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Inspiring
October 25, 2024
Question

ProRes RAW Color Management

  • October 25, 2024
  • 1 reply
  • 203 views
Hi, 

I'm having problems with ProRes RAW Material Workflow in Premiere. I got footage from a Ninja V in ProRes RAW, the camera was an FX6. It was recorded in S-Log 3,
but when I put it in the timeline the material immediately has a Rec709 look. Which I've already tried. 1. When creating a sequence, select the color space "automatic tone mapping on/off". 2. Use Modify/Interpret Footage to turn off the input LUT, but everything is grayed out here. In previous versions of Premiere this was the solution. 3. I also tried to turn off “Automatically detect log video color space” via the settings in Lumetri, without success. Does anyone have an idea where I can display this in version 24.6.3.
I'm also willing to go to v25 if there is a solution there. Thanks Andy
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1 reply

R Neil Haugen
Legend
October 25, 2024

I would love to have a sample clip of this to test. 

 

And ... you want a log image on your sequence? In what color space for the final export? What's your working sequence color space?

Everyone's mileage always varies ...