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Participant
December 26, 2019
Question

All clips appear desaturated in Premiere Pro 2020

  • December 26, 2019
  • 3 replies
  • 819 views

Hello all,

I've been using Premiere Pro for years to edit simple videos shot on a Sony camcorder. When setting up a project I choose HDV, and import the clips .MTS clips. And then I begin with individual sequences for the videos I will render. The color appears extremely desaturated with lines and blotches of colors throughout, and looks the same upon exporting. 

However, if I look at the clips individually through Quicktime the color looks like what I shot in camera.

 

I just began using a 2019 Mac Book Pro and I wonder if the color spaces do not line up? Screenshots of all 3 included below. Any thoughts or tips to rectify the issue. I have enabled color display managment in preferences.

 

 

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3 replies

R Neil Haugen
Legend
December 26, 2019

By a 2nd monitor and set it to appropriate Rec.709 standards. Use the current monitor for basic UI, and the new one for image quality evaluation.

 

Neil

Everyone's mileage always varies ...
R Neil Haugen
Legend
December 26, 2019

The trouble with color/saturation/tonality is due to Apple's typical "unique" decisions. They chose to create a new "color space" they call Display P3 ... that isn't like any other color space anywhere else on the planet. All other P3 color-primary spaces are designed for 'dark room' theatrical viewing. Apple took the slightly larger P3 primaries but none of the other standards of P3 spaces.

 

And compounded things by setting the behavior of the ColorSync utility to equally odd choices as to how it applies color/tonal mapping for Rec.709 media within their Display P3 setup. Depending on the particular computer/monitor and how they're setup in the factory, it can give a range of behaviors, none of them proper for Rec.709 media.

 

Rec.709 standards require two transforms ... the first is the camera transform, the second is the display transform to essentially reverse the camera transform. Apple's ColorSync utility applies the first part, the camera transform ... but not the second part, the display transform.

 

So ... for Rec,709 media, the remapping of the Rec.709 within the larger (and differently shaped) P3 primaries are off, and due to the odd partial Rec.709 application, the tonalities are off also.

 

Your best bet is to set the option in the Preferences to "Enable Display Color Management" ... which tells Premiere to read the installed ICC profile for a monitor and try to remap its internal displays to something appropriate for the Rec.709 media Premiere is designed to work properly with.

 

Neil

 

Everyone's mileage always varies ...
RJshow26Author
Participant
December 26, 2019

Neil, thank you. But that option is already enabled. Any other suggestions?

Ann Bens
Community Expert
Community Expert
December 26, 2019

Best to set up a sequence by dragging a mts clip into an empty timeline. (hdv might nog be correct as i am seeing interlaced artifacts.

As for the color read this:

FAQ: Why does my footage look darker in Premiere

RJshow26Author
Participant
December 26, 2019

Hi Ann --

The only capture format that shows up in my Project settings is HDV. All video is shot on a Sony NXCAM HXR-NX100.

And in regards to the color, I am having exact opposite issues of those listed in that FAQ. My color is entirely desaturated rather than saturated.

Ann Bens
Community Expert
Community Expert
December 26, 2019

HDV capture is of no importance that is for tape camera's.

The footage in Premiere looks rather dark compared to the QT screenshot.