3D camera tracker delivers static tracker points

Thanks for sharing the details, Lewiz.

Could you share both the footages as well? I tested a interlaced footage with similar properties to yours, but After Effects tracked it without any issues.

Looking forward to your response. Moving this thread from Bugs to Discussions for troubleshooting.

Thanks,

Nishu

Okay, as far as I can conclude now (tried both network and local source files) the 3d camera tracker problem has to do with file characteristics. To compare, I used exactly the same shot in two versions: an MXF format, being not colorgraded yet, and a QT colorgraded one. Specs for the QT mov:

General
Complete name : A:\XXXX.mov
Format : MPEG-4
Format profile : QuickTime
Codec ID : qt 0000.00.01 (qt )
File size : 17.9 GiB
Duration : 15 min 37 s
Overall bit rate mode : Variable
Overall bit rate : 164 Mb/s
Frame rate : 25.000 FPS
Encoded date : 2024-05-03 11:22:35 UTC
Tagged date : 2024-05-03 11:22:35 UTC

Video
ID : 1
Format : ProRes
Format version : Version 0
Format profile : 422 HQ
Codec ID : apch
Duration : 15 min 37 s
Bit rate mode : Variable
Bit rate : 164 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 25.000 FPS
Color space : YUV
Chroma subsampling : 4:2:2
Scan type : Progressive
Bits/(Pixel*Frame) : 3.158
Stream size : 17.9 GiB (100%)
Writing library : avi1
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709

Other
ID : 2
Type : Time code
Format : QuickTime TC
Duration : 15 min 37 s
Frame rate : 25.000 FPS
Time code of first frame : 00:01:55:00
Time code of last frame : 00:17:32:10
Time code, stripped : Yes

ReportBy : MediaInfoLib - v24.04
CreatedOn : UTC 2024-05-16 15:05:55

This one worked flawless, and these are the specs for the MXF, which I cannot get to work:

General
Complete name : A:\XXXX.mxf
Format : MXF
Commercial name : XDCAM HD422
Format version : 1.3
Format profile : OP-1a
Format settings : Closed / Complete
File size : 5.47 GiB
Duration : 15 min 37 s
Overall bit rate : 50.2 Mb/s
Frame rate : 25.000 FPS
Package name : WNL AANGEHAAKT S02A03 STOCKHOLM GRADED
Encoded date : 2024-05-04 12:50:26.900
Writing application : Blackmagic Design DaVinci Resolve 18.6.6
Writing library : DaVinci Resolve

Video
ID : 2
Format : MPEG Video
Commercial name : XDCAM HD422
Format version : Version 2
Format profile : 4:2:2@High
Format settings : BVOP
Format settings, BVOP : Yes
Format settings, Matrix : Default
Format settings, GOP : Variable
Format settings, picture structure : Frame
Format settings, wrapping mode : Frame
Codec ID : 0D01030102046001-0401020201040300
Duration : 15 min 37 s
Bit rate mode : Constant
Bit rate : 50.0 Mb/s
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Active Format Description : 0
Frame rate : 25.000 FPS
Color space : YUV
Chroma subsampling : 4:2:2
Bit depth : 8 bits
Scan type : Interlaced
Scan order : Top Field First
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.965
Time code of first frame : 00:00:00:00
Time code source : Group of pictures header
GOP, Open/Closed : Open
GOP, Open/Closed of first frame : Closed
Stream size : 5.46 GiB (100%)
Title : WNL AANGEHAAKT S02A03 STOCKHOLM GRADED_v1
Color range : Limited
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709

Other #1
ID : 1-Material
Type : Time code
Format : MXF TC
Frame rate : 25.000 FPS
Time code of first frame : 01:00:00:00
Time code of last frame : 01:15:37:10
Time code settings : Material Package
Time code, stripped : Yes
Title : TC1

Other #2
ID : 1-Source
Type : Time code
Format : MXF TC
Frame rate : 25.000 FPS
Time code of first frame : 01:00:00:00
Time code of last frame : 01:15:37:10
Time code settings : Source Package
Time code, stripped : Yes
Title : TC1

Other #3
Type : Time code
Format : SMPTE TC
Muxing mode : SDTI
Frame rate : 25.000 FPS
Time code of first frame : 01:00:00:00

ReportBy : MediaInfoLib - v24.04
CreatedOn : UTC 2024-05-16 15:11:56

Could be as simple as the interlaced/progressive difference, but I don't have a clue. Setting interpret footage to progressive didn't make a difference. 

I hope this information is useful.

Best regards, Tom Lewiz Verweij

Hi JohnColombo, thanks for making the time for this.

I was jumping to conclusions earlier, further examination shows now that the problem is not simply solved by moving files to my local pc. It might have something to do with the shot, because I tried different shots (all MXF) and some work, some don't.

I should try it with some more source material to narrow the search. I will share my findings!

And sorry to disturb you all: what obviously all of a sudden changed in After Effects is the ability to work directly with network files. this worked until last week or so, now I have to copy the files I am tracking from the networrk location to a local folder on my pc.

No idea why or what, but this is a reasonable workaround.