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Firefly boards should have a local backup setup option for when either the internet breaks OR your servers fail. Something liek a snapshot button that makes a local backup would be a life saver.
Issue:The timecode panel doesn't update the V1/V2/... SRC timecode in a source sequence.Duration, In/Out Duration and current time are not affected. Steps to reproduce:I open a sequncei in source monitor and open it from there as a timeline (where I get a source sequence with a red playhead).I scrub through the timeline. Expected result:The V1 SRC TC in the Timcode panel shows the source timecode of the clips on V1. Actual result:The SCR timecode is either empty or stuck on the timcode of another open (not source) sequence Adobe Premiere Pro version: 25.1.0 (Build 73)Operating System: Win 10 I'm not sure if this is a missing feature or a bug. A source sequence should have the normal functionality of a normal sequence. I'm often surprised that I can edit a source sequence (move clips, cut clips,...) - would make more sense to me if it was read only in that moment - but I'm not able to solo or mute audio tracks or see TC. It's like the actual useful stuff of a sequence in such a state was left out.
The Info panel on my iPad version of Lr Mobile has plenty of blank space on it. Please use some of that empty space to display any Location data associated with each image. Even better would be the ability to add/edit Location info on the iPad. This would save time and trouble and make the iPad version more like the version I see on my laptop. What is baffling is that my iPad Pro has an M1 processor that is more than capable of handling the minuscule extra data that is displayed—so why are you handcuffing the Mobile version?
Sería de gran utilidad para muchos usuarios: la posibilidad de generar avatares virtuales a partir de fotografías, permitiendo que estos avatares puedan sincronizar el movimiento de los labios con un archivo de audio.La idea incluiría dos opciones:Subir un archivo de audio para que el avatar realice la sincronización labial. Generar la voz directamente a partir de texto, integrando así capacidades Text To Speech.Esta funcionalidad abriría nuevas posibilidades para creadores de contenido, formación online, comunicación interna, marketing y producción audiovisual, haciendo el flujo de trabajo más ágil dentro del ecosistema Adobe.
We need to have the grids and the guides in Photoshop for iPad ! I can’t work without them. Thank you !
Is it any chance for Speech-to-Text to get a Ukrainian language support in Premiere Pro? That is a huge time saver feature, but it isn't available on Ukrainian. All Ukrainian creators would be eternally grateful for our language support in this great software.
I’m not very impressed with the new format. Precise dates are missing from older posts, many of my replies, and conversations are not visible. I don’t care for the partial image preview when you share images or screenshots.The create a post system requires way too many steps to create a thread, and the Category section requires a bunch of scrolling when creating a new post, and the options are not in alphabetical order. More clicks, more scrolling, and it’s not as easy to find threads you were working on. Still needs more work. I know this post is not about After Effects, but I can't find a category for the forum… There used to be one.
Problem / Current Behavior:Currently, when using the Object Selection Tool's "Select Subject" feature, Photoshop recalculates the subject selection every time the tool is applied or re-activated on a layer. This occurs even if the layer’s pixel data has not been modified since the last calculation. This results in redundant processing time and workflow interruption, as the user must wait for the AI to re-analyze static data.Proposed Solution / Desired Behavior:Photoshop should cache the "Select Subject" calculation data for a specific layer in temporary memory. IF the layer is untouched (no pixel or mask modifications): The tool should instantly recall the previous subject selection without re-processing. IF the layer is modified: The cache is cleared, and the subject is re-calculated as normal. Benefit: Performance: Eliminates unnecessary wait times for re-analysis (especially on high-res files or when using Cloud processing). Workflow: Allows for a snappier, more responsive experience when toggling between layers or tools.
It would be handy if After Effects could have a gradient fill option for text layers.I would imagine options for whether the gradient would map from the top to the bottom of each letter, from the maximum possible letter height to the minimum possible (so that it’s even across a whole line), or across the entire existing block of text - even with multi lines.The big difference between this and applying a gradient effect would be that the gradient would move with each letter as it animates with text animators. Right now, there is no good way to do this.
para o turnable, existir a opção de gerar a partir de um desenho de frente e outro lateral.Assim as proporções em outros ângulos ficam mais exatas.
Please add Turkish subtitles in the new version of Premiere pro
Merhaba, Lightroom kullanıcıları olarak uzun süredir Türkiye’de ve Türkçe konuşan pazarda bu ürünleri aktif olarak kullanıyoruz. Lightroom iPad ve iPhone uygulamalarında Türkçe arayüz desteğinin olması harika, ancak Lightroom Classic ve Lightroom Web masaüstü sürümlerinde Türkçe dil desteği olmaması, erişilebilirlik ve verimlilik açısından önemli bir eksiklik yaratıyor. Türkçe arayüz desteği olması şu açılardan çok değerli olur: Profesyonel kullanıcılar için yerel dilde netlik ve hız: Özellikle katalog, koleksiyon, metadata, senkronizasyon gibi teknik terimlerin yerel dilde olması, Lightroom Classic kullanıcılarının iş akışlarını ciddi biçimde etkiler. Erişilebilirlik ve öğrenme eğrisi: Türkçe dil desteği olmayan bir arayüz, ürünün öğrenilmesini ve verimli kullanılmasını zorlaştırıyor. Eşit kullanıcı deneyimi: Mobilde Türkçe desteğin varken masaüstünde olmaması, kullanıcı deneyiminde tutarsızlık yaratıyor. Bu konuda bir Türkçe arayüz seçeneğinin eklenmesi, ürünün Türkiye ve Türkçe konuşan kullanıcılar için daha kapsayıcı, erişilebilir ve profesyonel bir düzeye ulaşmasını sağlayacaktır. Katkılarınız ve değerlendirmeleriniz için teşekkürler.
Not only photoshop, all of softwares by adobe.Many artists who using adobe products don't want to using & supporting generative ai at all.we have rights to opt-out from these things like generative ai tools in software, unwanted ads and nofitications.
Hi, I am trying to create caption in Bahasa Indonesia for a Video. But Premiere Pro auto caption allows only few languages such as English, Mandarin, Spanish, German, French and Japanese, etc.It will be helpful if Bahasa Indonesia is available for this feature because my video editing project is in Bahasa Indonesia.
As discussed in another thread, I want to propose that Lightroom (Classic) stores data for AI denoise, AI super-resolution etc. not in the XMP sidecar file but in a second sidecar (maybe .acr). Only the pure setting (AI denoise/superres/... used/not-used & intensity) should be stored in the XMP file next to other editing settings. We like to have the XMP for better transportability of single photos. The goal is just to keep it efficient and lightweight. Reasons are: Other file formats can save 50%+ storage capacity (as they allow for more efficient binary storing of that data instead of text-encoded storing in XRM). Large XMP files slow down every other action that gets stored into the XMP (as the XMP file gets re-written after adding keywords, changing descriptions, changing exposure settings etc., which takes several seconds each, if the XMP is several MBs big due to AI-data). Advanced backup strategies can be used, if the ai-data (that could be re-calculated at any time) is stored seperatly from settings and metadata. PS: I also want to highlight that there is another slightly related proposal that addresses a different issue regarding the handling of the ai-editing-data within the catalog folder.
By default, Premiere creates a nest with the same resolution as the sequence it was created in. The problem with this is that if you are working with video/images that are higher resolution than the source sequence, and you nest them in the sequence, scaling the nest does not preserve the source media's resolution. For example, nesting a 4k clip in a 1080p timeline effectively converts it to 1080p, resulting in a drop in video quality when you increase the nest's scale.The typical workaround is to scale/reposition the clips within the nest (instead of the nest itself), change the nest sequence settings after you create it, or skip the nest feature and create a new sequence with your desired resolution, adding what you want nested to it, and then bringing that sequence into your main sequence. These workarounds involve way too many steps for something that should be simple. After all, a nest is just a regular sequence and has all the same settings as any other sequence.I propose adding resolution settings to the pop-up window when creating a nest. You can manually change the resolution or have it autodetect the highest resolution clip that is being nested. If the resolution is changed from the default, there should be additional options to resize the clips/media being nested (None, Scale, Fit, Fill), and how you want the nest resized in the main sequence (None, Scale, Fit, Fill).
Please make the "interpret footage" feature pass down from hi-res native footage to attached proxies. For example, if native camera footage is interpreted from 60fps down to 23.976fps, then the 60fps Premiere-generated proxies should be interpreted that way as well.
I am not asking for AV1 to replace intraframe editing codecs, but basic decode/import support is long overdue and would immediately improve real-world workflows for a large portion of your user base.Please prioritize adding native AV1 support to Premiere Pro. It is a modern standard, and its absence in 2026 is increasingly difficult to justify.
Basic sound edition like pan and volume in form of a bezier curves on a waveform view. We have it in Audition and it was in the Sony Acid Pro. Why launch Audition for one track when all I need is basic volume control change channel. or
Hi,I'm a user who does mobile only editing for half the year (when I'm hiking, i only have a phone). As such, I had high hopes for this release, but I am underwhelmed. I'm sure that my expectations were too high, but I hoped for at least parity with Rush, since you've deprecated that. Having said that, the interface is nice and fluid, although there is some wasted space (even on the phone). It hasn't crashed on me like Rush did so that's good. The audio/music/voiceover/sound effects features are really great and easy to use. The generate video from image feature is pretty darn cool i must say. I don't want to sound negative either and I do hope you have plans to expand the features. I'd be willing to pay for a subscription if it includes features on par with or surpassed those of Lumafusion. But currently I'm unsure if this is ultimately meant to compete with apps like Lumafusion (since you deprecated Rush) or if this is only meant for short and simple TikTok-like videos. Some examples of features that I hope to see:1. More contol over clip fit, crop, position, size, scale, blending, and rotation. For example, the ability to Zoom in/out of a video clip. Rush only had this for still images. Being able to zoom in/out video (with control) would require the next item.2. keyframes. 3. effects4. adjustment layers5. double-tap in blank area of timeline to collapse/expand all clips to fit to horizontally in view. I understand this is not possible vertically. 6. ability to select multiple clips in the timeline for editing or dragging7. Finer control of Titles. Especially size and position. For example, the ability to Apply to All for text size and position. Currently we're just guessing with the haptics. Or even give us the ability to create a user generated template.8. Project settings. Everything seems to be preset by first imported clip, but there's no way to tell in the app. Only Aspect ratio is exposed to the user. Anyway, thank you for taking the time to read.
I am trying out premiere pro on iPhone. One of the most frequently used features of premiere rush was to animate a panoramic photo for social media. I can add the photo, I can do the current aspect ratio and I am able to add the pan to the right effect. However, I can not control thenpan and where to stop. This was sooo easy in premiere rush, just drag the key frames of the effect to the left and right border of the photo. All I can get is a very slow pan to about 1/3 of the photos width. How to solve this?
Hello the team, It would be nice in the development module to set some options for the previous button.What I expect the most from this is the ability of applying ALL the parameters from the previous photo to the current photo, EXCEPT the cropping settings.Regards,Yann
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