What's the workflow for syncing jam synced cameras?
So lets say I have a multi day 2-3 camera shoot (no external audio) and all cameras have been jam synced, how do I get Premiere to read the TC and create a full day stringout that's not a multicam clip? I've been researching the issue for a while and I find it shocking there's no clear way to do this like you can in Avid or FCP7. Basically just want every angle on it's own track...
Most answers I'm finding are assuming that I'm syncing individual video clips to external audio.... but I'm dealing with hundreds of clips per day. We were using plural eyes, but the new version is just so, so terrible.... and I'm trying to move away from waveform syncing since our audio is never usually crystal clear enough for it to work properly.