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Please Tell me its a simple process, i added a lot of compression and e.q. and reverbs to the audio Track (like all on track 1)im please with the sound so in the future edits of other projects i want to grab this presets onto other projects
I can't find a solution anywhere, but the preview pane when using Distort > Wave is comically small, even on an ultrawide monitor. I've noticed that other filters within the Distort submenu allow for preview zooming, but not Wave for some reason. To make things worse, the white/gray transparent background preview is extremely noisy at that size, and I would like to see an option added to change the preview background. Changing my layer to a neon green before running the filter helps ever so slightly, but my steadily declining vision still can't handle how hard it is too see.
Wenn beim öffnen einer Bildddatei eine Profilwarnung auftaucht, sollte gleichzeitig eine Vorschau erscheinen in dem das zu öffnende Bild angezeigt wird mit entsprechenden Hinweisen, welches RGB-Profil zugewiesen werden könnte.
Can Photoshop be included in the Substance Painter subscription? Seems pointless having to get all the substanc e programs and then get another one just for PS. Majority of 3D Artists still need to use PS along with SP.
Hello, just tried the Transcription options in Premiere Pro CC and is quite interesting, specially for generating automatic subtitles. Is there a chance you will support catalan any time soon? There are plenty of online IAs working with catalan already 🙂 Thank you very much!!
At the moment the action to scroll is blocked while selecting text in the text panel while text-based editing, this means you must drag your cursor up to scroll up which accelerates at an unpredictable speed and can easily select far too much text. I suggest unblocking the scroll action so users can click and hold then simply scroll at their own controlled speed to continue selecting up & down while also being able to move the mouse for precision selection.
Currently, we manage our users in two different consoles because we have two different license agreements—one for staff and one for education. For staff, we federate them and then assign a staff license. For K12 users, we add them manually as an adobe account and then assign a license from the K12. It would be much easier if we could federate all users under one domain and, when selecting a product, have an option to assign a license from the correct contract (staff or education). so the option to add is after clicking on add a product you get a list of licenses and then choose the right one. not sure how many have the same issue as we have but hopefully it will bre implemented in future updates
I'd love if Lightroom's eye dropper tool could function like photoshop's info panel to check RGB levels. where you drop a marker on a spot on the photo and then the readings are shown from the same spot. It would help A LOT so we can check values and manipulate the settings to get our numbers where we want them, instead of having to look for the same spot over and over again after we move the mouse to change anything. please have this in lightroom as soon as possible please!
Similar to the idea of how InDesign works (where you can nest InDesign files in other InDesign files) and designs have rippling impact, I'd love to be able to import an AEP into a current file. Not only import it, but selectively choose composition I'm interested in. That comp would act simply like a layer in my timeline. Bonus points, any Essential Properties created would be surfaced. Like with Photoshop or Illustrator files, any changes made in the source (once saved) would be refreshed and pulled back into my existing composition.Extra bonus points if this is something that could be somewhat without limit. Coming from the world of UI / UX motion, this would solve a massive need for standard components. We could build out individual elements and bits of motion that are effectively classes of elements, that we'd continue to plug into additional projects. So a key UI element could have easily 4 or 5 different "AEP layers" in it. Treat it like a layer. It has all the usual transforms cause it should likee footage. Treat it like a layer. I can apply effects to it, because its basically like a precomp.Esssential Properties allow for nuanced control, if they're set up by the creator.Live changes push out to all instances of it, like a visual design updating a design I'm currently animating.Instance control and branching/forking becomes the same mindset as version control for other assets. High-level and lofty requests: a way to see how many times this is being referenced / used in someone else's projects. Similar to how many times a comp is used, it could be nice to know if someone else is using my comp on the same network before I go and make a destructive change that could ruin things for them.
Using Essential Properties is amazing, but sometimes it gets confusing to see where all of the controls pipe. Feature request for a high-level view of being able to see Comps, control names, and where they're all connected to would be much appreciated. Often times, I come back to projects a few weeks or months after the fact and simply can't remember how I made something work. This would be a great visual to at least see what is driving everything and trace it back to the source. Additionally, everyone keeps asking about nodes in AE.. but this feels like a way where you could visually and somewhat easily plug controls upstream into various comps depending on needs of the project or logical choke-points for the controls.Right now, while the Essential Properties Panel is great, its also slow to navigate, find something, reveal where it is in the timeline, disconnect it / delete the control.
PHOTOSHOP DEVS: I would like the brush feather to never exceed the brush shape. Currently the larger the feather gets, the more it exceeds the brush shape. The reason why this is a problem is because I am using the brush shape as a guide when I mask. Since the feather exceeds the brush shape my mask is inaccurate. If you want to give people an option you can have a checkbox or dropdown so they can determine the way the feather will work.
1 - In the timeline the new FX button inside each video clip does not shrink with the timeline, so when the clip is small the FX button takes up the whole clip, and selecting the clip only transfers you to the FX panel. Which I can do manually if I need to. Infuriating and pointless. 2 - The Program window now Mouse Zooms like crazy with no way to turn this off. Equally infuriating and pointless. Please can Adobe fix these...
Hi - with the latest updates I've notice for whaver reason (the new pre-added audio dissolves on clips maybe?) but the number of times when I'm dragging and moving a clip in my Sequence I ALSO / or INSTEAD drag the volume of the clip up or down. I'd love there to be a toggle per clip or per sequence - or in the master sequence settings an option toggle for 'Lock clip audio when dragging'. Also, the new audio dissolve controls means when editing I usually end up dragging the clip, or altering the volume of the clips either side of the edit, rather than adjusting the in/out point of the beginning of the dissolve. Any way to lock this feature, too? (in short if I'm editing or touching a highlighted audio dissolve there's almost NEVER an instance when what I'm intending to do is move the clip or change the volume of the clips - If that thing is highlighted I ONLY want to alter the in or outpoint of the dissolve. I'd love to have an option for 'LOCK CLIPS on DISSOLVE HIGHTLIGHT' under the master Sequence options. Thanks!
Add an "Upgrade Caption to Graphic" Button or shortcut in the "Text" window on the "Captions" tab. I have been using Premiere to quickly make captions for social media videos with "Transcript" and "Create Captions from Transcript". From the captions track, I then choose key captions to "upgrade to graphic" so I can have more control/options using graphic clips on the timeline by using the "properites" tab, adding effects, layering captions/texts, etc. Each time I have to select the caption on the caption track, I have to go to the "Graphics and Titles" menu and select "Upgrade Caption to Graphic". It would speed up my workflow if that option were available from the "Captions" tab on the "Text" window. In the same area as the "Add Caption", "Merge Captions", etc. area I think would be very convienent. Thank you!
It would be helpful to be able to properly tab through the contents of the Essential Properties panel. Currently, if I click on the first property's name and then press Tab, it'll take me to that property's value. Pressing Tab a second time takes me to Property 2's value, rather than Property 2's label. If I then Shift-Tab, I can jump backwards to Property 2's label. However, if I continue to Shift-Tab, to work backwards, it doesn't jump back up to Property 1's label or value, but rather to its slider (or other control). Pressing Shift-Tab again then takes me to the Name field of the EP panel. It would make changing the names and values of EPs much quicker and easier if Tab/Shift-Tab just cycled through each property and attribute of the EP panel in turn, including the panel's dropdowns and buttons.
For Desktop and Web: Post directly to Instagram from Lightroom (new) through a Connection. This would save so much time! Nice to be ale to do it from Mobile but would be great for the, more common, Desktop workflow as well.
j'aimerai pouvoir importer une image ou une séquence vidéo dans Firefly, pour l'animer, l'améliorer ou la modifier. Mais je n'ai pas trouvé cette possibilité. Si quelqu'un a une idée... merci !
So I went through an entire transcript identifying 6 separate speakers for a show, thinking- "clearly this will allow me to do something in the captions- to label them when they're off screen talking". But no. It doesn't. Have I overlooked something or is this just insanely crucial option missing?
Credo sia molto utile aggiungere una funzione "RIMUOVI ATTRIBUTI" per le clips sorgenti.Si possono applicare effetti con un semplice "COPIA -> INCOLLA" selezionando tutte le clip nella cartella presente nella finestra "PROGETTO" ma l'azione contraria necessita inevitabilmente l'intervento su una clip alla volta.Sarebbe ideale poter selezionare il gruppo di clips interessate e poter eliminare gli attributi incollati.
Have been using photoshop desktop for years to edit photos in .jpeg (mostly removing little objects) and outcome photo is always little smaller or little bigger in size with same resolution and meta data. Now started to use photoshop web version for the same above mentioned editing as my computer doesn't support latest version and ai features of photoshop but here the outcome image size of .jpeg files is drastically reduced while keeping resolution and metadata. There is no option to choose image quality while saving a photo like in desktop version Any idea to keep photo size about intact like desktop version
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