Skip to main content
Inspiring
January 7, 2026
Answered

Using color.adobe.com while editing photos in Lr

  • January 7, 2026
  • 3 replies
  • 640 views

I've tried to extract color themes in color.adobe.com by dragging/dropping images I'm editing in Lr, but that doesn't work at all. I called Adobe tech support, and after trying many different approaches, TS told me I can't use color.adobe.com with Lr, and even worse, color.adobe.com only extracts themes from jpg files and it won't work with dng files. Someone tell me that this can't be true. 

I work on a Mac mini (2024) with M4 chip, Tahoe 26.2, 32 GB memory, and all of my image files are on an ext HD.

Correct answer Conrad_C

Raw/DNG files wouldn't be expected to work because they're raw; in other words the raw data has not been rendered to final RGB colors so Adobe Color wouldn't be sure what color rendering it should assume to build a palette out of. You may have applied some color edits to that raw file, but the data only lives in the Lightroom cloud database, not actually in the file itself. It might be possible if they built the Adobe raw rendering engine into Adobe Color and also set up a way of transferring edits from Lightroom through those files to run throught that engine, but that isn’t how it works currently. Currently Adobe Color is set up for fully rendered images such as JPEG.

 

So what should you do? When wanting to use a raw/DNG image in almost any raw editing software (not just Adobe software) with an application or website (such as Adobe Color) that’s expecting a finished image, you just need to export a copy to a rendered format such as JPEG. Export that copy to a normal folder on your desktop, then from there you can drag it to the other app/website and drop it there.

 

It’s an extra step or two but it has to be done. It's exactly the same reason photos uploaded to typical web galleries aren't raw/DNG; the software running the photo galleries expect fully rendered final images. Raw/DNG images are also not accepted by page layout, word processing, and video editing applications; they all want fully rendered image formats.

3 replies

Conrad_C
Community Expert
Community Expert
January 8, 2026

What you’ve said helps clear things up a little. It sounds like you want some simple steps, and might have thought that Adobe Color could help. But first, we should get one thing out of the way: It is not common for Adobe Color to be used in photo editing. It‘s used as a color palette tool for graphic design, in apps such as Adobe Illustrator, InDesign, and (when used for design, not photography) Photoshop. For example, a designer would use Adobe Color to work out a standard color palette to apply across an advertising campaign for a brand, or for the production design of a TV show or movie.

 

But you’re asking more about basic photo editing, and for that, we should review how Lightroom is intended to be used for that. We shoot similar subjects like travel photography, so my example below uses an image I shot on a trip. First, a before/after: I edited it to bring out more details in the highlights and shadows, and to shift the colors to the warm side of the color wheel.

 

_DSC1658-Before-After.jpg

 

The most basic way to get there in Lightroom is to follow these three overall steps:

 

1. Choose a profile. A raw profile sets the starting point for the more specific settings that you apply. I am finding that the new, intelligent Adaptive Color profile fixes a lot of contrast problems right away, like a really smart Auto button. I like it because it usually reduces the number of steps I have to do later. If it goes too far, reduce the Amount slider. Or choose another profile like Adobe Color or Adobe Landscape if those look better to you.

 

(The colors in the demo are a little rough-looking because they’re GIF animations.)

 

Lightroom 9 1 Profiles.gif

 

2. Adjust options in the Light panel. My example covers such a wide tonal range that I want to lower Highlights and raise Shadows a bit more. (Note: In step 1, if you chose a profile that does not have Adaptive in the name, here you can try clicking the Auto button at the top and see if you like what it does.)

 

Lightroom 9 2 Basic.gif

 

3. Adjust options in the Color panel. The White Balance settings (Temp and Tint) shift colors along the warm/cool (yellow/blue) axis and green/magenta axis of the color wheel, respectively. You see me first try the White Balance presets because they are common lighting conditions.

 

Lightroom 9 3 Color.gif

 

That’s a good way to start.

 

The other color panels you see, such as Color Mixer, Point Color, and Color Grading, are advanced tools for making more specialized adjustments that can be based on color theory. For example, if you wanted to generally shift image colors around the color wheel, you could use the Color Grading panel, which works in a way that’s familiar to professional colorists who color-grade major TV/cinema productions.

 

It’s often used to independently shift the major tonal ranges (highlights, midtones, and shadows), to achieve effects like the example described in the tool tip in the screen shot below: Warming up highlights and cooling down shadows is a color contrast technique used at least as far back as Renaissance painting. 

 

Lightroom-Color-Grading.jpg

Inspiring
January 8, 2026

Wow!!!

This is more than I could ever expect. I have no reason to not follow your suggestions. Thank you so much, and good-bye Adobe Color.

BTW, I got the idea to use Adobe Color from a video tutorial by an expert who demonstrated its use on a street scene photo. 

Thanks again for everything.

Conrad_C
Community Expert
Community Expert
January 9, 2026
quote

BTW, I got the idea to use Adobe Color from a video tutorial by an expert who demonstrated its use on a street scene photo. 

By @Richard2138

 

Ah, OK. I have seen tutorials like that too. Yes, it’s a perfectly legitimate way to work. Although again, it’s a sort of advanced method for those who think in terms of cinema-style LUT-based color grading, and also want to repeat that color “look” across other photos. 

 

For most other photographers including myself, if we can get the colors we want using Lightroom tools alone (which we can in most cases), we’ll simply transfer that to other photos using the copy/paste or sync features in Lightroom. Or we can create one or more presets that record our favorite color settings, and apply them to any other photos we like.

 

But this might not apply to you since you talked about editing just the photo in front of you, and not necessarily needing to edit groups of photos consistently. 

Conrad_C
Community Expert
Community Expert
January 7, 2026

There is a way to convert an Adobe Color theme to a raw profile that can be applied in Lightroom, but it’s complicated, involving two more applications, and not easily understandable by beginners. I can post that, but first…that is not a common way to edit in Lightroom, so first, to make sure we’re solving the right problem we should back up a lot and ask:

 

What are you trying to accomplish? Do you simply want to apply consistent color edits across a number of images in Lightroom, or do you specifically need to apply a LUT-like color palette of the type that Adobe Color can produce?

 

Because if all you want is to apply the current image’s color edits to other raw/DNG images, there are much easier and faster ways to do it without leaving Lightroom, and they would be much more flexible for further image-specific edits. 

Inspiring
January 7, 2026

I warned you that my questions may reveal that I don't understand working with raw files as well as I think I do.

"What are you trying to accomplish?" My goal in using Adobe Color is to produce a harmonious spectrum/theme of colors in an image, that is, one image at a time, not intending to apply this theme to other images. Most of my shooting is wildlife, landscapes and street shooting, but the streets are in many parts of the world. Lots of travel. 

From what you have said, I don't think I want to get involved with additional apps just so I can convert an Adobe Color theme to a raw profile that can be applied in Lightroom.  I thought that Adobe Color would enable me to improve the colors in an image simply, no drama. It looks like my expectations were more than what reality can provide. I can live with that, especially if you tell me I'm going in the wrong direction and I should just stick with Lr. I really do appreciate honesty. However, if you can suggest a way I can produce a theme in Lr easily (or so), I'm all ears.

Again, many thanks

Inspiring
January 8, 2026

Conrad_C-

Are you still involved with my questions?

Conrad_C
Community Expert
Conrad_CCommunity ExpertCorrect answer
Community Expert
January 7, 2026

Raw/DNG files wouldn't be expected to work because they're raw; in other words the raw data has not been rendered to final RGB colors so Adobe Color wouldn't be sure what color rendering it should assume to build a palette out of. You may have applied some color edits to that raw file, but the data only lives in the Lightroom cloud database, not actually in the file itself. It might be possible if they built the Adobe raw rendering engine into Adobe Color and also set up a way of transferring edits from Lightroom through those files to run throught that engine, but that isn’t how it works currently. Currently Adobe Color is set up for fully rendered images such as JPEG.

 

So what should you do? When wanting to use a raw/DNG image in almost any raw editing software (not just Adobe software) with an application or website (such as Adobe Color) that’s expecting a finished image, you just need to export a copy to a rendered format such as JPEG. Export that copy to a normal folder on your desktop, then from there you can drag it to the other app/website and drop it there.

 

It’s an extra step or two but it has to be done. It's exactly the same reason photos uploaded to typical web galleries aren't raw/DNG; the software running the photo galleries expect fully rendered final images. Raw/DNG images are also not accepted by page layout, word processing, and video editing applications; they all want fully rendered image formats.

Inspiring
January 7, 2026

Conrad-

Thanks so much for your very thorough answer, but it leaves me with another Q or two. My questions may reveal that I don't understand working with raw files as well as I think I do..

Once I extract and adjust the color theme I extracted, how do I get that info into the raw file on which I would do some final editing. Or are you suggesting that once I put the jpg copy through the theme extraction, I do all of my additional editing on the jpg and never go back to the raw file? So the jpg, and not the raw file, becomes the image of record? I've always thought that the edited raw file is the keper.