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Andrew Yoole
Inspiring
August 31, 2009
Question

AFTER EFFECTS WISHLIST

  • August 31, 2009
  • 203 replies
  • 212716 views

What features would you like to see implemented in After Effects? New ideas for plugins? Interface changes? Post 'em here!

Let's keep bug identification to individual posts, as these will probably be addressed more readily. Let's use this thread for specific ideas about ways that AE can be improved and expanded.

These Forums are for users, not Adobe employees, so don't forget to also fill in an Adobe feature request form.

To view the Wish List posts prior to September 2009, look here.

    203 replies

    Known Participant
    August 5, 2011

    Thanks Rick, it`s exactly what I wanted!

    Known Participant
    August 5, 2011

    Is there a solution for my 2nd problem?


    Nullobject 1 has the tracking data of an object in the center of the picture. I want to use the Nullobject 1 to child a lensflare to it (because its the tracking of the cameramovement) - but that way the lensflare would stay round about the center of the picture. Exactly where Null 1 is.

    But I want to have the lensflare at another position, maybe in the upper left corner.

    How can I adjust the position of the lensflare with a second null? (accept of using the expression: .......+[X Position,Y Position]  )

    Thanks!

    Community Expert
    August 5, 2011

    I'm not sure I follow you but here's one thing you can do. Let's say the null you applied the tracking data was called "trackingNull." You would apply the lens flair to a black solid set to screen mode. Now you position the lens flair exactly where you want it to start. The last step is to add an expression to the lens flair property using the pickwhip but before you use the pickwhip you type "value + " in the expression window. Then you drag the pickwhip to the "trackingNull" position property. That's all there is to it. The value + statement takes the original position of the lens flair and adds it to the position of the trackingNull.

    BTW - this talk about a lens flair needs to be moved to another thread.

    Known Participant
    July 30, 2011

    1.: Using simple maths in the number fields ( plus, minus, multiply, divide)

    e.g.: If your comp is 1920*1080 and you need it twice as large as full HD (maybe for an precomp) you dont need to calculate it and type the new value in --> just go behind the 1920 and type in " *2 ". AE will automatically double the value. (like Cinema4D does)

    2.: AE seams to have troubles with the standard lensflare in combination with a tracked null object.

    You can`t simply pickwipe it to a null Y (the null Y is a child of null X. Null X is the tracking of the camera movement)

    PFuerst
    Inspiring
    June 12, 2011
    1. SCOPES: Adobe knows how to make them I've seen them in OnLocation and PP. It's so essential for grading. I know there are 3.party plug ins and color finesse but i use colorista II, curves and levels most of the time so I need them right inside of AFX. Please Adobe
    2. Improve Curves: I really like this tool and use it often but if you just have a look at the Photoshop cureves effect and you know what I mean. Just slightly improments but it would be good to have it in AFX.
    3. TRUE 3D space: Just like Nuke
    4. Is there any chance to bring all the great Furnacecore Effects from the Foundry "back" to AFX. They are available for all the major compositing programs. AFX what are you waiting for?
    5. Per Vertex Feather: It would be nice if we could asign different feather strengths to mask-vertexes.
    Todd_Kopriva
    Inspiring
    June 12, 2011

    > Is there any chance to bring all the great Furnacecore Effects from the Foundry "back" to AFX. They are available for all the major compositing programs. AFX what are you waiting for?

    That's a conversation that you need to have with the people who make the plug-ins.

    Known Participant
    June 9, 2011

    BACKGROUND RENDERING... A La the BGRender Script.

    Warp Stabilizer optimization - As of now, I just dont have the TIME to let WS to its magic. It takes to darn long.

    And often the results aren't even worth waiting for.

    MUCH of the WS results are fantastic, though. But the circumstance involved engaging it, are huge. So opening Mocha and doing it manually,

    is ALWAYS faster.

    Easier way of changing and accessing shortcuts. MORE shortcuts. Much MORE !!!

    I still cant believe that I need to render a source clip before I can watch it. That be, this clip isnt even residing in a comp. Just wanting to view the movie a la the quicktime player, calls for AE to render it first. Very old fashioned.

    MP Optimization. Too much Trial & Error is needed to get this to work correctly.

    Memory leak optimization - AE deals with memory like a lion with a buffalo carcus - NOT AT ALL ;-))))

    Inspiring
    June 7, 2011

    Here's a silly little thing I found out.  Select both a WAV and an image sequence and drag to New Composition.  It'll ask you if you want to make a Single Comp, what dimensions to use. If I select the WAV, it'll create a huge 3K comp. Obviously, audio only files should not be one of the choices.

    Inspiring
    July 30, 2011

    This still exists in CS5.5. And it has the same problem with AIFF files.

    Known Participant
    April 6, 2011

    My ONLY wish:

    Being able to render out a movie matching the original source

    No GAMMA no COLOR - Shifts...

    Participant
    April 5, 2011

    Don't know if this has been requested yet but I would love to be able to have the ability to tell certain layers beneath an adjustment layer to NOT be affected by that adjustment layer.  Sometimes placing that layer above the adjustment layer is not an option, and it would save me time in tedious work arounds via precomping and readjusting my project.

    Also it would be great if you could select a group of layers, create a new null, and the layers that you had selected are automatically parented to the null.  Although, I could definitely see how this might cause problems by having nulls always being created with random children simply because of having a layer selected, but just throwing it out there.

    Known Participant
    March 22, 2011

    There are several effects and functions wich are affected negatively (e.g. mocha shape)  by switching on "Transformation falten" button (sry, i just know the german word - not the english translation).

    I just want to have the vector file from the precomp in highres. But it gets streched, too.

    Known Participant
    March 23, 2011

    Oh yes, the old collapse transformations struggle. With Vector layers that need to be 3D it can get a real nightmare. I wish there was a better way to control the render order..

    March 29, 2011

    seems like no1 has mentioned this but... RAMP...

    i would love to be able to fully manipulate ramp like we can in illustrator. I would like to be able to have a ramp effect on a text layer and have the effect stay in place if i need to move that layer a few times.. which can make that effect be extremely annoying by having to re-position starting and ending points... aka.. not just a ramp to the whole composition size. and that goes for everything.. Not just text layers, but paths and anything else.I dont want to have to do expresions or find presets for something that should really come with AE. It would be amazing to also include the gradient tool that we have in illustrator for this..

    I would also like to be able to import vector images from illustrator to AE and be able to modify them like we can do if we import to flash or PS.

    Participant
    March 22, 2011

    Hi. I'd love it if the Stencil Alpha layer mode would work on 3D layers. Trying to figure out a workaround at the moment!

    James