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Christian Fluri
Participant
April 25, 2026
Question

Handling Different Camera LUTs in Premiere Pro Beta Color Grading

  • April 25, 2026
  • 1 reply
  • 28 views

I’m currently working with the new Premiere Pro Beta color grading tools and ran into a workflow question.

My footage comes from multiple cameras (Sony FX30 and DJI Air 3S), and each camera requires its own specific LUT for proper color matching. The issue is figuring out the best way to manage this efficiently in the new color grading workflow.

Right now, I’m unsure how to structure the process so that each camera source automatically gets the correct LUT applied without constantly switching settings or breaking the grading workflow later on.

What would be the recommended approach for handling multiple camera-specific LUTs in Premiere Pro Beta? Is there a clean workflow for organizing this in the new system?

    1 reply

    IAMKRASHDOTCOM
    IAMKRASHDOTCOM
    Participant
    May 7, 2026

    Any news? I actually have the same issue. 
    In the “old” Lumetri I would create 2 adjustment layers and easily cut for every cam. 

    Now, I can’t seem to understand this :( 

     

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