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FeedbackCommunityMemberInspiring

Color Coded Sequence TabsIn Development

Being able to color code tabs when you have multiple sequences open.

34
Fergus H
Forum|Forum|1 year ago
Md309831284k4vParticipant

P: Add magnetic lasso tool, magic pen, etc.Open for Voting

i really appriciate your product. I have a sugesstion that you ought to add some more features for object selection to make it easy. You should look towards magnetic lasso tool, magic pen, etc.

10
gmando1
Forum|Forum|1 year ago
Emile5D3AParticipant

Please please support arabic languageOpen for Voting

Please, we urgently need proper Arabic language support in Adobe Premiere Pro. Many Adobe users in Arab countries struggle due to the lack of Arabic support, forcing us to rely on intermediary software and pay exorbitant fees.

0
Forum|Forum|1 year ago
Mel MatsuokaKnown Participant

Render Queue support for exporting multichannel EXR sequencesOpen for Voting

I've been LOVING the improvements in RotoBrush 3, and it's come in quite handy for pulling external alpha mattes for Resolve colorgrading. However, the one thing that slows the workflow down is that you currently (as of AE 24.4.1) cannot batch export multichannel EXR files. You have to do it manually, one at a time, using the ProEXR exporter in the "Save Frame As…" menu. This really slows down my workflow because I have to monitor each EXR export, then manually export the next comp when the. previous one has completed. It would be a huge timesaver if you could render comps to multichannel EXRs via the Render Queue instead, rather than using the "Save Frame As…" menu.

3
Forum|Forum|1 year ago
badau_3101Participant

Translation of audio in Romanian needed!!!Open for Voting

We need subtitles in Romanian. It's a waste of money for us to pay for another service to translate our videos. We have a lot of languages, but no Romanian has been added. Is this at least in work or something?

0
Forum|Forum|1 year ago
21OctaParticipant

Request for Romanian Language Support in Premiere Pro TranscriptionOpen for Voting

Dear Adobe Premiere Pro Development Team, I truly appreciate the incredible work you’ve done with the Speech to Text feature in Premiere Pro. It has made the process of creating subtitles and captions so much easier for creators worldwide.I would like to kindly request the addition of Romanian (Română) as a supported language for transcription. Romanian is spoken by over 25 million people, and having it available in Premiere Pro would be a game-changer for many content creators, editors, and professionals who rely on accurate subtitles. And not only romanian. I strongly think other video creators will be amazed if this feature consider adding their language.Your commitment to innovation and inclusivity is remarkable, and I hope Romanian can be considered for a future update. Thank you for your time and dedication to improving this already amazing tool! Best regards,Octavian

1
Forum|Forum|1 year ago
Jer371516307ce7Participant

Eyedropper and Color Sampler ImprovementsOpen for Voting

Dear Photoshop Developers I have recently started working with 32bit greyscale images, and need to make finite adjustments to greyscale values.When brightening or darkening these images, I would love to be able to monitor how I'm affecting the actual pixel values. The problem is to do with the Eyedropper sample tools using 32bit greyscale images. It occurs when using either the eyedropper or colour sampler tools. When I open a 32 bit greyscale image in photoshop; levels, curves, and exposure adjustment layers are often required to see the work which is being carried out due to the enormous DR of 32bit.The first image above is without exposure adjustment preview or layers turned on. The second image has the exposure adjustment layers turned on so I can see what I'm doing.In 26.5, I understand that I can select the adjustment layer above the base image, and it will show adjusted/original value comparison. But I need to be able to work on a duplicate of the base image with dodge and burn, rather than a layer mask of curves etc. Ideas for improvement. For this workflow, I would greatly benefit from some adjustments or additions to the colour sample tool. 1. The ability to have more than 10 color sampler points. If it's not too computationally intensive, it would be great to have significantly more sample points on screen; perhaps even 100 or more.  2. When adding a sample point, the option for the sample readout to automatically default to the value of the image's working space. E.g., if the image is 8 bit, the samples should be in 0-255. But in 32bit, they should default to be in 0-1 (preferably with more than 2 decimal places). See image below 3. The ability to see the actual values on screen next to the sample points, as well as in the panel. For example, If I could work on a duplicate of the original Layer 0 as working Layer 1, and show the 'before/after' values on screen, that would be perfect. See below 4. For the sample values can be shown independently of the adjustment layers such as curves, levels, and exposure.  Summary1- have many point or average sample spots on the workspace; perhaps up to 100?2- for the default sample value to mirror that of the document by default. E.g., 0-255 for 8 bit, 0.000-1.000 for 32bit. Perhaps have an option for more than 2 decimal place accuracy3- for these sample points to show altered values in relation to the original unaltered value. This could be referencing a selected layer(s) or a group(s).4- Independent sample reading between original and adjusted. The benefitThe benefit of these ideas is utimately to be able to make adjustments and compare the altered values with the original value on the fly.  Kindest,Jeremy   

0
Forum|Forum|1 year ago
Michael292525331x2bParticipant

P: Create a single mp4 reel from every photo taken in a dayOpen for Voting

It occurs to me that many of my students, and I myself are now equipped to take too many photos to keep even a fraction of, yet there is a sense of loss in leaving nineteen out of twenty behind. It might be appreciable and lead to less sense of loss while using the software if one has the ability to create a single mp4 reel from every photo taken in a day. It could be set as a default or as a single click option on each import. They could be set to jpeg small or large. It would add only a modicum of time to the import as JPEGs are being genereted on import already. There is obviously a difference between a documentary outproduct and an artistic one, and this would mitigate the tension between thses two impulses. The artist will feel more free to eliminate chaff if they know that the particular documentary capacity of every photo is accounted for. That artistic mindset wiould be liberated to fearlessly focus on what photos speak singularly. I know you have been toying with using ai to automatically determine which photos in a giant pile to bursts are worth keeping. This would employ that research and exercise it in a less crucial context. Auto delete could be apploed to clear missfires and auto correct could be applied to missed exposures with some clear focus. Just some thoughts. 

0
Forum|Forum|1 year ago
REP LouisvilleParticipant

Generative "Morph Cut"/"Cross Dissolve" type transition. (branched from Welcome to PrPro 25.1!)Open for Voting

While I appreciate the improvements to H264, I came here expecting to see the 25.2 release announcement with Gen Extend 🤯. In my brief testing so far, I am blown away! I do have a feature request, let me do a Generative "Morph Cut"/"Cross Dissolve" type transition. Sometimes I have to cut out part of my introduction or training videos, leaving a less than ideal transition, even with either of the aforementioned methods, but I can totally see where Gen Extend could "merge" the two pieces of the cut clip, making it look like it was all recorded in one take, with no sections removed. Save me TONS of re-recording time to end up with flawless "one-take" videos!   Branched from Welcome to Premiere Pro 25.1! Moved to Ideas board.

0
Forum|Forum|1 year ago
Kevin HehlParticipating Frequently

P: Provide a 'random' sort oder for online LR albumsOpen for Voting

I share very large online Albums with other people, but I would love for them not to always get the same pictures all the time. I would like the option to have a "random sort".   This would also be VERY useful for when I do a slide show, the pictures are not progressing in the same order all the time.

0
Forum|Forum|1 year ago
yoav2609148895y7Participant

Feature suggestion to improve workflowOpen for Voting

I use Premiere Pro regularly and often import large amounts of footage with different frame rates (FPS). To improve my workflow, I’d love to have the ability to filter (not just sort) clips in the Project panel by FPS — so I can temporarily view only the clips with a specific frame rate.I’m aware that it's possible to sort clips by frame rate, but there isn’t currently a way to filter and display only those with a certain FPS.In many cases, I import my footage already organized into different folders — which makes it harder to locate all clips with the same FPS and convert them together.As far as I know, this feature doesn’t currently exist — so I wanted to suggest it as a meaningful improvement based on my personal user experience.Thanks for considering it!

0
Forum|Forum|1 year ago
FeedbackCommunityMemberInspiring

[Now released] Restore MKV Format SupportReleased

Removing MKV Format support has a negative impact on the workflow of people that work with broadcasting software like OBS. Restore MKV support. Having native support for MKVs, even if they don't edit well without generating proxies, saves me a ton of time that I'd otherwise have to spend remuxing/transcoding files.

297
Fergus H
Forum|Forum|1 year ago
dsstefanov22Participant

No type character settingOpen for Voting

In Adobe Photoshop, there is a type setting that allows the user to select a version/character encoding of the type font in usage, for instance, to switch from Russian to Bulgarian Cyrillic.No such thing is available in Premiere Pro (or in After Effects, for that matter). This makes a simple task like exporting a video with captions much more tedious. I found a partial solution that requires the usage of AE as well.You open PS, type your text and change the character encoding from there.You copy that text and paste it as a text layer into AE. The encoding is preserved. However, this doesn't happen when you paste copied text from PS to Premiere. The encoding remains the default. A setting to change it would be much appreciated.

2
Peru Bob
Forum|Forum|1 year ago
ShootingPixelsAndy
ShootingPixelsAndyInspiring

P: Curves to control black & white mixOpen for Voting

When working with B&W images I would like the option to have RGB curves affect the colours used by the black and white mixer to create the monochrome image.   Currently editing these curves affects the image colour only after the conversion to B&W so the image becomes colour toned gradient effectively duplicating the the colour grading tools.

0
ShootingPixelsAndy
Forum|Forum|1 year ago
mikejlkemp
mikejlkempKnown Participant

Categorie and Supplemental CategoriesOpen for Voting

Hi there, I know I mentioned this a few years ago, but is there any way that the functionality of being able to add and edit categories and supplemental categories can be reinstated to Bridge? I currently have to pay for a separate editing software just to be able to do this, and given that the cost of Adobe CC is about to increase, it would be good to be able to do all this metadata within the Adobe umbrella. I can see the categories I add in Photomechanic, but can't edit them in Bridge (see attached screen grab). It would be amazing to be able to do this all in one place again! Thanks for any advice etc, Mike

1
Forum|Forum|1 year ago
ID3A+ Design
ID3A+ DesignKnown Participant

STAGER ZOOM IN / ZOOM OUT FEATURES IN ANIMATIONOpen for Voting

Stager animation features are good and we can do a lot of things with, but i think a basic animation featureis missing, the ability to make ZOOM IN and ZOOM OUT.  Please make the animation sector more powerfuland for now a  ZOOM IN and ZOOM OUT feature would be great. These are basic motion lines in video making so that coulb be very very useful. Thanks and fingers crossed for this feature.

1
xanderz64171393
Forum|Forum|1 year ago
xanderz64171393
xanderz64171393Inspiring

Assign key to function, instead of function to keybindOpen for Voting

Right now, you need to assign a function to predefined keyboard shortcuts, which is absolutely bonkers. Please swap it, so you can assign any key to the function.

0
xanderz64171393
Forum|Forum|1 year ago
Rizum
RizumKnown Participant

Realtime MatCaps PainterOpen for Voting

Like something I want to create matcap by my own so it is stylized and applied it to some part of a mesh, is there a way for a feature for me to:1. Paint inside a folder that can be consider as matcap material2. Then assign this folder to the part of the mesh I want it to apply3. Finally in the viewport to have another view call matcap view so I can paint the matcap in a circle shaped thing?This way I can paint matcap and see it applied to a mesh in real time, I don't think there is any software that does this

0
Rizum
Forum|Forum|1 year ago
chris_sparrowsParticipant

Keep playhead positionedOpen for Voting

I would like to have the playhead stay where I put it when performing edits in Premiere Pro, especially when zooming in/out. When zooming in/out the playhead always moves back to the center of the timeline regardless of where I position it, and regardless of the timeline scroll setting. (My scroll setting is set to page scroll.) For me, the expected behavior is that the playhead stays positioned and the timeline moves around it, since I manually positioned it. Ideally, the playhead position would not change with most edits or changes in view, because I want to edit where the playhead is positioned, and keep it positioned in the same place on the timeline. I can't edit as fast as I would like because I move the timeline/playhead to the left side of the timeline and when I zoom in to get a better view it scrolls the timeline so the playhead is centered, and I then have to scroll the timeline back to where I had it positioned. (Zooming out also does this, but it usually takes a few zoom out steps to become completely centered.) I edit on two 27" 4K monitors at 100% display scaling on Windows, and use both monitors to display PP panels, with the timeline on the right monitor. Because it defaults to moving the playhead to the center of the panel, I am constantly having to scroll the timeline horizontally to get the playhead back to where it's usable for me. This is probably not an issue for those with a monitor centered in front of them, but those who don't could benefit from this small change. That, or the ability to change how fast the mouse wheel scrolls the timeline without changing a system setting would be the next best thing (it's painfully slow to scroll horizontally with the mouse wheel).

0
Forum|Forum|1 year ago
delhanParticipant

Please separate "Show source clip name and label" into their own two separate optionsOpen for Voting

If color coding needs to happen in the sequence, having these tied together can slow you down. Thanks.

0
Forum|Forum|1 year ago
matii_
matii_Inspiring

How to edit / adjust multiple audio transitions at once?Open for Voting

When I apply default transitions on multiple mono tracks which are all linked together, I can't seem to adjust all the transitions at once - this significantly slows me down.Is there a simple solution that I'm missing?  Premiere Version: 25.0.0Thanks!

2
matii_
Forum|Forum|1 year ago
AGH23734394bre8Inspiring

Sorting Sequences in the Project Panel by the date createdOpen for Voting

As in subject - is there a way to sort Sequences in the Project Panel by the date created? I know I can do it with the footage - by adding a metadata column with the creation date, but I didn't find the option for sequences.Context - I reopen old files and I have problems remembering what was the last edited sequence. (now I have a better naming system with the dates)

3
Forum|Forum|1 year ago
felipe27642313zns4Participant

P: Eliminate white borders/frames on selected images in Lights-out modeOpen for Voting

What. Have a true  lights out  dim mode .  ie . without adding bright  “distracting”  white frames.  or at least the option too choose 🙂     Why  -diming the ligts or black colur arond the image allows to see the colours better.  by contrast the thing that stands out most is the added white frame !!   -being able to sort through image slides  in the library  module   on dark mode  without distractions , as probably was intended    -when editing a photo  in the develop mode . the backgound is black and there is no white frame around it . this is perfect 🙌  why can this not be the case in library mode   -White ‘dim mode . shows no border.  I findi it so much better \ however  the  white screen background screen is murder to the eyes    /side note . maybe the reason for the border is to know where image ends . I find that you can always toggle between modes.  and .  if gevn the choice as in white wode would be ideal  !!   cheers .     

2
Shipp
Forum|Forum|1 year ago
BibbidiBobbidiBobKnown Participant

Syncing label colors between timeline and project panelOpen for Voting

Sometimes I want to lable a clip in my project and want to see that same label also in the timeline.In Premiere we have a switch for that ("show name and lable of the source clip") which switches between timeline and source label:(sorry, at the moment I just have German UI) In After Effects, we are able to switch between layer and source name by clicking on the column header: but there is no way to do the same for the label.This would be a nice addition for the labeling in After Effects. 

0
Forum|Forum|1 year ago
gregbenzInspiring

Add Rec.2020 as a default colorspace option in PhotoshopOpen for Voting

The Rec2020 colorspace (aka ITU-R BT.2020) is a critical colorspace for photography and not a standard option in Photoshop. You can only install it yourself or open a file which already has it embedded, which makes things cumbersome and prone to error (there are different Rec2020 profiles on the web with different gammas, etc). Rec2020 is the preferred colorspace for HDR (and is LRC's working primaries when in HDR mode). Rec2020 is also very ideal for print-related work as it includes many printable colors which fall outside Adobe RGB / P3, and yet avoids the excess of ProPhoto (which includes many imaginary values outside the range of human vision). Request: please add default support in Photoshop for Rec.2020 colorspace (ie just as we have default support for sRGB, ProPhoto, etc). Ideally this colorspace would use a D65 white point and rec709 EOTF to faciliate SDR workflows for print. That ETOF would be most consistent for SDR editing controls in curves, color picker, etc under the roughly gamma 2.2 used most often with sRGB, AdobeRGB, and P3 (note that the EOTF would be linear by default in 32-bit mode and therefore consistent with opening an image in Rec2020 ACR). Note: If you set LR external editing colorspace for ProPhoto and then open a RAW smart object in PS, it will use Rec2020 as the closest match. So this creates a path for some Rec2020 support, but it is a confusing/hidden option and does not support SDR. Rec2020 is a better choice in SDR for many workflows. Rec2020 is an explicit and always available option in ACR, and should be in LR as well.

32
Forum|Forum|1 year ago
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