Correct Studio Display profile for editing

Presets are not precise enough for this. You will get a result, but there will be a lot of trial and error and low predictability.

For printing you need to visually match the monitor white point with the paper color, and the monitor black point to max ink (on a test print).

• For most "normal" scenarios this will be around 110-120 cd/m² white luminance, and 0.3-0.5 cd/m² black luminance. But those are ballpark starting point figures, depending on type of paper and your whole working environment - ambient light, print viewing light, even the application interface. The match is visual. If it looks right, it is right.
• Similarly, the monitor white point color should usually be in the vicinity of D65. But you may need to adjust that a little on the Kelvin scale, to 6300 or 6200 or so. But again, it depends.
• This is how you get a perfect match from screen to print. Then you know that what you see is what you get.

You would normally do this with a calibrator, either directly setting those parameters in the calibrator (if the calibrator connects to the monitor's internal processor), or indirectly, by letting the calibrator read values off screen as you make adjustments to the monitor.