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Salah Anwar
Participant
April 5, 2024
Answered

Opening a premiere project on a new M3 Mac Book Pro (Missing Filters)

  • April 5, 2024
  • 3 replies
  • 1198 views

I had an Intel Mac Tower (2019) and recently just purchased a Mac Book Pro M3 Max. I'm opening a project that I had on my Intel Mac and I get a "Missing filters" message and most of the color on the clips is gone. I still have my old machine, but hoping this wouldn't need me to switch back and I feel a bit not confident in this upgrade now.

 

After looking around it seems that it is a common issues with Premiere and M1, M2 chips and assuming M3 as well. But one of the solutions was running Premiere in Rosetta mode which would have allowed me to turnover this since I don't need to edit in this project anymore, but that didn't work.

 

Some of these filters were done in an old Premiere, but when I upgraded on my Intel it was all translating fine.

 

Is there any new solutions or tips to work around this issue?

 

I'm running Apple M3 Max chip

Premiere 24.3

No additional plugins.

Screenshots attached of the video filters missing.

    This topic has been closed for replies.
    Correct answer Salah Anwar

    Well, as a temporary solution I made an export of the old sequence on my old machine to add on the top of my sequence for any purposes until this whole project wraps up. I think some migration tool that convert the old effects to Lumetri would be great. Not sure if that is even realistic when it comes to execution.

    3 replies

    R Neil Haugen
    R Neil Haugen
    Legend
    April 5, 2024

    That's been asked of the devs, and yea ... there's not really any way to do that 'mathematically' ... so sadly, it ain't an option.

     

    I'm glad the math is actually mostly correct now. But still bummed Lumetri is all we have all these years after they killed SpeedGrade. Supposedly, Lumetri was going to be vastly upgraded over time.

     

    It's had some tweaks, ok, and the new color management stuff is of great use.

     

    But the basic layout and pattern of work is still the same. With the same limitations.

     

    As somewhat of a color geek, I have pushed it enough to figure out how to do a lot of the stuff you can do in Resolve, but most don't spend that much time nor do they have a full color panel, like the Tangent Elements, that I use.

     

     

    Everyone's mileage always varies ...
    Kevin-Monahan
    Community Manager
    Kevin-MonahanCommunity Manager
    Community Manager
    August 16, 2024

    Moved to Discussions.

    Kevin Monahan - Sr. Community and Engagement Strategist – Adobe Pro Video and Audio
    S
    Salah AnwarAuthorCorrect answer
    Participant
    April 5, 2024

    Well, as a temporary solution I made an export of the old sequence on my old machine to add on the top of my sequence for any purposes until this whole project wraps up. I think some migration tool that convert the old effects to Lumetri would be great. Not sure if that is even realistic when it comes to execution.

    R Neil Haugen
    R Neil Haugen
    Legend
    April 5, 2024

    This kind of thing is a bummer. That said, the old color correction effects were put in the obsolete bin for a good reason, as the code was ancient and realistically a lot of the math involved, from a colorist's viewpoint, was ... faulty.

     

    Lumetri is better math than the old ones. So ... for moving forward, it's a vastly better tool.

     

    It's pain though for bringing old projects forward when you have to redo things.

    Everyone's mileage always varies ...
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