I don't want my footage imported with LUTs

I don't know why people assume LUTs are being used for this. I mean, in 2019, yea woulda been a LUT.

But folks, those limited things are ancient tech. They use an actual mathematical process now for transform work, vastly more capable than some idiotic look up table. That's just a text chart, this pixel triplet goes here. No math involved.

And unless your field produced media was shot using the exact same scene contrast and exposure as used in creating the LUT, you have to be able to trim the clip prior to the LUT or risk clipped or crushed data.

So IF you are setting up the new color management to actually manage your log media in Premiere, the input transform is via algorithms designed for that camera’s media.

And will not clip or crush values.

And simply by setting the working space to a wide gamut option, you can work with any source clips in sequences set to either HDR or SDR for display and output use.

For most users, that is a far better start than any input LUT, including from the camera maker.

For some advanced professional workflows involving pass-through to the colorists, it is useful to turn off all Premiere CM. With one control, that says do not manage.

Hi @Danny Luksa - If you are working on version 25 of Premiere Pro then you can navigate to the Lumetri Panel and open the settings tab, then under Project there is a checkbox labeled "Auto Detect Log Video Color Space" you can check that off then the media you import will be interpreted as Rec709.  This setting is also available in the Project Settings under Color