Nikon NRaw workflow

Question

Anyone else using NRAW in premiere?  Is there a video or resource showing best practice workflow?I’m working on a project that started in PP25, half my almost finished sequences used technical luts in a lumetri effect to go from nlog to rec709.  These are now totally borked.  I had one video where I renamed the nev files to R3D to avoid the ultra blue thing, is this still the thing to do?  I just watched a vid where it was suggested to work in a wide gamut space, but I don't know if I can retrofit this.  I dont mind working in rec709 for now, I’m not making art. I would love the easiest quickest way to get all my edit sequences consistent

cochin78mark · Answer

While working in a wide gamut space is technically "best practice" for raw footage because it prevents color clipping before you apply your final output transform, changing your sequence color space mid-edit on a Rec709 project will alter how every opacity dissolve, publix employee login title, and existing color correction interacts. For a non-art, quick-turnaround project, stick strictly to a standard Rec709 timeline.

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