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Known Participant
October 31, 2023
Answered

Exporting in Premiere: BT.709 or BT.2020 Transfer Characteristics - Does it matter?

  • October 31, 2023
  • 1 reply
  • 4049 views

Hello, any help appreciated with this weird question;

 

I have video file 3840x2160, it is in SDR (no HDR). I wanted to possibly apply an effect to it but also wanted to lower the bit-rate on it some. My exports from Premiere Pro (2021 & 2023) using H.265 (I've tried various settings - Rec2020 on\off, HDR on\off) never get me to match what the original file states under  "Transfer Characteristics" using Mediainfo. 

 

Here is where they both match:

ColorSpace: YUV

Format: Main 10 @L541_2.1 @2651121

Chroma Subsampling: 4:2:0 (Type 2)

Bit Depth: 10 Bits

Color Range: Limited

Color Primaries: BT.2020

Matrix Coefficient: BT.2020 non constant

 

This one however does not match: Transfer Characteristics

Original is BT.2020 (10bit) and exported is BT.709

 

The video looks great, just as good as the original (on my monitor anyway). I believe when I checked off "HDR Metadata" it gave me "PQ" there and that one the colors looked washed out. 

 

The funny thing is I believe I have done this correctly before. I have the same type of file from about a year ago that I also checked and somehow\some way (I'm pretty sure using Premiere?) I was able to get that to state "BT.2020" for that area matching the original.

 

This topic has been closed for replies.
Correct answer R Neil Haugen

Well this is new to me... According to the Wiki for BT.2020 (ITU-R recommendation BT.2020) allows the use of SDR & BT.2020

 

"various aspects of ultra-high-definition television (UHDTV) with standard dynamic range (SDR) and wide color gamut (WCG)"

 

And I found a few other sources that claim it possible & apparently occurs though rarely. So if that is the case I then go back to my original question on why Premiere will not allow me to export that way; not allowing export of  the Transfer Characteristics of BT.2020 (10bit) and I suppose more importantly, if I cannot does that setting even matter in the case of SDR material?


You'd have to get a staffer for that. But at a guess ... it's because that is such a rare case. I don't know of a TV out there that would properly support WCG ... wide color gamut ... in SDR/Rec.709 DR and setting.

 

So ... how would anyone view it?

 

And ... why would you want to export it too, as there's nothing that can use it in any practical way. It's more of a 'theoretical' thing is my understanding.

1 reply

R Neil Haugen
Legend
October 31, 2023

You say you have a video file that is SDR ... which is Rec.709/Bt.1886.

 

Rec.2020 is HDR.

 

So I'm wondering what it is you're trying to match, as to me, your listed data and results don't make sense.

 

Is the original clip Rec.2020? or Rec.709? Which?

Everyone's mileage always varies ...
kepico@Author
Known Participant
October 31, 2023

Neil, thank you for the reply. I thought the same thing (or at least I thought I knew) until I saw this. Herer you go;

 

Format : BDAV
Format/Info : Blu-ray Video
File size : 84.7 GiB
Overall bit rate mode : Variable
Maximum Overall bit rate : 109 Mb/s

Video
ID : 4113 (0x1011)
Menu ID : 1 (0x1)
Format : HEVC
Format/Info : High Efficiency Video Coding
Format profile : Main 10@L5.1@High
Codec ID : 36
Width : 3 840 pixels
Height : 2 160 pixels
Display aspect ratio : 16:9
Frame rate : 23.976 (24000/1001) FPS
Color space : YUV
Chroma subsampling : 4:2:0 (Type 2)
Bit depth : 10 bits
Color range : Limited
Color primaries : BT.2020
Transfer characteristics : BT.2020 (10-bit)
Matrix coefficients : BT.2020 non-constant

 

Its not supposed to be HDR and sure enough no 'HDR Format' in there. So to me either Mediainfo is giving wrong info or could it have been flagged incorrectly? (It is a Japanese UHD). I guess if it was given the wrong info in the first place does it matter then that my Premiere export is now in Rec.709? That Rec.709 video export looks to me anyway the same as the original. I just don't want to mess any of it up.

R Neil Haugen
Legend
November 1, 2023

That ... is an odd set of settings, to say the least.

 

And if it looks ok in SDR/Rec.709 sequence & exports, if the scopes look fine ... well, it's probably just great.

Everyone's mileage always varies ...