Skip to main content
Participant
November 4, 2023
Answered

Export my edited files for color correction

  • November 4, 2023
  • 2 replies
  • 1658 views

I have completed an edit for a short film and I want to send all the files to a friend who will "polish" and complete color correction. He uses DaVinci Resolve so I need to send him all the files with editing permissions via external hard drive. How do I export this to the external drive where he can open all the files and do what he needs to do?

This topic has been closed for replies.
Correct answer R Neil Haugen

Two ways to go about this ... sending either the bits & pieces used, or complete files. Your choice.

 

Just the used bits

 

Select all on a flattened timeline, excluding graphics! ... and do a render & replace to something like ProRes422 or if you've got "really big good files" to begin with, ProRes444. Found in the Quicktime "Format" option.

 

Check to include handles, so you cover any transitions that wipe between frames. Perhaps enough for a full second each side of the cut.

 

Send those files, the flattened mp4/H.264 file of the sequence, and an EDL to the colorist. With the sequence selected, File/Export/EDL.

 

Check with the colorist, but you'll probably want original file names (unless you gave them a different name in Premiere), Include Transitions ... but maybe not much else selected.

 

That way the colorist can take the media, the EDL, and the reference mp4, put the reference on V2, use the EDL to put the clips on V1, and check between V1 and reference on V2 to make sure they have everything properly conformed.

 

They do their work, export out replacement clips ... which you then use.

 

By: selecting all the used clips in the project panel, "offline", then Locate ... navigating to the replacement clips from the colorist.

 

The Everything process

Export the 'reference' H.264.mp4 file of the flattened sequence, again, without graphics ... export the EDL, and copy all the original files to a folder, with the mp4 and EDL also in there.

 

Deliver that to the colorist.

 

Simplest process

 

Export the sequence to mp4 as above, and copy the original files to the same folder. Let the colorist sort things out. Which can work if there's not that many clips. But if you've got a couple hundred clips, with a lot of cuts ... that's a bit of a mess to work.

2 replies

R Neil Haugen
Legend
November 4, 2023

There are several ways to do this, naturally!

 

Is the colorist going to grade and send clips back to you to replace on the timeline, or ... do the finish export from their rig? Two ways of getting to final, but very different in what you and they need to do.

 

Answer that, and I can give you more details of steps needed.

 

Next, it's good to send a low-bitrate probably mp4 file of the final sequence, so the colorist can see and compare clips to make sure they have everything.

Everyone's mileage always varies ...
Participant
November 4, 2023

Hello sir,

Thank you for your response! The colorist will grade and send the files back to me. The editing is complete, I just need the colorgrading done but I want to be able to review everything once more before sending it out as complete, if that makes sense? 

R Neil Haugen
R Neil HaugenCorrect answer
Legend
November 4, 2023

Two ways to go about this ... sending either the bits & pieces used, or complete files. Your choice.

 

Just the used bits

 

Select all on a flattened timeline, excluding graphics! ... and do a render & replace to something like ProRes422 or if you've got "really big good files" to begin with, ProRes444. Found in the Quicktime "Format" option.

 

Check to include handles, so you cover any transitions that wipe between frames. Perhaps enough for a full second each side of the cut.

 

Send those files, the flattened mp4/H.264 file of the sequence, and an EDL to the colorist. With the sequence selected, File/Export/EDL.

 

Check with the colorist, but you'll probably want original file names (unless you gave them a different name in Premiere), Include Transitions ... but maybe not much else selected.

 

That way the colorist can take the media, the EDL, and the reference mp4, put the reference on V2, use the EDL to put the clips on V1, and check between V1 and reference on V2 to make sure they have everything properly conformed.

 

They do their work, export out replacement clips ... which you then use.

 

By: selecting all the used clips in the project panel, "offline", then Locate ... navigating to the replacement clips from the colorist.

 

The Everything process

Export the 'reference' H.264.mp4 file of the flattened sequence, again, without graphics ... export the EDL, and copy all the original files to a folder, with the mp4 and EDL also in there.

 

Deliver that to the colorist.

 

Simplest process

 

Export the sequence to mp4 as above, and copy the original files to the same folder. Let the colorist sort things out. Which can work if there's not that many clips. But if you've got a couple hundred clips, with a lot of cuts ... that's a bit of a mess to work.

Everyone's mileage always varies ...
Ann Bens
Community Expert
Community Expert
November 4, 2023

Copy/paste is the way to go.

No need to include preview files.