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EG-Design
Participant
June 21, 2016
Answered

PS 2015.5 - Refine Edge tool? Missing?

  • June 21, 2016
  • 39 replies
  • 191783 views

Hi,

With the new update of Photoshop it appears that the Refine Edge tool has been removed or changed into something else?
Anyone shed some light on this? Its a tool that I would always use to quickly adjust my selections when editing photography.

Closest tool I can see that looks the same and is in the same location as the Refine Edge tool is Select and Mask. This is under the right click of the selection.

Cheers,

Adam.

EG Design

This topic has been closed for replies.
Correct answer Terri Stevens

Yes it has been retired , just when I learned how to use it Seriously I'm not up to speed with the new release yet, but Jesus Ramirez has posted a set of videos on the new features

How To Use The Select And Mask Workspace In Photoshop - YouTube

or to see many of the important ones

Photoshop CC 2015.5 Tutorials - YouTube

I think there are also links in Jeff Tranberry's post above to a number of videos by Jule Anne Kost who is always worth watching.

39 replies

razinfarzaan
Participant
October 13, 2016

FOUND IT!  They won't remove it... They just can't...  Its there under the select menu!!!

JodyHatton
Participating Frequently
October 2, 2016

The new tool is total garbage. I had 5 minutes to do a quick extraction of curly hair from a background. I spent 10 times that watching videos to try and learn the new tool. It's horrible.

I can't believe after 20 years Adobe still hasn't figured out how to make a tool that extracts hair. I'd call "Select and Mask" an experiment, a hardly-working beta, not a production tool.

Installing a whole other version of Photoshop just to use an old (and way more useful) tool is also garbage. Can't we just have both? AND the "Extract" tool just for fun?!?


Thanks.

ceads
Participant
September 22, 2016

You know Photoshop is becoming a constant learning challenge. For someone who uses it for work I don't have time to keep learning all these new changes it sucks! Refine edge was perfect you should have just added a different mode but kept the refine edge it was so simple and worked wonderfully. Sometimes Less is more..ADOBE

Participant
September 23, 2016

Exactly. At this point, I'm sending out my images to someone who has CS6 installed. That person selects the image for me, and emails it back to me. A huge waste of time, and I have to explain to people why I cannot isolate images anymore, a core part of the job. It's not just frustrating, but counterproductive. Sort of like a keyboard taking away all the punctuation keys or something.

Benjamin Root
Legend
September 23, 2016

Alohayamuna wrote:

Exactly. At this point, I'm sending out my images to someone who has CS6 installed. That person selects the image for me, and emails it back to me. A huge waste of time, and I have to explain to people why I cannot isolate images anymore, a core part of the job. It's not just frustrating, but counterproductive. Sort of like a keyboard taking away all the punctuation keys or something.

There's a reason Adobe gives CC subscribers access to previous versions back to CS6, free of charge. Going back to a previous version is fairly simple and should (hopefully) solve much of your frustration.

Participant
September 17, 2016

I also can't find out how to use this tool. I need to select the edges of hair, and used toe brush tool once I was inside the Refine Edge dialog box. That allowed me to use the brush tool around the edges of hair, and select loose strands. Now, the tool selects larges swatches of color that is touched by the brush, and does not select the strands. So I'm left with a person's head and a 3-inch blobs of red background on either side of the head, because it acts like the magic wand tool instead. How do I make a quick selection with the lasso tool, then refine the edge and select hair? Doesn't make sense to make a pen tool selection each and every time you want to select hair - I make a selection of the person's entire body, and use just part of it to refine the edge. Totally lost on how to simply select strands of hair.

Inspiring
September 17, 2016

Make sure once you enter the select and mask space that you choose the Refine brush. Sometime it reverts to the regular select tool. Also check the view setting. Adobe is currently working to refine the new Select and mask feature. I also have the older version of PS installed, "just in case."

Participant
September 18, 2016

Thanks, that works much better.

Still not as precise as the old version, the edges are choppier. But it's a middle ground

Egor Chistyakov
Inspiring
September 13, 2016

I emailed Joel Baer at Adobe several cases of new S&M being failure compared with old Refine edge, with examples, as he asked to do so somewhere above.

He never replied me.

I can repost all of them here, but I think everybody here and elsewhere have tons of these examples.

_Chilexy's example is even more detailed as mine, Conrad's C example is ridiculously weak.

I repeat once more: S&M is failure, soft launch is crucial, feedback is must-be.

Nobody cancelled horses when automobiles were invented.

Bring back RE and stop spoiling working features.

whamalamaboom
Inspiring
September 12, 2016

P.S. Is there a way to get SELECT AND MASK to "remember" the settings I choose (like the View Mode) so I don't have to keep changing it every single time I go into the tool?

whamalamaboom
Inspiring
September 12, 2016

Glad to see I'm not the only one who scratched my head after updating to the latest PS.

The only update Adobe ever made that completely destroyed my workflow was back when they changed AUTO-BLEND LAYER, which I used in my digital paintings. The change made ABL useless for my needs, adding hours to each painting. Worse was that the last version that had the original "algorithm" wasn't available through CC and when I finally found it on some (potentially sketchy) site, the function still defaulted to the newer process due to how everything was installed anyway.

That was a nightmare, so when I loaded up the latest PS and didn't see REFINE MASK, which I use in all of my work, I panicked because my first thought was, "They did it again...". I tried SELECT AND MASK figuring it must be the replacement and I haven't been able to get the same results I used to get with REFINE MASK. Not by a long shot.

I watched the videos and workflow examples posted here and they're great, but it doesn't matter that with a few extra steps and tweaks, I can get kinda sorta closeish to what I used to be able to do on the fly with REFINE MASK and REFINE EDGE. Something that used to give me what I wanted in one move now being something I have to fuss with means more time spent and more time spent is bad. When you have as many projects as I do, it adds up.

I don't think it needs to be removed and I'm not furious like I was with the change in ABL. It's just inconvenient when something went backwards in its usefulness to me even if it supposedly expanded its functionality for everyone. I also prefer not to keep different versions on my machine, so I guess I'm in the same boat as the rest who now have to do their clean up manually.

Participant
August 31, 2016

IN THE MEANTIME. For all CC users, I just found out there is a way to keep both versions of cc 2014/2015 and 2015.5. It will probably require to revert to the 2014/2015 by looking for previous versions in the Cloud menu, and then updating again to 2015.5 (June update) but using the advanced options. See link for instructions. I will try this. I remember the refine edge was in that version. I have not tried it yet, since I need to contact my company's IT to do it (permissions.) So, hopefully it works as a temporary solution. I know it means two versions of the same program, but I'd rather do that than spend too much time on the same task and still not present a good quality work. Crossing fingers for it to work!

Install a previous version of any Creative Cloud application

Participant
August 30, 2016

I understand the tool was improved in some way, but, for tasks like mine, where I need hand control over what gets refined, please let me know when a fix for this will be available. I work mostly with pet hairs, most of the times, the isolated stock images are in a white background, therefore the need to have more "manual" control over the edges is essential for my jobs. These images go into all kinds of dark, clear or light backgrounds and it really produces an unacceptable quality of work. Please see samples.

Acting proactively, in my case, I can still use some handy-dandy hair and fur brushes, as the final result shows, but that translates into more manual work, that is not really following the original edge, but more guided toward hand painting if you will. It becomes a more lengthy and difficult task than it should and it still does not produce the same results. Please, please! add a feature that allows more control.

Participant
August 27, 2016

I do not like this new tool then how to return to the old version?

Participating Frequently
August 31, 2016

Hey Adobe, this just in: users everywhere HATE the new tool and want to revert back to the old one.

I know you guys read these message boards, so PLEASE get rid of this "update". I liked the old one and thank my lucky stars I only updated on one computer. My workflow was to do a mask then use SELECT >  REFINE MASK. The way the new tool works, I have to select and mask all at once on the layer I'm working on and the results aren't as good.

This is one of those things where you guys say "Hey, you'll love the features when you get used to them" but we were all pretty happy with what we had. Like when Microsoft decided they could make Windows better by changing everything about it. Not a good thing. Don't end up with egg on your face. I don't plan on even installing this version.

Thanks for listening. We're annoyed. You can fix it.

Terri Stevens
Legend
August 31, 2016

it is an over generalization to say everyone hates the S&M feature. As with most things in Photoshop people with a problem will post here whereas those getting the results they want will not feel the need. I'm not going to pretend its problem free but its a better masking tool than what went before it. It is noticeable that the images that give the problems are the ones that are traditionally considered most difficult to do like hair and fur and S&M doesn't suddenly make masking those complex edges easy. People here often say they get amazing results with the old Refine Edge , but whenever you ask them to post examples there usually is an excuse not to show those results for some reason. The reality is that complex masks require channel pulling techniques combined with advanced dodging and burning. It is not a five minute operation and can take hours to get right but there is not a single tool on the market at any price that makes that makes the process easy. I'm afraid to make really great masks you have to really put in the time. Having said that anyone with an AMD graphics card is at a serious disadvantage as driver problems cause in some cases S&M to be unusable, but that's not a problem Adobe can address its up to AMD to get their act together. A clue must lie in the fact that turning OpenCL off will often give better results. For most masking tasks Select and Mask is excellent , you just need to know what the outer bounds of its performance envelope is.