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BradMpls
Explorer
BradMpls
Explorer
Activity
Oct 26, 2024
06:19 PM
1 Upvote
However, I don't want to edit in this "undocked" Timeline bandage. Nor do I want to close the Properties panel or other panels that might be clashing with the Timeline panel. I presume, Jamie, that Adobe will be fixing this issue and release it in a subsequent update?
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Oct 24, 2024
07:26 AM
2 Upvotes
Jamie, Undocking the Timeline did resolve the stuttering in my dual monitor setup. The playhead and timecode displayed perfectly.
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Oct 23, 2024
08:28 PM
Pardon my delay; was on the road most of today. I've attached a screen recording of the playhead stutter in version 25.0.0. I did accidentally discover that this only seems to occur with dual monitors. Using Premier Pro on a single monitor --and with the Properties panel-- the playhead and timecode run smoothly. I do not have a screen capture of that example. I'm driving the monitors with an NVIDIA GEForce GTX 1660 Ti (yeah, my system is a few years old). However, if you'll notice on the bottom of the screen capture, there are several displays that reveal the status of the computer, i.e. available memory and GPU usage. None are over-burdened.
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Oct 23, 2024
07:29 AM
Jamie... please re-read my post. I'm using v. 25.0.0, and with the new Properties panel open and affixed to my workspace (dual monitors), the playhead stutters, even on plain ol' video tracks with no effects. I can close the Properties panel and the stutter goes away.
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Oct 21, 2024
02:36 PM
2 Upvotes
This is also happening in Version 25.0.0 with the 'new' Properties panel open. The timeline plays okay, but the playhead is randomly stuttering, as is the Timecode display (next to the Fit/size) in the program display. However, timecode in the program overlay plays smoothly. The playhead stutter is annoying because you can't see where you are on the timeline, as the stuttering actually hangs for several 'beats.' Close the Properties Panel (and/or the newly renamed Graphics Templates) and the playhead behaves normally.
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Jul 07, 2024
07:18 PM
Premiere Pro Timeline Track Highlight? When my sequence timeline begins to fill with multiple tracks of clips (video and audio) and I want to, for example, toggle the track output or mute the audio, it's a bit challenging to find what track the clip is on, when there are maybe 12 tracks and they're at the minimum height. Wondering if Adobe can pop a track highlight color or frame on the affected timeline track nomenclature (left of the timeline) when a clip on said track is selected? Attached graphic is an example.
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Jan 16, 2024
03:13 PM
Premiere Pro Timeline Track Highlight? When my or anyone's timeline begins to fill with multiple layers filled with clips (video and audio) and I want to, for example, toggle the track output or mute the audio, it's a bit challenging to find what track the clip is on, when there are maybe 12 tracks and they're at the minimum height. Wondering if Adobe can pop a track highlight color or frame on the affected timeline track nomenclature (left of the timeline) when a clip on said track is selected?
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Aug 26, 2023
07:21 PM
Still hoping there's a better way to make and archive subclips as I described above on May 11 of this year. I've attached a screen capture of the PC File Explorer list showing each subclip that was created when I used the Project Manager "Collect files...." Again, each subclip is archived as the entire source/raw footage, regardless of the subclip length (in this case, the raw footage was a non-stop 45 minute interview; which I made subclips of when prepping for the edit).
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Jul 02, 2023
05:11 PM
I am/was using the basic video scale funtion under the Effect Controls "Motion" section, and yes, this scaling was done on the video clip itself (on its own track). I just now read a comment elsewhere in this forum that alluded to the same issue and suggested using the "Distort/Transform" effect to do the scaling. I did and it works. Just seems odd that Motion/Scale doesn't.
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Jul 02, 2023
03:13 PM
I have an adjustment layer in the timeline hovering over video. The only effect (so far) in my adjustment layer is Lumetri Vignette. I tried to do some simple scale keyframes (slow zoom in) on the video itself (not the adjustment layer) but they are ignored and/or behave oddly. I found that if I remove the adjustment layer, the scaling effect works. Obviously this is undesirable.
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May 11, 2023
06:49 PM
2 Upvotes
In the preplan stage of my editing, I’d go through the footage in the “Source” monitor of Premiere Pro, then select (I)n and (O)ut points of something I liked, then make a “Subclip” of that selection. The pop-up box has a checkbox (which I tick) to “Restrict Trims to Subclip Boundaries.” The subclip(s) would then be in the media files of the PP project for my forthcoming editing. Days later, when I’m done with the project, I archive everything to a separate drive, using Premiere Pro’s File/Project Manager “Collect Files and Copy to New Location.” The danged thing copies the media, yes, but it re-copies the entire raw footage for every subclip I made from that raw footage. So, in this example, the raw footage is 14GB, and I made 22 subclips. 14x22=308 gigs. Why doesn’t Premiere Pro have subclips as a coded reference to the original raw footage instead of currently pulling in the raw footage each time a subclip is made? I swear (or maybe it's the THC gummies talking) that in earlier versions of PP, the “Make Subclip” had an option to include or not include the entire raw footage as part of the subclip. If it didn’t, it should. And yes, I did tick “Exclude Unused Clips” in the Project Manager.
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Sep 26, 2021
06:48 PM
Yes, as Peru Bob said, it's an audio effect and needs to be dragged/dropped on to the audio track of the particular video clip. I've no idea why a couple of other replies imply there's no DeNoise in PP. It's been there for a few versions now. See my attached screen capture of the denoise feature under Audio Effects.
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Oct 25, 2020
07:09 PM
Updated PP to 14.5 on my Intel PC Windows 10 Pro. In addition to the failed drag 'n drop issue, the play/stop function of the spacebar is fickle (intermittent). I haven't done any forensics, just frustrated that my habit of using the spacebar to begin playing the timeline doesn't work (computer just emits a 'ding' error sounder). Also, I still cannot import *.mts format files. [Error Message - The file has an unsupported compression type]. C'mon now, wazzup with that? And I sure don't want to dink around with media caches, file location changes, etc. Let's just make PP open to *.mts files like earlier versions.
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Apr 15, 2018
09:19 PM
3 Upvotes
I am now a grateful fan of Deeeeeeeee, who brought, what I consider, the best free solution to the Dolby MTS (blah, blah, blah) dilemma. That being the software: XMediaRecode3430. It absolutely works perfectly in converting the audio (and only the audio) of a MTS file into a non-Dolby format of your choice (I'm using the Mp4) without, REPEAT, without compromising or degrading the video; because it allows you to "copy" the video while transcoding the audio into a new file. By the way Deeeeeeeee, after creating the new Mp4 file, why do I need to rename it back to a MTS ext.? The Mp4 file imports into CC2018 with no problems. Anyhow, the big plus with the XMediaRecode3430 converter is the batch "encode" from the "queue" you've created. It is FAST! I've kept my PP CC2017 when downloading and installing the PP CC2018 (just now, April 14, 2018). CC2017 remained unscathed. and CC2018 works. I imported MTS and the converted Mp4 files (with the new non-Dolby audio); got the usual CC2018 warning about the missing Dolby codec on the MTS files (and I didn't care), then put them both on the timeline, cropping the video to allow a side-by-side visual examination, along with representation on the Lumetri scope. There is no visible degradation to my eyes and the scope of the video side -- again, because the XMediaRecode3430 software allows the option to "copy" the video into the new file instead of converting it. XMediaRecode3430 is not a hand-holding IP (idiot proof) program. You have to pay attention and know what options you want. All I recalled from Deeeeeeeee's instructions were to copy the video. That's a pretty big deal for those that want to keep the integrity of raw MTS video. I've blabbered enough. This is a great solution to the Dolby dilemma and requires little effort. 305. Re: Dolby Audio Decoder missing after Premiere CC 2018 (V12) update deeeeeeeee
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Jan 09, 2018
06:45 PM
CAUTION and Heads up for those (including me) on PrePro CC 2017.1.2 and didn't make the fatal move to CC 2018. I just received an update notice in my Creative Cloud app (Dell Intel PC) that "updates" are available. I took a look and saw a new update for my above mentioned 2017 version. When I clicked on the little "What's New?" link here's what popped up: This update does not contain any fixes for stability or performance and is not recommended if you already have a build of Premiere Pro CC (2017) installed. This version removes Dolby audio format support. Imagine if I or you had not clicked on the the "What's New" link and just updated the software. We get screwed without ever updating to CC 2018. Adobe is simply taking away Dolby audio support on 2017 as well. Btw, the same update was on After Effects.
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Nov 14, 2017
07:31 PM
I'm curious and submit this question to some of the "old timers" in here (usage of PP, not your chronological age)... Did Adobe do anything similar to this with the EOL of Windows XP? (I think XP was a damn good OS compared to Vista and it's future sibling Windows 8 & 8.1)
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Oct 22, 2017
06:08 PM
4 Upvotes
I get the disturbing feeling that Adobe is 1) Not reading this and not caring -and- 2) Letting the wave of anger slowly disappear with time. I'm guessing they know they will win this battle. (Edited for content). This little forum is probably a minuscule representation of pissed-off customers. I went to the link that provided the CC 2017 reinstall; PrePro, AE, Media Encoder and Audition for me. It would seem now that I can't move beyond CC2017 until I move to Windows 10 -- and I won't be doing that until Microsoft drops its extended support for Windows 7 January 2020. As I previously posted, Windows 10 is no longer a free upgrade. I have Windows 7 Pro and the upgrade to 10 is $199 frickin' dollars! So I am paying the monthly Creative Cloud "lease" for dead end Adobe software (by my choice it would seem). My personal rant aside, again, Adobe seems to be letting us vent and throw a few tantrums, but they don't give a — Moderator Warning: Do not discuss legal issues on these forums. Please do no use profanity, even if implied. There are people under 18 reading these forums. Thank you.
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Oct 19, 2017
06:11 PM
1 Upvote
Jim Simon: Perhaps you believe in Windows 10. I've no doubt it's good stuff. But what you may have missed in a previous post of mine is that Windows 10 is no longer a free upgrade. The "Home" version is $119 and the "Pro" version is $199. So, for some, that's a cash outlay that we would have to pay in order to fix our problem with PrePro 2018. It almost flirts with extortion. Add that to the fact that some of our Windows 7 software and 3rd party plug-ins may not work in 10, we probably will have to spend more money to upgrade those. All a moot point. Just saying we don't need salt in our costly wounds with you preaching the gospel of Windows 10 to us. I hope you understand.
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Oct 19, 2017
12:59 PM
16 Upvotes
RIght. Contact Adobe Support for the idiot test. Here's the transcript: Bhaskar: Please allow me 1-2 minutes to review your account details. Bhaskar: Hi Donovan B Donovan: Hi. Bhaskar: can you confirm me the OS version you are at? B Donovan: Windows 7 Bhaskar: I understand what you are trying to do here, let me explain why this has happened. Premiere Pro CC (2018 release) no longer possess the codecs necessary to export your project into Dolby 5.1. Adobe has moved to native OS support for reading/decoding Dolby files with Creative Cloud products. Both Windows and OS X operating systems (Windows 8.1 or above and Mac OS 10.11 or above) contain this native support. B Donovan: Yes, I read all about it. Doesn't help me at all Bhaskar: you need to upgrade the OS or downgrade the version of the application B Donovan: Downgrading to CC 2017 no longer has the Dolby Codec available. It was deleted with all of the CC 2017 files. Bhaskar: there is no other option B Donovan: By the way, upgrading to Windows 10 is not free anymore. It costs $119 to get it. I had AE and Pre Pro 2017. B Donovan: No OPtion? Okay, well thanks anyhow. Bhaskar: you a re welcome. Bhaskar: You are going to receive a customer satisfaction survey. I would appreciate it if you fill it out. Thank you, goodbye!
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Oct 19, 2017
10:10 AM
Windows 10 Home upgrade is no longer free. It's $119.99 according to their MS website.
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Oct 19, 2017
10:08 AM
The upgrade to Windows 10 is no longer free. Its $119.99 for the Windows 10 Home version. Thanks a lot, Adobe.
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Oct 19, 2017
06:29 AM
Well, crap. Digging around the forums here, I find that Adobe is apparently not going to provide those of us with Windows 7 any Dolby support: >Adobe Creative Cloud apps use native OS support for Dolby >Older versions of Windows: >Windows 7: Windows 7 does not include the media package required to decode AC-3. The best solution is to upgrade to Windows 10. < REALLY!?! So, for those of us that have AVCHD files are pretty much forced to upgrade to (choke, cough) Windows 10? (Which is no longer a free upgrade I might add).
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Oct 19, 2017
06:19 AM
The AVCHD files (in my case, with the extension of *.MTS) have Dolby audio. Usually, with each new revision of PrePro, an alert window pops up on the first-time boot telling you it is loading (or something like that) a Dolby codec. On PrePro 2018 (12.0.0 Build 224) this didn't happen. Matter of fact, when importing an MTS video (which loaded stripped of its audio channels) there was a little yellow ! triangle on the very bottom right corner of the ProPro screen. Clicking on that triangle "events" brought up the error: "10/19/17 8:06 Missing Dolby audio encoder" This happened several revisions ago of PrePro where the Dolby codec wasn't loaded (note, it only needs to load once then it's stored forever in that revision). I'm guessing, mind you, that this new ProPro version needs the Dolby codec loaded (Hey, Adobe?) in order to use AVCHD files.
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May 11, 2017
08:58 PM
It's a wordy explanation below, so here's my request upfront: Can mouse scroll areas/boxes on the "Window" menu displays be locked until a mouse "click" unlocks them for scrolling? Or, can this be a preference yes/no toggle? The backstory: Within the Premiere Pro CC top window menu display selections, i.e., Effect Controls, there are several "mouse scroll areas" or rectangular boxes (please forgive my lack of proper nomenclature), such as [Source Text] or [Text] where one can place their mouse cursor in that area/box and use the mouse scroll wheel to quickly move through the list of fonts; while at the same time the font affected within the graphic on-screen (or whatever) changes with the scrolling. This is an expedient feature that normally I like. However, I also use my mouse wheel to scroll up and down the scroll bar on the right of the particular window menu display (again, the Effect Controls). And if, by chance, my mouse cursor is somewhere within the active display of the Effect Controls while I use the mouse wheel to scroll up/down the scroll bar -- and the mouse cursor comes into the "Source Text" selection while I'm scrolling up/down, it starts to scroll through the Source Text (font) list -- and I don't see it until it's too late, resulting in the font changing with the scrolling. So.... see my request at the beginning of this discussion/question. Thanks.
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May 11, 2017
08:21 PM
2 Upvotes
Update & Resolve: In correspondence with NewBlue support and subsequent issue of a tech ticket, I was provided a link to a fix/patch for Titler Pro 4 that updated the program; it now functions within Premiere Pro 2017.1. I've not yet seen the fix/patch as a standard software update alert, so to others using NewBlue titler(s), it may be best (as of this writing) to go to their support and/or forum pages to acquire a resolve.
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Apr 27, 2017
07:56 PM
Thanks for the advice. I just got back from a trip (via the Internet, not Delta airlines) to the New Blue Fx community forum and sure enough, there was discussion there about a non-working dilemma between New Blue Titler Pro 5 and Premiere Pro 2017.1. Symptoms were identical to what I am encountering with New Blue Titler Pro 4 (instead of Pro 5). There was some passive finger-pointing at both New Blue and Adobe; one not informing the other of newly released software, blah, blah, blah. However, the nearest credible answer (although subjective) I could find was this allegedly from a New Blue representative (excerpt copied from that forum, sans author name): "There was an issue with the latest Premiere update that prevents TItler Pro 5 from functioning as a plugin. We are aware of the issue and informed Adobe of the problem. They believe they have found the issue and I hope to have a working version shortly. I will let you know as soon as I have additional information."
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Apr 27, 2017
01:41 PM
Premiere Pro 2017.1 -- 11.1.0 (222) Build -- Dell Intel core i7 Windows 7 Pro PC Love the new Premiere Pro Title feature and Essential Graphics, etc. Also appreciate the fact that the original titler remains available as a "Legacy." However, I also use (or have used) the New Blue TItler Pro 4 plug-in (and have updated it to build 4.0.160712). In the new release of Premiere Pro (2017.1 -- 11.1.0 (222) Build) I find that I can "open" the Pro 4 titler as always in the "new item" function. But, when closing out of Pro 4 titler, nothing shows up in the media project display of clips, etc.. Before, when closing out of Pro 4 titler, the title would be an icon/clip (whatever) in the media project display. Now, there's nothing and no Pro 4 Titler "title" exists. I've done a couple of re-installs of the New Blue Titler resulting in no change in function or problem. Ideas? Help? Or is this a New Blue issue?
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