Build better products with our product team
Its not possible to select object that is above the one that is already selected below. To select the object I want I have to deselect object below first. Please fix this.
In Premiere Pro 26.0, the “Gaussian Blur” Effect has changed the name of its main blur amount property from “Blurriness” (PP 25) to “Amount” (PP 26).While I understand this Effect seems to have received an overall improvement with other properties also added, breaking changes like this put extension developers in a whack-a-mole scenario trying to catch things that might inexplicably break without warning.So the request is just: please avoid changes like these that create these breaking changes for extension developers, or offer backwards compatibility where possible.Thank you 🙏
Please add wheel zoom and grab to move navigation for Boards. Navigating boards is very cumbersome and difficiult to do . Adding the aility to click a mouse wheel and move the mouse to move around the board as well as the ability to use a mouse wheel to zoom in and out of boards. This will greatly improve the usability of boards and allow for fast and more nimble navigation for large boards. Also would
I’d love to see Premiere’s text-based editing come to the mobile app in a fashion similar to CapCut’s. As someone who is constantly recording interviews/stream-of-consciousness speech in the field for social media (where I can’t reasonably transition the edit to a desktop/laptop), it’s a terrific way to both clean up the automatic transcript and create a more concise/compelling package quickly.
Like ppt smart art but way better.. please see gamma.ai for good examples
I work in blender. I've basically abandoned AE for anything but color and some moderate masking in post. Tracking can't be taken out of AE, or imported, and that leaves AE's once-great-now-subpar tracking toolset orphaned by an overly strict environment. As a 1st step in VFX that needs to be there till the end, it just can't fit in a workflow that is not 100% AE.
Combine the six or so'helper apps' into one app please. At leaat under macOS, all of these just add to clutter.
CURRENT WORKFLOW:I add extended markers on my clips while logging footage to mark sound bites, good sections of a long broll clip, etc... To do this I play the clip and add an In point at the start of a soundbite/broll section, play until the end of the bite or broll. My range is marked. I look at the duration of the In/Out and make a note of it. Then I hit the keyboard shortcuts to Go to In, Add Marker (twice, to open the marker box), Alt+Tab to go to the Duration box in the marker window, type the duration I noted from my In/Out points, then Tab again to add notes in the Name box of the marker window. Finally, I hit Return to close the marker box and go back to logging my clip. THE PROBLEM:This is a very convoluted workflow with a lot of keypresses (about 8-10 keypresses). It is workable, but it would be ideal if the process were streamlined. See feature request below. FEATURE REQUEST:Add a keyboard shortcut option to Add Extended Marker Based on Marked Range, or something to that effect. Ideally, I would watch a clip and mark my In/Out range, execute this shortcut and it would add an extended marker that matches the In/Out range I already made. This would make Extended Markers much faster to add, less prone to duration errors, and ultimately more useful.
BUONGIORNO, OGNI VOLTA CHE CARICO UN PROMPT E CARICO IMMAGINI DI RIFERIMENTO SI DISATTIVA IL TASTO GENERA!!! HO UN ABBONAMENTO PREMIUM CON ATTIVI 11000 CREDITI!!! E NON FUNZIONA
I would like to be able to change the font and font size across the board in the interface. it is WAY to small for my old eyes
Current Generative fill is a breakthrough, but can you make it even more advanced? Here's what I mean. Now we just add a text prompt and a new object appears.What if we need to match an image + a certain object from another image?Not an abstract hat, glasses, watch, car, etc., but the real ones? So, the advanced mode should make the following steps in 1 click:match the scale, perspective, colors & lighting for a realistic composite. Output: a layer with a mask (in case we need to make some manual adjustments).
Please add the option to choose the resolution of generated images. Currently, when I generate images using this application, I receive images with a fixed resolution. However, different use cases may require different image resolutions. For example, if I want to generate thumbnails or print-quality images, I may need different resolutions depending on my specific needs.
I would LOVE to be able to move the panels in Lightroom in the order I use them most!
The After Effects user interface is very diffuclt to work with at 4k, even on very large monitors. To wit, on a 32" monitor at 3840x2160, the text of a layer name is 1/16 of an inch tall– 8 layers are packed into each vertical inch. The Console Debug "AdobeCleanFontSize" workaround has no effect on some aspects of the interface, such as layer names, text in effect control panes, etc. This undersized UI poses legibility challenges, and slows workflow by requiring an extrordinary level of pointing accuracy to click on things. Illustrator solves this problem elegantly by adding a "UI scaling" slider control to the "User Interface" pref pane. Photoshop solves this problem a bit less elegantly but still effectively with a "UI Font Size" and a "Scale UI to Font" option. I suggest the AE team adopts one of these appoaches. I'd also suggets that this be a very high priority. It is necessary for most AE artists to work at 4k these days, making this an annoyance that I deal with every single day. I feel this is the most glaring feature oversight in AE currently. Thank you for your consideration, AE dev team. And if you are a fellow AE user reading this and you have the same issue be sure to upvote, because apparently upvoted posts in this forum is what passes as a feature request/bug report nowadays. Thanks!
Let's say I wanted to storyboard a script and produce different angles of the same thing. It would be nice to have something that holds on to the core look and objects within the frame so we can get a wide, medium , and close shot of the same scene.
When i do auto-reframe it puts smaller and diffirent size. i suggest adobe they can put another setting button when auto-reframe we need to change the size of settings not just put 16*9 to 9*16 also i am looking for put sizes like 1080*1920 or 1080*1080. even my sequence settings are 1920*1080 and when i do auto reframe it doesnt change excat like 1080*1920. Adobe needs to solve this issue.
Currently, the 'Creation Date' field under 'Metadata Display' does not show when sequences is created. I suggest that Premiere Pro adds support for displaying the creation date for sequences, allowing users to quickly see when a sequence was created directly within the metadata view. This would make it much easier to organize and locate older sequences, especially in larger productions with many sequences. Ideally, the creation date could be shown in the bin view along with other metadata fields. BenefitsBetter project and sequence managementFaster workflows in larger projectsMore consistent metadata handling between media and sequences
In the "Related conversations" we see the topics with the same keyword, but from other forums. To me they aren't related at all (in most cases). I'd like to see only the topics of the same forum.
Firefly boards should have a local backup setup option for when either the internet breaks OR your servers fail. Something liek a snapshot button that makes a local backup would be a life saver.
Issue:The timecode panel doesn't update the V1/V2/... SRC timecode in a source sequence.Duration, In/Out Duration and current time are not affected. Steps to reproduce:I open a sequncei in source monitor and open it from there as a timeline (where I get a source sequence with a red playhead).I scrub through the timeline. Expected result:The V1 SRC TC in the Timcode panel shows the source timecode of the clips on V1. Actual result:The SCR timecode is either empty or stuck on the timcode of another open (not source) sequence Adobe Premiere Pro version: 25.1.0 (Build 73)Operating System: Win 10 I'm not sure if this is a missing feature or a bug. A source sequence should have the normal functionality of a normal sequence. I'm often surprised that I can edit a source sequence (move clips, cut clips,...) - would make more sense to me if it was read only in that moment - but I'm not able to solo or mute audio tracks or see TC. It's like the actual useful stuff of a sequence in such a state was left out.
The Info panel on my iPad version of Lr Mobile has plenty of blank space on it. Please use some of that empty space to display any Location data associated with each image. Even better would be the ability to add/edit Location info on the iPad. This would save time and trouble and make the iPad version more like the version I see on my laptop. What is baffling is that my iPad Pro has an M1 processor that is more than capable of handling the minuscule extra data that is displayed—so why are you handcuffing the Mobile version?
Already have an account? Login
Enter your E-mail address. We'll send you an e-mail with instructions to reset your password.
Sorry, we're still checking this file's contents to make sure it's safe to download. Please try again in a few minutes.
OKSorry, our virus scanner detected that this file isn't safe to download.
OK