Awful colour banding / stepping on export
Hi,
I've just finished cutting a 40min film that's due for release in a few weeks time on a cinema run along the east coast of Australia (not an ideal turnaround I know, but that was the clients perrogative, not mine).
I have been trying to export a Prores 4444 or 4444 XQ for the colourist for the last 24 hours and am beginning to pull my hair out over it.
It seems whichever settings I use, there is terrible banding in the skies of the some of the shots (most notably the high contrast shots, but also in some others).
The banding only appears after export (not present in premiere), and after some tests it became clear that the banding does not occur if I've dropped a LUT on the footage in premiere and then exported, it seems graded footage can be exported silky smooth. But for obvious reasons I dont want the colourist grading in premiere, and so when I try and export the log footage I run into this problem of terrible banding. It makes the footage totally unuseable, nothing discreet about it.
Canon C200 and Red Dragon footage affected.
My Mac has an Apple M1 Max chip, which means I can't toggle the Mercury playback engine (although not sure if that's an issue or not).
Premiere 2023.
Export settings:
Format: Quicktime
Prores 4444 and 4444 XQ tested - same result
Unchecked HDR Graphics White (Nits) - as recommended by colourist
16-bpc
Maximum render quality checked

Screenshot of the issue (only half the screen, not a weird aspect ration - delivering in cinescope)
Can anyone offer any insight here please??? Thanks in advance
