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Letter Shading

Participant ,
Oct 05, 2022 Oct 05, 2022

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Hi All
a problem  I have constantly is to replicate a signpainters shade on a letter. Easy to 'shadow' but duplicating but a proper 'shade' is difficult. I also need it in a true vector format. Has anyone got a successful process (or is there a function) for doing this?
The odd letter is ok but when there's a lot of it it gets really time consuming.
ta
G

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Adobe
Community Expert ,
Oct 05, 2022 Oct 05, 2022

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You can use @Monika Gause 's method here. Read the whole article but especially from #10 down:

 

https://vektorgarten.de/long-shadows-with-illustrator.html

 

I use a variation on that here, using Offset Path on the underlying fill:

Screenshot 2022-10-05 100125.png

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Participant ,
Oct 05, 2022 Oct 05, 2022

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thanks,... I'm falling at the first hurdle here....  when I use isomertric bottom, my whole thing rotates, doesn't look like Monika's at all. I can't believe this is so dfficult. 

 

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Community Expert ,
Oct 05, 2022 Oct 05, 2022

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You seem to have a letter and a rounded rectangle object selected there?

It's supposed to rotate. You then un-rotate it using a Transform effect. See Monika's step #7.

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Participant ,
Oct 05, 2022 Oct 05, 2022

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That was just so I had a similar shape to Moniks's. I've looked at Monika's tutorial and I just can't seem to get it to look like the examples

 

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Participant ,
Oct 05, 2022 Oct 05, 2022

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Doug, how does that (this) look in wireframe?

 

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Community Expert ,
Oct 05, 2022 Oct 05, 2022

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Can you please upload the file with the situation where you got stuck?

 

Please upload to Dropbox or the like.

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Community Expert ,
Oct 06, 2022 Oct 06, 2022

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quote

Doug, how does that (this) look in wireframe?

 


By @GrangerMorton

 

It looks like live type, because everything else is just appearances (i.e. they do not exist in outline).

After Expand Appearance, Create Outlines (from type), and Pathfinder > Merge, it looks like the below:

DougARoberts_0-1665044384679.png

 

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Participant ,
Oct 06, 2022 Oct 06, 2022

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Doug, looks good.... are the 45 degree angle lines straight or staggered?? Can you zoom in?

 

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Community Expert ,
Oct 06, 2022 Oct 06, 2022

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LATEST
quote

Doug, looks good.... are the 45 degree angle lines straight or staggered?? Can you zoom in?

 


By @GrangerMorton

 

Again, where exactly are you getting stuck?

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New Here ,
Oct 05, 2022 Oct 05, 2022

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I would use the blending tool.

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Participant ,
Oct 05, 2022 Oct 05, 2022

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I don't think that works as vectors though??

 

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New Here ,
Oct 05, 2022 Oct 05, 2022

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Outline text is a vector. This will not work on live text.

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Participant ,
Oct 05, 2022 Oct 05, 2022

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I can always outline the text, flexibility is not important. The blend tool though, just creates a series of steps, no vectors involved I need it to look like this:
Screenshot .jpg

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New Here ,
Oct 05, 2022 Oct 05, 2022

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After the blending step you go to the object menu and expand object. Then with the pathfinder tool, (select all) merge button. (I dont know all the button names).

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Participant ,
Oct 05, 2022 Oct 05, 2022

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this just gets a sequence of steps
Screenshot 2022-10-05 at 8.54.38 pm.png

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New Here ,
Oct 05, 2022 Oct 05, 2022

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Yes, there will be steps. They are easy to clean up. Did you look at the pdf I supplied?

I have never tried to tell somebody how to to something in Illustrator. Sorry if this wont work for you.

I just think 3D is a whole new learning curve, when simple tools work.

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New Here ,
Oct 05, 2022 Oct 05, 2022

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The less steps you do, the easier the clean-up is. Use the direct selection tool to select the points on the steps. Then press the delete anchor point tool.

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Participant ,
Oct 06, 2022 Oct 06, 2022

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Unfortunately, that's what I'm trying to avoid.... 😞

 

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Community Expert ,
Oct 06, 2022 Oct 06, 2022

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Outline text is a vector. This will not work on live text.


By @marke90000265

 

My example is live text.

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Community Expert ,
Oct 05, 2022 Oct 05, 2022

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Hi @marke90000265 

Thank you for your contribution.

 

If I understand the topic correctly, the main focus is to derive the "shadow" directly from the live text or the "primary" path. Then you don't have to work with duplicates from the outlined text and you don't have to do the change on each duplicate.

 

The variants suggested by @Monika Gause  and @Doug A Roberts  make you much more flexible, e.g. when editing live text.

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