The most likely source of the problem is the compression used for the video. Transcoding is the most viable solution.
It doesn't matter where the compressed footage came from. Streaming services and stock footage sites are notorious for recompressing footage to save bandwidth. Highly compressed footage is always problematic because frames, colors, and even the movement of pixels are predicted, and only a few of the original frames still exist. Even those original frames may have their color and luminance values averaged, reducing the total number of different values. That is why they are lossy codecs. They lose data. Your best option is to put that lossy data in a container where every frame can display the full range of values the codec will support. Even though you may only have 120 different values available for Red, when you transcode to a production format, you can easily manipulate those red values through all 256 different values.
Your green glitches are caused by the software trying to guess what colors are supposed to be generated between the interpreted values. A media player is not concerned with filling in the missing values, but an editing app like Premiere Pro or a compositing app like After Effects is. The whole data stream is compromised if there is any corruption in the file.
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This is a very common problem.
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