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Participating Frequently
October 14, 2012
Question

Tone Curve vs. Basic Panel (LR 4.2)

  • October 14, 2012
  • 2 replies
  • 25530 views

I'm using LR 4.2 in a Windows 7 environment.

I'm trying to gain a deeper understanding how the four tonal sliders in the Tone Curve (Highlights, Lights, Darks, Shadows) compare or correspond to the four tonal sliders in the Basic Panel (Highlights, Shadows, Whites, Blacks) in terms of their impact on the image. 

How do these relate, how do their differ?  They seem to do sort of the same thing, but not quite. 

Can anyone help me understand this better, or point me to a tutorial that does?

Thank you,
Robert Ades

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    2 replies

    TheDigitalDog
    Inspiring
    October 14, 2012

    Might want to start by viewing this excellent free video:

    http://mulita.com/blog/?p=3945

    Then George goes into exhustive detail about ALL the sliders and options using PV2012 (and more)

    Author “Color Management for Photographers" & "Photoshop CC Color Management/pluralsight"
    Participating Frequently
    October 15, 2012

    I actually have George Jardine's Develop series as well as the link above, which I have just gone back a re-watched.  It was these tutorials that got me all confused in the first place.  Here's why...

    In this tutorial, http://mulita.com/blog/?p=3945, right at minute 15, he talks about the highlight control.  Move the slider to the left  and you increase edge definition or enhancement.  But move it to the right and you increase contrast.  These sound like the same thing.  Because I associate edge definition wth clarity, I don't see how they're different.  Further, I don't really understand (actually I don't understand at all) why moving the highlight control to the left has any effect at all on edge defintion.

    TheDigitalDog
    Inspiring
    October 21, 2012

    At the above link for the grayscale ramp test pattern I stated:

    Import the above image into LR and observe the Histogram in the Develop module. You will see 21 lines representing the 21 gray scale values from 0%-100% in this image. Adjust each of the Basic panel Tone controls individually to see how they affect the Histogram and Loupe image. Now adjust the four regions in the Tone Curve. Notice that the PV2012 Highlights and Shadows Basic Tone controls work quite differently than their companion Tone Curve controls.

    The PV2012 Tone Curve works virtually identical to the tone curve in PS. The Highlight and Shadow controls not only modify the tone curve, but add an effect similar to Clarity (micro-contrast). Try adjusting the Tone Curve to -50 Highlights and then compare the histogram to what the Highlights control does at -50.

    With -50 Highlights notice how the leading edges (R to L) of the lighter grayscale patches are slightly darker than the rest of the patch, making the transition from the lighter patch more pronounced. So in fact you could say that the Highlights and Shadows controls add "edge enhancement," but that is NOT their primary purpose.

    The PV2012 Basic panel sliders are complicated controls that I'm sure only the Adobe LR team fully understand how they work. I've gained most of my insight by simply using them and from the above 21-step grayscale image. But I will tip my hat to Rob Cole who was instrumental in posting some great PV2012 controls usage tips early on in the LR forums.


    Move the slider to the left  and you increase edge definition or enhancement.  But move it to the right and you increase contrast.  These sound like the same thing.

    Maybe an image will help (didn't I suggest that?).

    Best to view in Photoshop at 100%:

    http://digitaldog.net/files/LRHighlightExtreems.tif

    Author “Color Management for Photographers" & "Photoshop CC Color Management/pluralsight"
    areohbee
    Legend
    October 14, 2012

    Unlike the tone curve, the basic sliders are backed by some intelligence, and it's possible to increase contrast in one region without a corresponding loss in contrast in another.

    Best results are had by getting as close as possible using the basic sliders, then use the tone curve to fine tune if need be.

    Rob

    Participating Frequently
    October 14, 2012

    Thanks for the reply. 

    I think I understand the Tone Curve better than the basic sliders because I can see how the adjustments affect the curve.  With the basic sliders, the chnages to the curve aren't shown -- reading contrast using just the histogram is more difficult.  How do you judge changes in contrast using just the basic sliders?

    Also, what do "whites" and "blacks" in the basic sliders correspond to in the tone curve?

    areohbee
    Legend
    October 14, 2012

    Whites & blacks correspond closest to moving the clipping points via the point curve (not the parametric tone curve). But, if I were you I would shy away from trying to draw too close a correspondence between basics and tone curve, and instead just learn to use the basic sliders by trial and error in conjunction with whatever learning aids you can find, including auto-tone (which goofs exposure but you can learn from what it does to the other sliders (in addition to exposure, you may also need to tweak blacks, and maybe even some of the rest...).

    For example, the behavior of exposure changes when it starts to get very bright, and contrast is tied to exposure, and which tones are highlights and which shadows vary from photo to photo, and depend on exposure. Also, blacks & whites are ostensibly for defining the clipping points, but should not be used first, and have very different behaviors depending on which direction you pull them and the dynamic range of the photo...

    PV2012 basics really rock, but can be tricky to learn - hang tough and enjoy...

    More tips here:

    http://forums.adobe.com/thread/968940?tstart=0

    http://forums.adobe.com/message/4259091#4259091

    Rob