12 bit ProRes nlog footage from NikonZ6III is always automatically converted to rec.709 on import.
I have been trying to import 12 bit ProRes raw footage from my NikonZ6III and every time it is automatically converted to rec.709. I am able to import the footage fine in Davinci (it shows the correct flat log profile). I have tried everything that has been suggested -- disabling the Color Management Auto Detection in the project settings, overriding the media color space of my clips, downloading Apple Pro Video Formats. Nothing has worked so far. Has anyone run into this issue? Strangely, 10 bit ProRes raw footage imports just fine.
