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Imagewerx
Explorer
Imagewerx
Explorer
Activity
‎Feb 17, 2022
12:59 PM
I'm not sure if template is the right name for it.I'm doing a number of slideshows as videos all using the same format but with different content (some stills and some videos). Is there any way to make a template so that I don't have to do it all every time so I only need to add the image and video files and captions? I know I can of course delete the old files and import the new one into the same project (a copy of the original project),surely it can't be as simple as that or is there a better way?
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‎Jul 20, 2021
01:58 PM
This helped thanks everyone!
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‎Jul 20, 2021
08:52 AM
The speed of my drives really isn't relevant here.I just need the catalogue to tell me what the missing file is called and nothing else.I rename it and it works again.
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‎Jul 20, 2021
04:03 AM
It makes a big difference in my particular case,mainly when I import them onto my PC from the memory card.
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‎Jul 19, 2021
01:52 PM
I didn't notice the system drive was almost full until I went to export the JPEGs to it when it ran out of room.I put them on there first as it's quite a bit quicker than the SATA drives used for storage,then moved them to the storage drives.I normally import using the camera's generic file and folder numbering system and changed the name of the folder with the RAW files in it when I'd moved it.Something happened along the way to blur my memory and after changing it more than once I couldn't remember what it was originally called.Now the catalogue can't find the original RAW files. Since this happened (it was a few months ago) I put everything on the storage drive that has over 1 Tb of space on it and work on it from there.
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‎Jul 19, 2021
12:13 AM
Thanks for the answer. I only renamed the folders and not the files inside them and then moved them to an internal storage drive as I was running out of room on the main system drive,a relatively low capacity SSD.
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‎Jul 19, 2021
12:09 AM
Thanks for the answer. Sorry but I should have said I only renamed the folder they were in and not the original images,all image file names are unchanged.Unless I've over looked the VERY obvious,how can I get the catalogue to show me the original file name?
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‎Jul 17, 2021
11:32 AM
I had about 500 images that I worked on and thought I'd finished with for now.So I moved them to another drive and renamed them,but now I need to work on them again from the same catalogue.
I can't remember the original file name so when I open that catalogue again it says 'The file could not be found'.Can I find out the exact file names etc again so I can go back in without having to start from scratch again?
{Moved from Lightroom Cloud to Lightroom Classic Forum by Moderator}
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‎Oct 06, 2020
11:45 PM
Yes it's definitely a shooting problem,but because the propellor changes speed,it's something I have no control over so would like to find some way around this in post.It's a relevant question for this section of the forum,so why would you want it moved?
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‎Oct 06, 2020
11:42 PM
Thank you for your concerns over my lack of use of 'thank you' on the previous page,but if you look back you'll see I actually said it three times (four if you include the above). If the only thing you learned is that my camera is a 'GH5, whatever in god's name that is' you might want to read it again as I never said that.You must know digital camera model numbers to change G9 for GH5,so was there any point in saying this? I forgot to say I did try radial blur but it looked terrible,but thanks for the suggestion.
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‎Oct 06, 2020
12:57 PM
Thanks but I already know all that.I need to know how to get motion blurred props with my digital camera.
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‎Oct 06, 2020
12:52 PM
Thanks.I fully understand why this is happening,I just need to know if there's anything I can do to the video to make it look like how I see it with my own eyes.
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‎Oct 06, 2020
12:50 PM
Sadly I don't have special powers to stop the guy in the hi-vis from moving about while I shoot the video.He's the chief safety officer and is in charge of the start up and shut down of the engines,they can't do it without him or someone else there.
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‎Oct 06, 2020
12:45 PM
Shooting at 100mbps fixed and exporting variable as I hadn't thought to change it.
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‎Oct 06, 2020
12:41 PM
It's a few times a year event when they run it up and an English Electric Lightning,both are startable but not allowed to get airborne. An agreement with the local council means they have to be able to start something there to be allowed to stay open. https://gatwick-aviation-museum.co.uk/museum/
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‎Oct 06, 2020
12:29 PM
Taken with a Panasonic Lumix G9. They're not testing the magnetos as such as it's startable but not in airworthy condition because of lack of vital spare parts.The museum in question have to be able to start some of their aircraft to maintain museum status (a bizarre pact with the local council for them to be allowed to stay open).So they start this and an English Electric Lightning on specified weekends a few times a year.The entry fee they charge goes towards keeping the museum open as the rely entirely on voluntary donations and gate money.
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‎Oct 06, 2020
09:21 AM
Edited down to a relevant clip for anyone who doesn't want to watch all of it......
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‎Oct 06, 2020
09:13 AM
Thank you.I have to wait until next year now for the next engine run to try different settings. Has anyone else got any ideas please?
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‎Oct 06, 2020
06:14 AM
I know this is obviously a product of shutter speed against the RPMs of the propellors,and choosing a different shutter speed won't work as they vary the speed of the props. Is there a way round this? I thought of maybe taking some stills with slow shutter speeds and layering them over the top of the video props.
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‎Mar 29, 2020
02:48 PM
Sorry I missed the replies and didn't answer sooner,I didn't get any notification emails. The 100 meters apart comment was supposed to be a joke.I understand how modern music is multi mic'ed with studio recordings where the musicians are in separate booths in a lot of cases,so the recording engineer can place any instrument where ever they want on the sound stage.My expectations were based on a single stereo mic pair being used to record a whole orchestra that gave accurate stereo placement of both left and right and front and rear of every sound source in front of the microphones. I've yet to use my new stereo mic at such an event.But from what use I have had from it so far,it's ability to pick up at the sides a lot more might be a hinderance rather than a help.The shotgun mic I used on the following clip would probably be better for this type of usage. This was done simply enough with keyframes and a copy of the original audio track at 10db below the main one to fill in some background sound in the channel that's faded out so they're not too obviously silent.
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‎Mar 22, 2020
02:08 PM
So I either need two microphones at least 100 meters apart,or I learn how to use the panning feature with a mono mic. Edit...Well that was easy enough.The only problem is that when you go far left or right,the background noise is gone from the other speaker,so it sounds a bit odd.It sort of works to copy and paste a short clip of background noise only over and over again,unless there's an easier way?
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‎Mar 22, 2020
12:21 PM
I also have a Tascam DR05 and that's slightly better,but not a lot.
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‎Mar 22, 2020
12:20 PM
That's exactly what I did,but with just me.It sounds the same with the raw file straight out of the camera played in Windows,or the same imported into Preemiere Pro and then exported again.
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‎Mar 22, 2020
12:18 PM
It's got two capsules in the same housing though with a jack plug with three contacts on it.
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‎Mar 22, 2020
08:26 AM
Thank you.I get a VERY slight stereo effect on headphones-I think.So this is probably as good as I'll get with a £50 microphone in that case.
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‎Mar 22, 2020
08:23 AM
Thank you and sorry,it's a Panasonic Lumix G9.Connected via a stereo jack plug and I can't find an option in the camera's settings that changes it from mono to stereo or dual mono. I've not seen this before.Is this bit set correctly?
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‎Mar 22, 2020
06:18 AM
How obviously audible is the stereo effect? I have always used a mono shotgun mic up until now,and have just bought my first stereo mic. I was expecting a LOT more stereo separation than I get.The waveform below shows the sound that is recorded onto a digital camera that is set up in the middle of my back garden pointing across it.The garden is about 25 feet long and I walk along it speaking at one end of it,in the middle and then at the other end of it.I then do hand claps in the same places. Under these conditions (no reflections etc),I'd have expected much more obvious left and right placement of where my voice was coming from,but even on headphones there seems to be almost no separation at all and the waveforms are almost identical mirror images. Is this as good as it gets straight out of the mic without any processing,or are the exagerated stereo effects we hear in the cinema and elsewhere just the result of processing,i.e. do I have to to use the panner control if I want something to move realsitically across the sound stage? It's main use will be for motorsports,so it would be nice to hear the car move across the soundstage as well as see it move across the screen.
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‎Mar 13, 2020
02:49 PM
1 Upvote
Thank you I did it as a PNG in Photoshop at maximum size needed for the bigger image size,and it also scales down with no loss of quality for the smaller image.
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‎Mar 13, 2020
01:02 AM
Thank you.It works,but I can't have a drop shadow with these fancy fonts can I?
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‎Mar 12, 2020
04:25 PM
It's on a computer not connected to the internet,something is broken in this respect so I only use it for photo editing as Lightroom was on it before it broke.I only have a tablet PC for now,so it takes time to using a USB flash drive get screen grabs onto it and out onto the internet. Below is what I get.This is using a non Windows font,is this causing the problem?
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