@Sergio James This is Adobe’s “clarification:”
We have expanded our moderation policies & platform: We are investing in both people and technology to scale moderation for the massive increase in weekly submissions. First, we have tripled the size of our moderation team. Second, we have introduced new technology to help evaluate new submissions and audit the existing collection against our new policies. This expanded auditing has resulted in the reclassification and removal of over 100K assets.
The “similar content” issue is one in which, as contributors, we have to take the bad with the good. If a subject is over-represented in the database, this makes it more difficult for us, as contributors, to have our assets appear in searches. There is little benefit to having an asset accepted if it is going to be buried on the 100th page or beyond of the resulting search.
That said, some “similar content” rejections do appear to be quite arbitrary and illogical at times. This would be where the careful curating of titles and keywords come into play. I submit a LOT of portrait and fashion material, and putting keywords like ‘woman,’ ‘beauty,’ ‘glamour,’ ‘fashion,’ etc. first in my list of keywords is probably going to result in a similar content rejection. So instead, I concentrate on what the model is doing or wearing in terms of creating my keyword list. And that’s only a quick example. It still doesn’t guarantee the asset will be accepted.
As far as Adobe discouraging contributors, that’s a matter of interpretation. Naturally, if a contributor succeeds, Adobe succeeds. But their first and foremost priority is on that of their customers, not us as contributors (i.e., suppliers). So guaranteeing a reasonable number and variety of search results is of benefit to the buyer.
I actually keep track of two different acceptance to rejection data points, one of which does not include “similar content” rejections. Excluding those, I have a 98% acceptance rate; including them, I’m down to 92%. If nothing else, I feel a little less disheartened by managing to keep it above 90% regardless of Adobe’s new policy.