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Participant
January 12, 2024
Question

Can you match background color/tone in camera raw for headshots?

  • January 12, 2024
  • 3 replies
  • 551 views

We create yearbook photos and images always have variation in tone and color in the background.  The background masking works wonders now on an individual image but is there a way to batch balance the background on multiple images so they are near the same tone and color?  I'm attaching a contact sheet with 4 images before and after. This is what I'm doing manually and while not perfect, obviously much closer.  Is there anyway to batch automate this process or get it somewhat close?  I would gladly by a coffee for anyone that can help find a solution for this, if there is 🙂

 

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3 replies

Legend
January 15, 2024

Yikes. The solution is to fix your lighting and exposure. You need better fill (reflector or fill light), a preset color balance (buy a ColorChecker Passport and use it!) and manual exposure. There is no excuse for that kind of variation in a portait setup.

Go visit the Strobist strobist.blogspot.com

Participant
January 16, 2024
I'm well aware. These are done over the course of 7 months in 10+location.
There are a bunch of reasons it isn't perfect. Of course getting it right
out of the camera is ideal but I'm looking for help with the question I
posted as that work is done.
Conrad_C
Community Expert
Community Expert
January 15, 2024

One question…are all yearbook shots made with the same camera exposure locked down in Manual mode, or is using any automatic exposure features (Auto, Program, Aperture Priority, Shutter Priority…).

Participant
January 16, 2024
These are done across 7 months in 10+ locations. I'm well aware of the
photography inconsistency but my questions here still stand as this is
work already done. I just want my actual questions addressed if possible.
Thanks for considering it
Stephen Marsh
Community Expert
Community Expert
January 13, 2024

I'm not a photographer, so my first question would be – can this be normalised in the original shoot, rather than post? I imagine you have much control over the conditions - tripod, subject positioning, consistent studio lighting, exposure, white balance etc.

 

The backdrops are different, I get it that you don't want exactly the same one for each shot... Perhaps you could take a controlled shot of the background before the subject is shot, then combine the two in post?

 

Fully or mostly desaturating the background will help to align the photos when placed on the page, but there is still a major difference in their luminosity levels, some darker or brighter than others (which is obviously more of an issue than the colour variation).

 

Participant
January 16, 2024
There are a myriad of reasons this isn't already consistent, otherwise I
wouldn't be here. I'm very aware of the photography issues to make this
easier but that won't help with work already done. So I'm still very
interested in anyone with some feedback about the actual question. No, it
can't be done, is also an appropriate response. Thanks, Dave.
Stephen Marsh
Community Expert
Community Expert
January 16, 2024
quote
There are a myriad of reasons this isn't already consistent, otherwise Iwouldn't be here. I'm very aware of the photography issues to make thiseasier but that won't help with work already done. So I'm still veryinterested in anyone with some feedback about the actual question. No, itcan't be done, is also an appropriate response. Thanks, Dave.
By @Mulvaneyphoto

 

OK, I don't do too much ACR or Lr, so I'm not sure what would be the "best" method there (sorry, I thought that this was in the Photoshop forum). If you can supply image samples at a higher resolution for testing, that would likely help.

 

In Photoshop, I'd use select subject, then invert the selection and desaturate the background say 80% (pick a figure) to reduce most of the colour variation. That will leave you to normalise the luminosity, which will be more noticeable.

 

I'm still looking at methods to set the luminosity of the variable backdrop to be similar, however, due to the large difference between the extremes I have not yet found a suitable method to bring all of them into a similar tonal range.

 

Of course, I am looking at methods to be used in an action or script for hands free batch automation...