WEIRD problem with zebra in Fuji XT3 video files. Help!

OMG ! WHAT A MIRACLE ! THANK YOU LORD !  THE PROGRAM WORKS THE WAY IT SHOULD !!!!!!

OMG ! THANK YOU THANK YOU THANK YOU !

Oh my gosh, yessss. Thank you for this answer. I've been struggling with this problem for a few months now.

I have the same problem with my 10-bit H.265 footage from the X-T3 when I use Warp Stabilizer. The only solution that's worked for me is to "render and replace" the footage in the timeline using the sequence settings and then adding the effect. It would be nice if Adobe could fix this, though; probably has something to do with the bit depth/luminance range.

I've had the same problem for months now and am glad it's not just me. It's 100% a bug and the easiest solution I've found is to use an older update of Premiere Pro and AME until it gets fixed.

I did a google search earlier to see what the Fuji camera was about. I didn't get all the info I would have liked.

Apparently the XT3 is some improvement over XT2. It can shoot UHD and DCI ( UHD being 16:9 ).. 4K. The Fuji LOG ( F log) is their new gamma curve getting into wide gamut stuff or whatever it's called.. which is even MORE range than P3 ??

Anyway, I don't have one of those cameras. And I use Windows 10 machine. And I could probably put your 4K into my laptop Resolve but certainly NOT into my CS6 Premiere Pro

So this issue seems to be trying to whittle it down to what works and what doesn't work and there's a lot of variables.

I think a fair minded person would first of all consider the very human ( natural ) tendency to try to HELP the people who are having trouble with the Fuji footage, cause frankly, that black stuff looks absolutely HORRENDOUS.

Nobody here is in ANY WAY SHAPE OR FORM connected to ADOBE. It's just a FORUM ( public ). People share their experiences and try to help each other. Some have a warped sense that they HAVE to SELL adobe and bad mouth other NLE's. Some have warped idea that PC is better than Mac.   People are just people, with very different attitudes and experiences, but in GENERAL everyone sorta wants to help … or they wouldn't spend the time here.

If you want to complain to Adobe, trust me, they don't even know you exist via this forum.

I don't think it would be helpful ( with what I have to work with ) but if somebody wants to put a 3 second source file from that camera as UHD (forget DCI for now )… into something like google share or whatever it's called... (3 secs straight from camera, which will be a HUGE FILE do download )… I'd be willing to check it out...see if ugly black stuff is in Resolve. I don't think I can jam it into CS6.

good luck

Same problem here, though I shot my footage on 1920x1080. Working on Mojave iMac (a friend who tested it on high Sierra seems to play it fine)

So whose fault is it and more importantly, do we have a solution? Does Fuji have a say in this?

Hey mate, I have the exact same issue with my footage. I've spent 7+ hours with the technicians from Adobe over the phone and via remote support sessions where the manually tried everything on my computer, but to no avail. The only thing that I tried that works sporadically is to change my H.265 footage in media encoder to Prores 422 HQ. This fixed the issue on some clips, but then on others it remained. Honestly the biggest pain in the arse and I cannot believe they still haven't fixed this.

I literally think the only alternative for now is to use alternate software (resolve, FCPX) if you can...

Let me know if you've had any success.

Having the same issue in both After Effects and Premiere. Rolled back to Premiere 13.0.3 and After Effects 16.0.1 and the issue doesn't exist in these older versions.

Hoping it's appropriate to post the current bug reports here and that everybody will go vote in the hopes that this issue is resolved soon:

Overexposed parts of video blacked out – Adobe video & audio apps

Fuji XT-3 10-Bit H.265: clipped highlights render black – Adobe video & audio apps

I have a Fuji XT3 and am having the same issues in Premiere when transcoding to ProRes through Media Encoder. When I import the original files into Premiere without transcoding them the issue is not present.