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While you can still export HDR content using Hardware Encoding 2100 PQ, you cannot "Include HDR 10 Metadata", unless you use Software Encoding. Adding the ability to "Include HDR 10 Metadata"while using Hardware Encoding would help greatly speed up exports for HDR videos. This would help give YouTube more information about your videos to display them correctly.
Please consider adding native JPEG XL (.jxl) export functionality to Photoshop on the web. While Adobe introduced support for importing and exporting JPEG XL in Photoshop Desktop, the browser-based application currently lacks this export capability. Introducing this feature to the web version would resolve a notable capability gap between desktop and browser-based workflows.Key Rationale and Workflow Benefits:- Cross-Platform Feature Parity: Creative workflows increasingly transition between desktop environments and browser-based editing on secondary workstations and remote setups. The inability to export JXL files directly from Photoshop on the web interrupts this pipeline.- Superior Compression Efficiency: JPEG XL delivers superior compression ratios compared to legacy JPEG and alternative modern image formats while preserving fine detail, sharp edges, and complex textures without objectionable compression artifacts.- Advanced Color and HDR Fidelity: As web standards increasingly embrace High Dynamic Range (HDR) displays and Wide Color Gamut (WCG) assets, JPEG XL provides native support for bit depths exceeding 8 bits per channel, broad color spaces, and floating-point imagery.- Lossless and Alpha Channel Support: Enabling JXL export will allow web creators to export images with lossless compression and full alpha transparency at file sizes smaller than equivalent PNG or WebP files.Reference Discussion:https://community.adobe.com/feature-requests-713/please-add-support-for-exporting-jxl-jpeg-xl-656262Integrating native JPEG XL export will ensure Photoshop on the web continues to support modern delivery formats for digital photographers and web professionals.
A dedicated community for Photoshop on the Web is highly necessary due to the fundamental differences between the web and desktop versions. Web-based users require troubleshooting for browser-specific issues, including browser performance, WebGL support, hardware acceleration, and cloud syncing. In contrast, desktop users face operating system configurations and hardware-level issues. Furthermore, Photoshop on the Web has a divergent feature set and tailored user workflows. Creating a separate community will drastically reduce clutter and confusion for users seeking targeted assistance.
The new Magnify effect is really cool, but it only allows circles and squares, and often we need to highlight a rectangular area, which the current effect doesn't allow.I would like to request better control over the magnifying glass shapes to achieve this effect.
I want to report a bug and request a feature update in Firefly. Currently, the ElevenLabs model supports Brazilian Portuguese voices, but it lacks the emotion mechanics that Firefly has. On the other hand, the standard Firefly model has emotion tags, but lacks Brazilian Portuguese voice support. I want them to make both features work together: Brazilian Portuguese voice support combined with emotion tags. Additionally, I would like to request the implementation of animated voice styles like 'Zozo' from ElevenLabs.
Fotoğraf oluşturmuyor, sadece hatra veriyor üyelik almama rağmen
Using credits to try out ideas is ok, but if the tool does not follow instructions, then credits should not be charged.
when using object transform to stretch, sheet, or skew a layer, the axis of refrence for the transform control box is locked in on the X/Y axis. now if you rotate the object, the axis of the transform control box will rotate with the object, but only until you confim the transform at which point it resets. This means that if you rotate a perfect square to be sitting at 45 degree angle, you can stretch it on a 45 degree axis into a perfect rectangle on a 45 degrees if its donew in only one transform. The issue is that after you confirm the transform, or if you have an object already at an angle you want to stretch on an angle, there is no simple built in way to rotate the angle of the transform box to match the angle of the layer/selection being transformed. This functionality is a basic necessity in all 3D modeling apps so I'm pretty surprised it hasnt been added to photoshop in the 15 years ive been using it. Before people start suggesting to just use smart shapes or some smart object mulsti step work around, or some combination of warp, sheer, and skew, thats not the point. The point is that for example, we should be able to even lasso select a group of pixels, and then quick and cleanly perform a single axis stretch at angles other than just 0 and 90 degrees. Even warp, sheer, and skew controls are effected by this as you cant perfrom a clean sheer on a box shaped object if the box is already sitting at an angle. What I propose is adding an extra control to the refrence point/rotation point crosshair that's in the middle of the transform control box. you could then rotate the crosshair in order to rotate the whole transform control box without rotating the actual selection. Another option could be holding a modifyer key when clicking to rotate the transform box, allowing you to rotate just the control box. Below is a simple example showing the limitations of the current transform controls.
Description of Feature:Add native drag-and-drop capability within the "Your files" dashboard, allowing users to drag file cards or list rows directly onto the "Deleted" trash can icon located in the left navigation sidebar to remove files.Current Behavior:Deleting a cloud document currently requires clicking the three-dot context menu on an individual file card and selecting "Delete," or using multi-selection controls. Dragging a file thumbnail directly toward the sidebar yields no interaction, as the sidebar navigation links do not function as drop targets.Proposed Functionality:- Allow users to click and drag one or more selected cloud document cards in the file browser.- Implement a clear visual hover/drop state over the left sidebar navigation items, specifically highlighting the "Deleted" trash can item when an asset is dragged over it.- Trigger standard deletion behavior upon releasing the file over the "Deleted" target, moving the document to the trash bin.Use Case & Benefit:- Workflow Speed: Significantly streamlines file cleanup workflows by providing standard, modern desktop file manager conventions directly in the web browser.- Reduced Friction: Minimizes reliance on contextual menus for basic file organization tasks, aligning Photoshop for the Web with conventional browser-based file repositories and operating system file managers.
Problem StatementCurrently, Adobe Photoshop on the web requires users to download exported files directly to local storage. For workflows centered entirely around cloud storage, users must download the image to their local hard drive and then manually upload it to Google Drive. This multi-step process introduces unnecessary friction, clutters local downloads folders, and slows down content delivery.Proposed SolutionIntegrate native Google Drive export functionality into Photoshop on the web. Alongside the standard local download option, users should have the ability to authenticate their Google account and send exported assets directly to their cloud storage.Recommended Capabilities Direct Export Destination: Include a "Save to Google Drive" option within the export menu. Folder Navigation: Provide a lightweight directory picker allowing users to select specific folders or Shared Drives. Standard Format Support: Support direct export for common file formats, including PNG, JPEG, TIFF, PSD, WEBP, and JXL. OAuth Integration: Utilize standard Google authentication to connect and disconnect storage securely. Workflow BenefitsThis enhancement would significantly streamline productivity for individuals and organizations utilizing Google Workspace for digital asset management. It would eliminate redundant file transfers and provide a seamless browser-based experience for cloud-first environments.
In C4D you can 'mute' keyframes - essentially this acts like deleting the keyframe except that a dummy 'reference' key is left there, perhaps greyed out, that stores the value(s) and interpolations it had before it was muted. Keyframes to either side behave exactly as if it was not there, until it is un-muted.
el problema viene desde hace semanas y dias
WHAT'S THE POINT OF THAT??!?!?!? YOU'RE RUINING THE ENTIRE WORKFLOW WITH THIS!!! BRING BACK SCROLLING IN BLENDING MODE, AND I WANT THE BRIGHTNESS AND CONTRAST TO STAY EXACTLY THE WAY THEY WERE BEFORE!!!! NO ONE NEEDS THE CHANGES YOU KEEP MAKING HERE!!!
Camera Raw 18.4 should include a preference to return automatically to "Fit in View" after crop operations. Earlier workflows were faster because the image always returned to the full-screen view after validating a crop. Please add a user preference to choose between preserving zoom level and returning to Fit in View.
cada vez que intento generar un video con Adobe Firefly siempre hay fallos, tanto de coordinación de imagen, como de sonido en otro idioma, como de incorporar personas que no deseo, etc etc. El problema es que, aunque el programa se equivoca, los créditos se los cobra igual si después quieres repetir, o intentarlo por segunda vez. Una tomadura de pelo
I’d love to see a long-form to short-form video clipping feature added to Adobe Firefly.The feature would allow users to upload a longer video and automatically generate multiple short-form clips optimised for platforms such as Instagram Reels, TikTok, YouTube Shorts and Facebook.Ideally, there would be two clipping modes:1. Speech-Based ClippingFirefly analyses dialogue, captions, key phrases and topic changes to identify the strongest moments within a longer video. It could automatically create short clips with suggested hooks, captions and different duration options.2. Visual / Non-Speech ClippingThis is particularly important for content that doesn’t contain dialogue, such as ASMR, beauty, product videos, craft content, tutorials, cooking, cinematic footage, behind-the-scenes videos and aesthetic content.Instead of relying on speech, Firefly could analyse: Visual changes and scene transitions Camera movement Subject movement and actions Interesting or satisfying moments Changes in composition Audio peaks, sound effects and music beats Repetitive or low-interest sections that could be removed Natural start and end points for short-form clips For example, I regularly work with ASMR content where there may be no dialogue at all. I’d like to be able to upload a 4–10 minute video and have Firefly identify several visually or sonically engaging moments and turn them into 15, 30 or 60-second clips automatically.It would also be useful to have: Automatic 9:16 reframing and subject tracking Multiple clip suggestions from one video Adjustable clip length “More like this” regeneration for a selected clip Platform presets for Reels, Shorts and TikTok Automatic captions when speech is present Optional music/audio beat detection Hook or opening-frame suggestions Ability to manually refine the AI-selected in/out points Batch export of generated clips This would make Firefly much more useful as an end-to-end AI video workflow, particularly for creators and brands producing large amounts of social content.A visual-first clipping mode would also differentiate it from many existing AI clipping tools, which currently depend heavily on podcasts, interviews and talking-head content.
I’ve noticed that when sharing a board, I haven’t been able to directly include music or voice audio files. The only workaround I’ve found is to create a black video containing the voice audio, and another separate video for the music.I think it would be really useful to be able to add and share these types of audio files directly within boards, especially when working on collaborative boards, as it would make the creative process much smoother and allow all project assets to be kept together in one place.Thank youLourdes Molina
It would be great if Legacy option for Light layer would be persistent and not restored after every image close.Or bring back Brightness layer as separate layer.
So, good color grain simulation is pretty hard to find, and a while back I came up with my own as a PS action, which is pretty good. (Optional) To give a better "pushed grainy color reversal film" look, increase saturation (even till unrealistic ... go look at E1600 +2/+3) and smooth image (texture -50 or thereabouts)Desaturate photo "-50" to avoid gamut problemsConvert to CMYKFor each channel:a) Camera Raw Filter: Grain Amount 100, Grain Size whatever (e.g. 30), Grain Roughness 100b) gaussian blur (to match grain size above)Convert back to RGBTurn saturation back up "+50" Et, voila! Now, obviously there is no reason this can't be done in Lightroom itself, as basically all of this is built in (no explicit gaussian blur but it's used everywhere internally). Here's an example up close and magnified. This is a nice clean digital photo run through the above action: For comparison, here is a scan of +2 pushed cross-processed expired E100-something: If looking for knobs to tweak, you could play somewhat with the "dye" colors (variations from pure CMY(K)), adjust size/roughness of the grain, blend with the original, etc. etc. Messing with the dye colors involves complicated color math that I don't want to get near in Photoshop scripting, but someone working on a pro software product would have no problem coming up with the appropriate profiles. I'm sure there are plugins and whatnot out there that do a real color grain simulation, but: PS and LR don'tDespite its excellent B/W grain simulation, Nik doesn'tIn the world of video/cinema (which I don't know much about), DaVinci Resolve doesn't Please, Adobe, make it so! See also this brief post:https://community.adobe.com/t5/lightroom-classic-ideas/p-polychromatic-film-grain-and-halation/idi-p/12433537
The ease of identifying tracks in the timeline is very important. In the current situation, instead of the boundary line, I create a thin track. I also divide the tracks according to the type of telop. I think it would be very manageable if you could color the tracks. Furthermore, when using many tracks, it is difficult to understand mute and solo with "switch only". I'd like to have a net mark like when the track is locked, or a visual cue for the entire track once it changes color. タイムラインのトラックに、ラベルカラー機能がほしい(任意のトラックに色をつけたい) ・タイムラインのトラックの識別のしやすさはとても重要。 ・現状では、わざわざ境界線の代わりに、細いトラックを作成したり、テロップの種類別にトラックを分けたりもする。 ・トラックに色がつけられるとても管理しやすくなると思う。 ・さらに、トラックを多く使用する時、ミュートやソロが「スイッチだけ」では分かりにくくて困る。 ・トラックをロックした時のように網の印をつけたり、色が変わってほしい。 ・トラック全体に対してトラック全体にビジュアル的な目印をつけてほしい。
PPro had a bad trimming mode. In the example i compare Avid Media Composer and Adobe Premiere Pro trimming.1) Screen while trimming.In PPro we can see only in program monitor and when you use laptop, screen is too small to see, what's happening in 2 sides(A-side and B-side). In Avid MC Source monitor is only A-side, Program monitor B-side and it is very usefull when you use laptop(in timeline setting you can choose use source monitor as a trim side or only in program monitor trim A-side and B-side) 02) LiveTime Trimming (Avid and Premiere Pro Examples: https://youtu.be/XedhKrVLAVk) .In PPro when you trimming in trim mode(when you use keyboard shortcut) trim red/yellow/roll "thing" it is stuck and a it is annoing when you trimming, because you did not see movement.In Avid(in DaVinci also) you can see how a "thing" move when you edit, and it is much more convenient. 03) LiveTime Track Selection (Avid and Premiere Pro Examples: https://youtu.be/ZNeVSCv8Jwg )In PPro I want to edit a "J-cut" or "L-cut" or select only audio or video file. When I am in an edit mode, I cant choose only video or audio tracks in livetime, as an Avid MC. In Premiere U want go out from trim mode, diselect video track, when again press my shortcut to edit my audio files).In Avid MC I do that in real time, I can select or deselect when I am in trim mode and this made a trimming better and convenient)
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