Premiere Rush

Export video to Behance You can directly export your videos to Behance. Sign in to Behance (if you are not already signed in). Under Settings, set the following options: Description: Help viewers understand more about the video by adding a description. This description displays at the bottom of the video after it is published live on Behance. Tags: Add suitable tags to your video. Tags allow other users find your video by linking common words associated with your video. Preset: The default preset on all platforms is Automatic where Resolution and Frame Rate are set to Automatic, Audio Channels is set to Stereo, and Quality is set to High. However, you can select any preset from the drop-down list based on the nature of your video and your publish destination.  The following elements define a preset. When you change any of these elements, the preset automatically becomes a custom preset

Share your video on your Facebook page You can directly publish your video to a Facebook page. You can only share a video on Facebook if you have an account associated with a Facebook page. Click Share in the toolbar and then choose Facebook. Sign in to Facebook (if you are not already signed in). Under Settings, specify the following options: Pages: Select the Facebook page associated with your account.  Title: Add a title to your video. Description: Help viewers understand more about the video by adding a description. This description displays at the bottom of the video after it is published. Keep a copy of this file: Select this option if you want to keep a copy of the video saved on your computer. After selecting this option, navigate to the folder where you want to save the file.  You can then choose to set the following advanced settings or retain the default settings, which are generally the best settings.   Preset: The

Share your video on your YouTube channel You can sign in to YouTube from Premiere Rush and directly share your video on your YouTube channel.   Click Share in the toolbar and then choose YouTube. Sign in to YouTube (if you are not already signed in). Under Settings, set the following options: Title: Add a title to your video. Description: Help viewers understand more about the video by adding a description. This description displays at the bottom of the video after it is published live on YouTube. Tags: Add tags to your video. Tags allow other YouTube users to see your video by linking common words associated with your video. Other videos with similar tags are often grouped in the sidebar on YouTube. Privacy when shared: Select one of the options available: Public, Unlisted, or Private. Public videos can be searched for and viewed by anyone. Unlisted videos are only accessible to people who know the video lin

Save video to your device To save your video to your local device: Click Share in the top toolbar and then click Local. Under Settings, you can specify the following options: Filename: Edit the filename of the video or retain the default filename, which is the name of the sequence. Save to: Specify the location for saving the video. You can then proceed to click Export, or you can choose to tweak the advanced settings.   Note: The advanced settings default to the best settings based on the type of video and social media destination. You usually do not have to modify these settings, unless you have a specific video requirement.   Preset: The default preset on all platforms is Automatic where Resolution and Frame Rate are set to Automatic, Audio Channels is set to Stereo, and Quality is set to High. However, you can select any preset from the drop-down list based on the

Exporting After editing your video, you can save it on your computer or share it on your social media channels. When you share your video, you can add information such as title, description, and hashtags as well as a custom thumbnail for the video. You can also schedule your video post and control advanced custom render settings.   Overview of exporting video from Adobe Premiere Rush to social media directly from your mobile device For exporting from Adobe Premiere Rush on Desktop, see the information below, or here.   Save video to your device Share your video on your YouTube channel Share your video on your Facebook page Export video to Instagram Export video to Behance Mobile Guide Adobe Premiere Rush workflow on iOS Export video Adobe Premiere Rush workflow on Android Export video More from the User Guide: Save video to your device Share your video on your YouTube channel Share your video on your Facebook page Export video to Instagram Export video to Beha

Audio   Add a voice overNeed a voice over for your video? You can record it directly into Rush with a Voice Over tool. You won't be able to see the interface, however, unless you click the "Control Tracks" button in the lower left corner of the Edit Workspace. Once you see the tool, click the microphone icon for the track you wish to record onto. It turns into a red button. Place the playhead where you you want to start recording. Click this red button to start and stop your voice recording.   Add pre-recorded music You can add sound effects and music soundtracks to any Rush project. Import these files via the Project panel, then click the Add Media button. Once the media is added to your Project panel, click the Add button. The track drops in at the location of the playhead.   Audio panel Refine audio clips in the Audio panel. You can repair sound, improve clarity, and add audio enhancements here. You can mute clips where you don't want the sound to be heard here,

Editing and Trimming   Creating the Sequence Once clips are selected in the desired order, click the "Create" button, located in the lower right corner of the interface, and your sequence appears in a new Timeline and Preview Monitor, called the Edit Workspace. It's really that simple.   Now that a baseline sequence is created (you can call it a "rough cut"), you can add more items to it, remove items from it, or make timing adjustments to the sequence by shortening or lengthening clips called "trimming."   Moving Clips One thing you can do after a sequence is created is to change the order of the clips displayed in the Timeline. Drag a selected clip to a new location in the Timeline and the other clips move automatically to allow for this.          Trimming ClipsOnce clips, images, and voice overs are added to the Timeline, you can trim them, that is, shorten them, or lengthen them. Whatever you see fit! A single tool is used for trimming. 

Importing and organizing footage Importing and organizing footage is very straightforward in Adobe Premiere Rush. After Launching Rush, you need to click the "Create New Project" button. Name the project in the lower left corner of the applicaton under "Project Name," then press the Return key to save the name. The Media Browser is automatically launched. You're ready to import!   Additional Resources: Create a new project   Within the Media Browser, and from the Assets panel to the left, browse to the hard drive containing your media. Once you click the media drive, folders containing your media appear in the Media Browser. Click once to open a folder.   You should now see the clips you want to appear in your Timeline in the Media Browser. For each piece of media, click them in the order you wish them to appear in the Timeline. Numbers appear over the top of each clip as an overlay. If you are not sure of the exact order, don't worry, you can change that later.   I

Editing Overview With your shoot wrapped, it's time to start editing. Since you've already tested your gear, and put the resulting clip into Rush for a test, you should have little trouble getting started.   Copy the footage to your hard driveIf you are editing with Rush on the desktop, a good rule of thumb is to make sure the footage from your phone or camcorder gets copied to your computer's fastest hard drive available. If you are editing solely on a mobile device, you can leave the footage on that device.   Organize the footage into folders After the footage has been copied, you can continue to organize the footage into folders based on your shoot day, this actually helps you stay organized once you begin editing in Rush. On mobile versions, your footage lies within the Camera Roll.   You are now prepared to import and organize footage. For steps on how to do that, click here. Stages of editing in Rush Stage 1: Importing and organizing footage Stage 2: Editing and

What needs to be done to use sound files in Rush? Until now, nothing has been added when they are added - any sound on the soundtrack is reproduced as a rustle. Normally, you can hear only the sound that comes immediately from the video. And if I take music or a separately recorded sound file and put it on the sound track, then again we get a rustle. I have installed version Rush 1.2.12. I'm mounting the video on Mac Book Pro. It has the latest software update installed. Sound files in any format are reproduced as rustling - waw, mp3, m4a.  And another question: how can you separate the sound from the video to place it on a separate sound track?   Title edited by mod

Hello, I work for BBC News and I've been playing around with Premiere Rush on my ipad as a possible option to cut news on the road. I need to be able to export split tracks in Mono. I need sound and effects track 2, and all dialogue on on track one - but it must** be mono export. Is this possible, or is there an option to pan tracks with mono export? Cheers. 

Hi guys I'm on an iPad Pro 3rd gen with iPad os. How do I import video into rush from say a go pro? I imported it into the files app in a folder.   Title edited by mod

Hi,in having a issue with Adobe rush for samsung where i can't create  my own custom preset for export my videos.for example i want to create a preset for 60 fps but i can't find the proper menu  on my app.Thanos for helping😊

Now that you've tested your gear, you have a story idea for your vlog, and even have some preconceived shots planned, it's time to create your final plan for your shoot before you head to the location. A plan is important for which tasks are done, in which order are tasks done, and who does each task.   A plan for any shoot is sometimes called a "brief." The brief might involve the following: shot list shooting schedule list of locations list of actors equipment list a storyboard (optional)   Shot List What can help you immensely at any shoot is a shot list. This is a list with each shot that must be taken for the purpose of telling a given story. For narrative films, a shot list can get really complicated. However, if you are shooting a vlog, you might keep it easier by simply listing each shot you need to get for your intended story.    Make sure to vary the frame size of the shots, the camera angle of the shots, and don't forget to get some audio pre

Now that you've tested your gear, you have a story idea for your commmercial, and even have some preconceived shots planned, it's time to create your final plan for your shoot before you head to the location. A plan is important for which tasks are done, in which order are tasks done, and who does each task.   A plan for any shoot is sometimes called a "brief." The brief might involve the following: shot list shooting schedule list of locations list of actors equipment list a storyboard (optional) Shot List What can help you immensely at any shoot is a shot list. This is a list with each shot that must be taken for the purpose of telling a given story. For narrative films, a shot list can get really complicated. However, if you are shooting a commmercial, you might keep it simpler by listing each shot you need to get for your intended story. Figure out the best and most convenient order for each shot, then move to the task of creating a shooting schedule.   Make

Now that you've tested your gear, you have a story idea for your corporate video, and even have some preconceived shots planned, it's time to create your final plan for your shoot before you head to the location. A plan is important for which tasks are done, in which order are tasks done, and who does each task.   A plan for any shoot is sometimes called a "brief." The brief might involve the following: shot list shooting schedule list of locations list of actors equipment list a storyboard (optional) Shot List What can help you immensely at any shoot is a shot list. This is a list with each shot that must be taken for the purpose of telling a given story. For narrative films, a shot list can get really complicated. However, if you are shooting a corporate video, you might keep it simpler by listing each shot you need to get for your intended story. Figure out the best and most convenient order for each shot, then move to the task of creating a shooting schedule

Now that you've tested your gear, you have an event that is planned, and even have some preconceived shots planned at the event, it's time to create your final plan for your shoot before you head to the location. A plan is important for which tasks are done, in which order are tasks done, and who does each task.   A plan for any events shoot might involve the following: shot list shooting schedule list of locations list of talent equipment list a storyboard (optional) Shot List What can help you immensely at any events style shoot is a shot list. This is a list with each shot that must be taken for the purpose of telling a given story. For narrative films, a shot list can get really complicated. However, if you are shooting an event, like a wedding, you might keep it simpler by listing each shot you need to get for the retelling of your event. Shot order is dicated by the schedule of the day, so reording shots is often unnecessary. After you've got your shot list, th

Now that you've tested your gear, you have an idea for your tutorial, and even have some preconceived sequences planned, it's time to create your final plan for your shoot before you start recording. A plan is important for which tasks are done and in which order are tasks done. Of course, most, if not all, of these tasks are performed by you in a typical scenario.   A plan for a tutorial shoot might involve the following: shot list shooting schedule list of locations list of actors (although, it will probably be only you!) equipment list a storyboard (optional)   Shot List What can help you immensely at any shoot is a shot list. This is a list with each shot that must be taken for the purpose of telling a given story. For narrative films, a shot list can get really complicated. However, if you are shooting a tutorial, you might keep it simpler by listing each shot you need to get for your finished tutorial.   For software and screenshotted tutorials, you ca

Now that you've tested your gear, you have a story idea for your film, and even have script and storyboard, it's time to create your final plan for your film shoot before you head to the location. A plan is important for which tasks are done, in which order are tasks done, and who does each task.   A plan for a film shoot is sometimes called a "brief." The brief might involve the following: shot list shooting schedule list of locations list of actors equipment list a storyboard (optional)   Shot List What can help you immensely at any film shoot is a shot list. This is a list containing an entry for each shot that must be recorded for the story. A shot list for a narrative film is ultimately derived from the script. By first creating a "breakdown" of the script, you can create things like a shot list and a shooting schedule. From the script breakdown, you'll be aware of the details of the items that need to be listed in the shot list; things like location, time

You've done your due diligence and completed your prep. You've created a story and all the planning that goes with it. Your checklist is complete and you're ready to go. It's time to put your plan in action.  Head to the shoot with plenty of time to spare. You'll want to be the first one there and definitely plan to be the last to leave.   Good luck!   Once you return from the shoot, you can begin editing. Let's move to the next section of the Rush Mobile Guided Workflow: Editing   < Planning the Shoot Day — Editing >    Home: What to Shoot? Preproduction

Now that you've got your story idea honed into an actual script and a storyboard, it's time to prep for your shoot, the shots you will need to get, the gear you'll need to pull it off, and a schedule to help keep you on track all day. Here are some tips on how to make the best of your individual kinds of shoots work out best for editing after the shooting is over and done.   Planning the Shoot Day: Vlog Planning the Shoot Day: Film Planning the Shoot Day: Tutorial Planning the Shoot Day: Event Planning the Shoot Day: Corporate Video Planning the Shoot Day: Commercial <Writing and Planning Content — Executing the Plan >   Home: What to Shoot? Preproduction

Storytelling Techniques Be it devising a screenplay for a short film, or planning the writing for a doc, vlog, etc., it does help to write within some kind of framework. Knowing the basic structure of most dramas will help you get started in thinking about the structure of the story before you begin the actual process of writing. Think of the following as your scriptwriting "game plan." Use the model of the 3 Act Play to guide you in constructing your story, and then your script will be a lot easier to complete.   As you write, it is important to keep your intended audience in mind. You will be answering the question: "who will be viewing my film?" In a 3 Act Play:   There are the 4 main components of a story:   Events: an event or series of events that happen over a given period of time. The cause and effects of this series of events can be referred to as "the plot." Setting: the location or series of locations where the events happen. You can almost think of the sett

The world of producing commercials is so interesting to work in as you are helping tell a story in order to sell a product or service. Commercial video can be created for a variety of different clients, or for your own business.   Creating commercials can cover a wide variety of content types and production values, most of which are dictated by clients. However, you may have a hand in some of the creative decisions in making commercials for others. If you have your own business, having access to the knowledge and tools to create your own commercials is quite powerful, as well.   There are a wide variety of products and services that end up as subjects of commercials, almost too many to mention. Your video content, which often include scripts and storyboards, will more than likely be dictated by the client, however, you can often help the client come up with the content for an added fee. A standard script, an A/V script, a storyboard, and shot list can all help guide th

Corporate and business communication videos make up some of the most common and popular videos there are in existence. Unless you work in a corporate environment, you just don't see them much in public. This is because corporate videos are mainly used for internal purposes. Corporate video as a field of business can be a very lucrative business opportunity for video creators and is, therefore, worthy to mention.    You do need clients or your own business to create videos of this sort, however. There are a wide variety of topics that end up as subjects of corporate video, almost too many to mention. Common videos include sales presentations, trade show demos, training videos, and best practices for a given business to name a few.   Your video content, which often include scripts and storyboards, will more than likely be dictated by the client, however, you can often help the client come up with the content for an added fee. Usually an A/V script will help guide the

Shoot an event, like a concert, a speech, a wedding or school play. These types of events all have certain common traits which make these shoots more reliable to plan and execute. One main concept you should keep in mind is that you are usually retelling an event. Your job is to make it seem even more compelling by using editing to tell the story even better than when it actually happened.   Events, in order to present them in their best light, require a fair share of planning. However, since others are doing the performing in most cases, and you are just recording their actions, there is little in the way of actual writing that goes into the shoot ahead of time. Therefore, the more attention to anticipating and planning the actions of those you are recording, the more choices you will have in the actual retelling of the event. This is not that difficult to do, since most events are fairly predictable in nature.   With knowledge of the event in advance, you can begin developi