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Participant
February 8, 2018
Question

Gotta be a better way to do this (Multi-Cam)

  • February 8, 2018
  • 1 reply
  • 373 views

I'm familiar with the basic multi-cam sequence setup process, and have edited several, but I am convinced I am making part of my process more difficult than it needs to be.

PRODUCTION SET-UP (INTERVIEW STYLE):

3 Cameras

2 Lav Mics

     - One mic is linked to one of the cameras.

     - The other mic I leave recording throughout the interview and cuts to be used as reference audio for synchronizing.

     - The other two cameras are still capturing room audio to synchronize with lav audio.

WORKFLOW:

     After all importing and general organizing, sometimes the lav reference audio is in multiple clips so I do quick merge of these clips in Audition and bring that back into PP to have one seamless file to sync to.

     I select all footage from all cameras and my newly-merged audio, "create multi-cam source sequence", sync by audio and leave all other options default.

     This is where I get bogged down: the newly-created sequence creates a separate track for every single clip - audio and video (usually more than 20 tracks each). And because I, of course, don't want to see 20+ "angles" when I go to multi-cam edit, I then select each group of clips according to their angle, and nest them in order to get three clean video tracks - each of their respective angle.

     I then attempt to do the same with the second lav audio to condense it to one track. Sometimes I'm able to nest, sometimes it won't allow me to and I don't know why. That leads to me tediously dragging each audio clip all the way up into one track.

     I then create new sequence from this clip, and now have my lovely one track each of audio and video, and continue with my multi-cam edit.

QUESTION:

     What could I be doing, either on-set or in workflow, to save time? I feel like there should be some way I can tell PP to simply lay all the clips into only their respective tracks by angle when I am creating the multi-cam source sequence, and I'm just missing a step.

Thank you kindly!

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1 reply

Legend
February 8, 2018

What could I be doing, either on-set or in workflow, to save time?

1. Use a camera that won't break up longer takes into multiple files.  Any camera from Blackmagic qualifies, Panasonic GH5 and 5S as well.  There may be others.  Canon and Nikon are especially bad for longer shooting.

2. Don't stop rolling until the interview is done, you change locations, take a lunch break, etc.

3. Manual Multi-Camera Method

KuhNigetAuthor
Participant
February 8, 2018

I had a feeling this would be helpful; plan to implement that on the upcoming shoot. Thanks for the input, Jim!