Inconsistent Lumetri White Balance with Multi-Monitor / Mixed-Resolution Display Configuration
Hello everyone, I have stumbled upon a problem - and solution - for what I am simply wondering if this is a known design limitation of Premier Pro: Previously I have been working with a 3 x 24" (1920x1200 resolution for each) display configuration on which I'll often distribute some of my Premiere palettes to each side display while the center display remains my primary workpace. Never had any issues at all with Premiere this way. Now, I've built a new PC and in the process, also decided to replace the center 24" monitor with a 4K 32" (3840x2160 resolution) monitor.
In the course of using the White Balance selector, whether from the Lumetri Color panel itself or the nested Lumetri Color within Effect Controls, I probed a vew areas of my video only to see no change in the measurements, regardless of the color of the area I measured and was very surprised. In one case, I also measured some blue sky only to see the Temp./Tint max out at 300/300! For that particular measurement, I also was seeing the values reset to 0/0 upon measuring other areas of the video.
Through some exploration, what I finally discovered is that if the Lumetri Color panel was on one of the secondary monitors, the White Balance selector doesn't measure the colors correctly. But, bring the Lumetri Color panel into the main workspace of the 4K monitor and everything is just fine. Further exploration also showed that with the Lumetri Color panel on a side monitor, the color measurement results were different if I measured the video in an area of the primary monitor that was above versus reposititioned below a horizontal line 1200 pixels up from the bottom of the screen (corresponding to the vertical dimension of secondary monitors, bottom-aligned to the primary monitor). In fact, it turned out that the measured 300/300 value for Temp./Tint. was the value obtained when measuring above the 1200-px horizon.
The solution for this problem is to always keep the Lumetri Color panel in the same workspace as primary application window, or perhaps specifically whatever monitor is hosting the source video (I didn't confirm this).
Is this a known limitation of Premiere Pro? Are there other tools that may be at risk of working correctly in such a display configuration? This definitely suggests I'll find strong favor in giving up my 2 x 24" monitors for another 32" 4K one.
Thanks!
Daryl
