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This issue has been posted before here but since noone responded here it is again:
Out of nowhere I started to get horrible banding on gradients in Photoshop, Indesign and Illustrator, even when exporting.
Even the little gradient icons are less banded.
I'm on an M1 2022 Macbook Pro 16".
I updated everything, no difference.
I opened in rosetta and normally, no difference.
Anyone know what's happening? Is it a bug?
I added some screenshots.
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Also, I've tried both on native screen and external screen.
The gradient tool has been acting strange anyway, where sliding the midpoint didn't do anything for example.
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Try working in 16bit.
Could you please post a screenshot of the Gradient on white taken at View > 100% with the pertinent Panels (Toolbar, Layers, Channels, Options Bar, …) visible?
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If you create a gradient in 16 bit then any banding you see is in your display chain, not the image. Most screens are 8 bit and some are actually 6 bit + dither. The exception is a higher end 10 bit/channel monitor with a GPU card that supports it.
Note though that there is a long standing artifact when previewing a gradient, even 16 bit, to transparency against the checkerboard pattern. The smooth gradient breaks up. Again though, this is just an on screen artifact relating to the preview and is not stored in the image. Put a temporary solid white layer at the bottom of your layer stack and you should see that break up disappear, showing that the true gradient to transparency is smooth.
Dave
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If you have exported in 8 bit then you are likely to see some banding
Dave
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they're applying the grad to a mask for transparency... which always produces the worst results. If only we could apply dithering to masks...
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It was the same every other way I tried, I just happened to end on that one.
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I've exported in both 8 and 16 bit.
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These screenshots are not at 100% - you need to look at it at 100% zoom. Double click on the zoom tool...
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It was
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you're applying the grad to a mask and masks are always 8 bit and have always banded like crazy. Not a bug and has needed to be improved for decades.
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Masks aren't 8 bit, but selections are. A mask has the same bit depth as the document. Painting and gradients in a mask are always full bit depth.
You may need to watch this for masks made from selections, such as a standard luminance mask. The safe way to do this is to copy a full layer into the mask. A bit cumbersome, but can be actioned.
OTOH, I've never noticed any banding from a standard ctrl+alt+2 luminance mask. It would take an absolutely extreme adjustment to get banding from that, and in that case the file probably has deeper problems.
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@D Fosse wrote:
Masks aren't 8 bit, but selections are. A mask has the same bit depth as the document. Painting and gradients in a mask are always full bit depth.
Indeed and super easy to test:
Make a new document in 16-bit
Make a selection. Select>Save Selection; ask for a NEW document.
New Doc is in the same bit depth, Untagged Multichannel.
Masks are not always 8-bit.
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IF you see banding in high-bit (16-bit) images, zoomed at 1:1 (100%), the banding is due to the display path, not the data in your document.
Download this test document, zoom in at 100%: see banding there? If so, it's the display path:
https://www.dropbox.com/s/s14f4w7dq85r7oo/10-bit-test-ramp.zip?dl=0
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Funny enough I did not see any banding when I opened it in Photoshop but I did see terrible banding in the dropbox preview.
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@Asyouwere Medewerker-1 wrote:
Funny enough I did not see any banding when I opened it in Photoshop but I did see terrible banding in the dropbox preview.
Forget Dropbox, what matters is Photoshop or other applications that fully support a high-bit display path. The application (OS, video card, display) ALL play a role.
So export this and view wherever you viewed the images you reported; do you see banding at 100%?
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Hi. Does that happen if you export to any format? What about jpg?
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Thanks all for replying. 16 bit helped just a bit, I'm still getting banding in Illustrator and it's still not like I'm used to but I'm starting question my entire existence atm cause maybe it was always like this and I was living a lie, idk. It's mainly with dark gradients when using transparancy. It just makes a black band, then a very steep gradient of bands, not "gradual" at all as you can see in the linked image.
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How does it look onscreen when viewed at 100%
I hope this helps
neil barstow, colourmanagement net :: adobe forum volunteer:: co-author: 'getting colour right'
google me "neil barstow colourmanagement" for lots of free articles on colour management