Correct color management set-up for nikon RAW (.NEV log) into ACES for After Effects?

@Adobe. Do you guys have a basic suggested workflow yet for Log N-Raw (.NEV) clips in After Effects? Would love to be able to do VFX work from the base footage rather than round-tripping through other apps.

Can anyone suggested the 32-bit OCIO color management set-up for .NEV log into ACES workflow for After Effects? Do you have any resources on implementing the correct .NEV transforms for that standard ACES VFX workflow?

Thanks