLightroom release: 15.6Camera Raw release: 18.7
Feature Request: Add Ideogram and Seedream Image Models to Adobe FireflyPlease consider adding Ideogram and Seedream as additional image-generation models in Adobe Firefly.Adding these models would provide a significant user benefit by giving creators more flexibility, better output variety, and greater control over different types of image-generation tasks.Key user benefits: Better text generation: Ideogram is particularly useful for generating images containing readable typography, making it valuable for posters, advertisements, social media graphics, signs, packaging concepts, and other text-heavy designs. More creative options: Different models produce different visual interpretations from the same prompt. Having multiple models within Firefly would allow users to explore more variations without switching between separate platforms. Improved workflow efficiency: Users could generate, compare, edit, and refine images from different models in one familiar Firefly environment instead of downloading images from external services and moving between multiple websites. Greater creative control: Users could select the model that best matches a specific task—such as typography, photorealism, illustration, concept design, or commercial graphics. More useful for professional creators: Designers, marketers, social-media creators, advertisers, and stock-content contributors often need different visual styles and generation strengths. Additional models would make Firefly more versatile for these workflows. Reduced platform switching: Bringing popular third-party models into Firefly would reduce the need to maintain multiple AI subscriptions, accounts, and browser workflows. More experimentation and innovation: Users could compare models directly and discover which model performs best for their particular creative requirements. A model selector within Firefly would be especially useful, allowing users to choose between Adobe's native models and supported partner models while maintaining the same Firefly interface, editing tools, and workflow.Adding Ideogram and Seedream would make Firefly a more comprehensive creative AI platform and give users greater freedom to choose the right generation model for each project.Thank you for considering this feature request.
HiPlease add Mini 5 Pro DNG files to use Adobe Landscape, Adobe Standard, Adobe Vivid color profiles on imported DNG files. These Adobe presets are supported with Mini 3 Pro and Mini 4 Pro, but have been overlooked for the latest Mini 5 Pro. Thanks Nick Beer
Please add the following settings1. Ability to disable zoom on the program window or change mouse scroll wheel behavior. While scrubbing on the timeline with the mouse wheel it's prone to accidentally moving the cursor over the video and unintentionally zooming causing a frustrating experience.2. Setting to disable the nodes on audio transitions in the sequence timeline. They make it more difficult to make edits in the timeline. Mod note: The title was changed slightly
Canon R6 iii does not have tether support. Can we please have it added?https://helpx.adobe.com/au/lightroom-classic/desktop/kb/tethered-camera-support.html
There is no HDR setup, no HDR colour correcting and no in detail HDR Export
We use artificial intelligence to recognize people, but what if we used it to simply rotate images to the correct orientation? I have decades of images shot on cameras that didn't automatically orient the images and find myself manually rotating thousands of photos. It would be very useful to have a tool that could analyze the image content and present a batch of selected images with a suggested change of orientation. I would then be able to simply confirm the suggestions, either one at a time, or in large batches.
Adobe Acrobat Premium monthly 19,500 원 짜리 잘못 눌러져서 결제가 되어버렸는데요바로 구독 취소했는데, 환불 받아야할 것 같습니다.이럴땐 어떤 도움 조치를 받을 수 있나요? 애플 계정 아이디 g************* 입니다.*모더레이터에 의해 글이 수정되었습니다.
For projects where assets are downloaded throughout the edit, this feature would automatically import any files within a locally stored project folder.For example if I have a folder - “Video A” - where all the rushes and assets for the video are stored, I could tell premiere to import anything added to “Video A” or any subfolders so if I download another asset mid-edit and it’s in “Video A”, it gets automatically imported.
어도비 너희는 이대로 가면 망할거야 AI 시대야 점점 포토샵이 필요 없어지고 있어
When I place a photo into an existing Photoshop document, I’d like Photoshop to offer an option to automatically resize and center it to fit the canvas while preserving its proportions.It would be useful to have two choices: Fit, which shows the whole photo, and Fill, which covers the canvas and crops the image only if needed. This would save me from manually resizing every image with Free Transform, especially when working with portrait, landscape, or differently sized images.
The new masking options are great, but the stand alone mask files not so much! Especially in a professional environment where multiple editors are exporting projects and picking them up on a different machine. Right now if I export a selection as premiere project I have to manually copy the mask files to the save location. It would be amazing if the mask files were automatically collected for that sequence and copied to the save destination so you don’t have to track down mask files saved in a location that may not be obvious, or if they were saved locally on another editors machine inaccessible. Alternatively, this could be built into the project manager as a mask only collect feature.
MELHORAR O ASSISTENTE DE (IA) COM RECURSO DE TERCEIROS COMO: GEMINI, CHAT GPT,CLOUD ETC E POSSIBILITAR APLICAR EFEITOS NAS FAIXAS MIXES DE FAIXA E MANEJAR CORREÇÃO DE COR DOS TAKES E DA SEGUENCIA
When editing via a sequence opened in the Source Monitor and/or as a Source Sequence, it would be a great addition to have the option to enable the Multi-Camera view. Right now, it is greyed out (see picture below) and the only way to view more than one angle from my derushed sequence is to open the sequence in the program monitor or match framing to the original multicam clip. My workarounds a this moment :Editing with the copy/paste function from a derushed sequence opened in the program monitor, but this way, you can't have both the source and program monitor opened AND edit with the insert and overwrite function, the later being my preferred way to edit for track patching reasons.Setting a picture-in-picture effect to view multiple angles when which is not great for clarity of image and it gets time consuming on the long run to removed the effect - if edited. Editing from a source sequence is a huge time saver when assembling and/or revisiting a curated selection but right now, there are limitations to this great workflow. PS : if it gets requested, it will be my pleasure to video capture the workflow.
This would enable the user to Right click using a contextual menu for "File>Export> Final Cut Pro XML" command when active in Project Panel and (right) clicking on a sequence.
Include the option to generate 4, 3, 2 or 1 image with 1 prompt (like Google Flow and Meta do). This helps teams brainstorming concepts and ideas at an early stage when designers prefer to get more suggestions than just develop once single idea
While I am drawn to many aspects of LrCC on my laptop and iPad, including the the UI design aspects of font and spacing (and Generative Upscale), LrC is more powerful and feature-rich, so I use it when I need things like plugins, virtual copies, the Export module, and Print module. While I can access cloud files through the Collections panel, it is a bit of a headache with its long list of small, difficult-to-read album names. At least they are alpha-numeric, but without the folder names, it becomes a nightmare.Lr Mobile for iPad has a great feature to allow the user to switch between “Cloud” and “Device”. Recommendation: Design the left panel of Lr Classic to allow users to easily switch between Local files (as we currently have in LrC) and Cloud files as they are structured in LrCC.Even Import can be designed with a simple question: Do you want to import files Locally or to the Cloud? The first option is business as usual with LrC; the second opens a LrCC style folder/album structure on the right, but still allows import presets as set up in LrC; only the end location is different.If it were up to me, I would also transition the old-looking LrC UI to the more modern, cleaner-looking LrCC UI. And, while you’re at it, provide a “Light” option for those of us who prefer working with the lights on rather than in a cave.Leave LrCC as it is, for those who want to work solely in the Cloud and for use with iPad, but I think it’s well past time for pros to be able to switch seamlessly between Local and Cloud.
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