Why does Premiere Pro crash when using GoPro footage

Forum|Forum|3 years ago
January 20, 2023
返信数 5.
1556 ビュー

Premiere Pro keeps crashing every time I try and upload/edit GoPro footage. The footage is in mp4 format.

Crash

このトピックへの返信は締め切られました。

J

John35724857azdj

Participant

I've been experiencing this problem for quite some time. Premiere Pro locks up when I'm working with Go Pro Max footage.

I've been dealing with it by hitting the 'Save' button after every edit but I waste ALOT of time restarting my program. Something has changed over time. I didn't have this problem with Fusion or initial Max plug ins. I was hoping either Go Pro or Adobe would come out with a new update to fix this. I dread working with Max footage these days but the unique shots I get from the cameras keep me using them. After I manipulate a shot with keyframes, (and restart my computer a half dozen times during the process), I export the edited shot in H.264 and delete the Max clip entirely from the program.

M

Michael Grenadier

Legend

I strongly recommend you transcode your gopro footage to a "mezzanine" format. Go Pro footage is heavily compressed and not an ideal editing format... I'd suggest you transcode to ProRes 422 or better... Happy to explain in more detail if your interested... Yes, the resulting files will be much larger but Premiere will work much more smoothly. You can also use a proxy format... again I'd suggest a prores format like prores proxy or lt...

J

Jordan Clay

Inspiring

Gopro footage making my premiere crash as well....I can handle other footage but gopro footage locks my premiere up

R Neil Haugen

Legend

GoPro and DJI drones both push the limits of "long-GOP" encoding to the max and beyond. I've seen footage from both with over 100 frames between complete "iframes". And they both at times use partial iframes!

So the computing load simply to play back those files is rather ... stark ... unless you have the correct system hardware to do so. And many computers don't. If you don't, that's ... a huge pain.

Even those systems that do have the correct hardware bits, will still struggle more with playback for that media than 8k Red or Arri RAW files. That's how hard the insta-computing is when grabbing bits and pieces.

As Premiere has to first figure out where the first and last iframes are for any bit of a clip on the sequence, and must decompress/decode/re-compute every frame between them to even begin playback.

I work for/with/teach pro colorists, mostly using "heavy iron", computers that have more spent on the calibrabration gear than you and I probably have spent, combined! ... on our computers. And mine is a 24 core/128GB of RAM rig with a 2080Ti.

If I have more than a leetle bit of H.264 from anything, I transcode the stuff. Import the t-codes into Premiere. Dump them when done as they can be recreated. Life is too short and messy to work with cruddy media on a timeline.

And that's what basically all the many colorists I know do with H.264/5 media on receipt from a client: transcode. They don't want to grade that ... stuff.

Everyone's mileage always varies ...

Christian.Z

Community Expert

try using handbrake to convert to another file

M

Michael Grenadier

Legend

handbrake doesn't convert to any "mezzanine" format like prores. It just converts to heavily compressed formats which are not ideal, but may work better than the files that gopro records...

M

Michael Grenadier

Legend

lots of reports of problems with gopro footage. It's extremely compressed so maybe try transcoding to a format like prores using adobe media encoder and see if that works. The files will be much larger but hopefully much less taxing for the system.